johnqdoe said:
Slambang said:
julesism said:
I think someone should try AAA in DFW. I'm in Austin now and I'm glad we have KGSR
Great idea...Why noone has actually ran a KGSR-type station in this market is beyond me. Sure, we had "The Zone" but that was more about endless alanis morisette spins 75 times a day and less about great artists like Lucinda Williams, Ani Defranco and Ozomalti,which make up a pretty decent portion of the KGSR playlist. It would take a company like emmis moving into this market to make something like that happen, seeing the now un-susquehanna will run "back to back, willy white trash butt rock" morning, noon and night.
Heres a link to the current KGSR Playlist:
http://kgsr.com/NewMusic/index.aspx
I think the short answer is the market probably wouldn't support it. That sounds absurd when you think about how many damn people are in Dallas....But then you look at all those people a lil closer.....There's a reason why Dallas has the extremely superficial, shallow people stereotypes. For the most part, they don't care enough about the music. Folks like Bonnie Raitt and Lyle Lovett sell out Bass Hall...but great artists like the ones you listed, James McMurtry and Robert Cray can't fill the Granada. If you do attend one of those shows, you're more likely to hear people yapping about where they had dinner than to hear the artist playing. I know concerts aren't the only measure to go by here...but Dallas just doesn't seem to have 1/4 of the musical ambition that a place like Austin does.
KKZN failed for many reasons...
AAA is about the white-est format ever. It has almost no appeal to anyone other than white adults. KKZN's problem is that the 93.3 facility is the worst FM signal in the market to create a format geared to a white-only crowd. Particularly at the time with a weak coverage to Collin County due to KIKT 93.5 Greenville. Susquehanna later bought KIKT and downgraded it and got 93.3 slightly re-engineered. Even now, this is the one true signal meant for a black or Hispanic-targetted demo (as opposed to Radio One/Service/Univision/Entravision/LBI collection of rim-shots on 93.7, 94.5, 98.3, 99.1, 101.7, 104.9, 105.7, 106.7, 107.1 airing formats at target audiences that mostly can't hear them).
At the time, KERA-FM 90.1 ran a similar format nights and weekends. Much like the current classic rock situation with 92.5 and 93.3 where there isn't enough audience for 2, there isn't enough audience for 1.5 either.
KGSR's ratings were in the toilet during its early days -- not until it was upgraded from a class A to a C2 and reach a demographic that would listen to it did it eventually develop. Even now, it is not an Austin powerhouse. It had a big spike in the last trend, but the previous couple of trends had it in the low 2's 12+. KKZN's ratings weren't much lower than that.
Back to the whiteness factor...AAA hasn't worked in a lot of large markets. Most of that, again, due to most large markets having sizeable ethnic populations. AAA KSCA 101.9 Los Angeles didn't burn up that market. There's certainly some music scene there, but the market is overwhelmingly ethnic. Until that format broadens its appeal beyond whites, it's going to remain an niche format. Same thing also explains country KZLA's problems in LA and lack of a country outlet in NYC. But even country has some (English-dominant) Hispanic appeal...
Back to KKZN...let's also not romanticize it. It was pretty mediocre. There were much better AAA stations in other markets (KBCO Denver, KFOG San Franciso, etc.). Perhaps a better AAA station would have been more successful. But even on 93.3, I doubt, based on its coverage area, it would ever have made anything beyond the mid-2s ratings wise.