"bilco" brought back memories of my first job in "real radio". Carl Spavento hired me - an overfed college student - to work at WBUF in 1970. I was following in the footsteps of several fellow WSCB (Buffalo State College carrier current) radio geeks - namely Nick Seneca, Tom Pysz, Bill Clay, and others - who were trying to pay for gas and car insurance without working any harder than necessary.
From 1970-74, I worked at WBUF, racking the beautiful music tapes, and making sure that the MUZAK reels kept rolling. I doubt if downtown noticed if the main channel had a problem, but they SURE noticed if the MUZAK went down.
We operated out of the tower site on Cole Road in Boston. I worked 19 hours one winter day because nobody could get up the hill to relieve me. This was the era of large, 2-wheel drive cars with big V-8s - not the optimum snow vehicle. Then again, the drifts filled in along the crest of Cole Road faster than the plows could clear them out.
We originated the news on the Empire State FM Network. It was awe-inspiring to know that when I flipped on that mic at :45 past the hour, my 5-minute rip 'n read newscast from the UPI teletype would be picked up by a tuner at WVOR-FM in Rochester, rebroadcast, picked up by another tuner at WDDS in Syracuse, rebroadcast, and picked up by WFLY in Troy, and rebroadcast once again. Imagine the quality at the far end!
If my experience working Sunday mornings and trying to tune in WVOR for a rebroadcast of the Brighton Community Church services are any indicator, the signal was sketchy at best. I hope that their receiving antennas were better than mine...
The RCA 44 was still there, and I plugged it in many times. It had a warm sound that gave my squeaky, teen-aged voice a semblance of gravitas - at least to MY ears. I believe that the alternative was either an EV 635A, or perhaps an RE-10. It was a LONG time ago.
I left full-time for WDOE in Dunkirk, but still picked up a Sunday shift through the transition from Beautiful Music to Progressive Rock. I believe it was Cal Brady who decided that they had more "involved" progressive jocks available for that Sunday shift sometime in early 1975. I can't say that I minded have one day a week off from that point on.
From 1970-74, I worked at WBUF, racking the beautiful music tapes, and making sure that the MUZAK reels kept rolling. I doubt if downtown noticed if the main channel had a problem, but they SURE noticed if the MUZAK went down.
We operated out of the tower site on Cole Road in Boston. I worked 19 hours one winter day because nobody could get up the hill to relieve me. This was the era of large, 2-wheel drive cars with big V-8s - not the optimum snow vehicle. Then again, the drifts filled in along the crest of Cole Road faster than the plows could clear them out.
We originated the news on the Empire State FM Network. It was awe-inspiring to know that when I flipped on that mic at :45 past the hour, my 5-minute rip 'n read newscast from the UPI teletype would be picked up by a tuner at WVOR-FM in Rochester, rebroadcast, picked up by another tuner at WDDS in Syracuse, rebroadcast, and picked up by WFLY in Troy, and rebroadcast once again. Imagine the quality at the far end!
If my experience working Sunday mornings and trying to tune in WVOR for a rebroadcast of the Brighton Community Church services are any indicator, the signal was sketchy at best. I hope that their receiving antennas were better than mine...
The RCA 44 was still there, and I plugged it in many times. It had a warm sound that gave my squeaky, teen-aged voice a semblance of gravitas - at least to MY ears. I believe that the alternative was either an EV 635A, or perhaps an RE-10. It was a LONG time ago.
I left full-time for WDOE in Dunkirk, but still picked up a Sunday shift through the transition from Beautiful Music to Progressive Rock. I believe it was Cal Brady who decided that they had more "involved" progressive jocks available for that Sunday shift sometime in early 1975. I can't say that I minded have one day a week off from that point on.