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CBS-FM's "Jack" From September 2005

In celebration of the 40th anniversary of CBS-FM next month, we're going to take you back 7 years ago back in September 2005 where CBS-FM brings you a format called "Jack". This aircheck was heard 3 months after they dumped oldies since June 3rd to launched an ill-fated format that seems to go nowhere. "Jack" plays everything from Stevie Wonder, REM, Dixie Chicks, Journey, Metalica, Guns & Roses, Cat Stevens, Jim Croce and a bunch more. That station went nowhere after several ratings periods, the station failed miserably. After two years running that ill-fated format, CBS-FM went back to its roots in 2007 and did very well in the ratings big time. Here it is.

http://www.youtube.com/watch?v=prhTEbBuDbU
 
disney fanatic said:
...after they dumped oldies since June 3rd to launched an ill-fated format that seems to go nowhere. That station went nowhere after several ratings periods, the station failed miserably. After two years running that ill-fated format, CBS-FM went back to its roots in 2007 and did very well in the ratings big time.

It's a little more complex than that.

CBS-FM as an "oldies" station in the pre-Jack period was doing progressively less of an effective job in reaching 25-54's, and CBS was looking for a way to improve the sales demos. At the same time, the massively successful Jack in LA was bringing in those desirable demos and lots of revenue.

Jack did not do as well in New York. There could be lots of reasons, ranging from not having Kevin Weatherly to simple market differences. But Jack did look OK, if not great, in 25-54.

But, while Jack was running, CBS had time to analyze the results of the PPM pre-currency books in Philadelphia (January and February, 2007) and the first currency book (March) where they saw that WOGL was "on fire" with a classic hits format, and the PPM seemed to like that approach. They likely were worried that any other NYC operator who saw the results might consider the format. So they created a new "classic hits" format for CBS-FM, with roots in the heritage of the now-dismissed oldies format but plenty of 70's material as the base.

From a programming perspective, WCBS-FM had three formats in the decade... oldies, adult hits and classic hits.
 
Here's why Jack didn't do well in NYC. NY is not a good market for Rock and Jack was 90% Rock. Every half hour, they'd throw in an usual 70s or 80s hit, like Girls Just Wanna Have Fun or Can't Touch This. But most of it was 80s and 90s Rock.

In LA, where many young people grew up on KROQ and San Diego where many young people grew up on 91X, Jack is now their station. It plays all those 80s and 90s Rock Hits, including what was Alternative at the time.

NYC didn't have that experience. WPLJ left Rock for Top 40 in the 80s. WNEW-FM was legendary for its Progressive Rock days but wasn't that big in the 80s and 90s. So a Jack format in NYC, playing Depeche Mode and Def Leppard, doesn't make much sense.

When CBS chief Joel Hollander saw how Jack had done in Canada and the success it was having in Dallas and later LA, he thought this was the answer for all the CBS Oldies stations across the U.S. which were still playing The Four Seasons and The Temptations. He told interviewers that Jack "was a new kind of Oldies." He was right about the demographics but wrong about one identical format working in all markets, including markets that weren't that big on 80s and 90s Rock. (He also liked it because it eliminated all DJs, including a high-priced, multi-person morning show.)

So it was clear Jack was doomed in NYC. After a year and a half of bad ratings, a new PD, Brian Thomas, was brought in. He put live traffic reporters on the station who also did promos and even gave the artist and title of the last song played, like a DJ. He cut some of the corporate 80s Rock and tried to insert some Adult Alternative titles at the end. But it was too late to save Jack. The NYC audience had heard it and didn't like it.

So the decision was made to go back to an updated WCBS-FM. I know the format is now called Classic Hits but in my mind Classic Hits refers to hit-oriented Classic Rock, such as WROR Boston and WDRV Chicago, where there are no jingles, no rhythmic music or ballads, no DJs talking up song intros. Classic Hits is Classic Rock but the artists are Billy Joel and The Eagles, not so much Zeppelin and Ozzy Osbourne.

Today, WCBS-FM to most listeners is simply the old WCBS-FM minus the pre-Beatles songs and with compatible 80s hits. The morning and midday DJs had been on the old WCBS-FM. There are still jingles, songs are still talked-up, there's plenty of African-American artists. It sounds like the old WCBS-FM except Hall & Oates and Bob Segar have replaced The Four Seasons and Elvis. But hey, the original WCBS-FM updated itself over the years. Originally it played The Del Vikings and Connie Francis. There's always a progression in all formats, even Oldies.

So CBS got what it wanted after all... today's version of Oldies. They still have to pay DJs (although overnights are now voice-tracked). It's usually the #2 station in NYC. It might not be a big biller since part of its audience is over 54. But it makes decent money and costs CBS little to run. (They've owned the station since it signed on in the 1940s. No debt service.)


Gregg
[email protected]
 
If "Jack" had replaced WXRK or WNEW FM, it might have had a better chance of success. K Rock was still running Howard Stern until the end of the year and to have the Jack format follow Howard would have made sense. After Howard left for Sirius, Jack would have settled in full time.

CBS-FM was a heritage station with many loyal fans. To blow up CBS FM was a huge mistake. Obviously that was realized two years later. In LA, Jack replaced a similar "Arrow" format.They didn't blow up KRTH for Jack.
 
benale said:
CBS-FM was a heritage station with many loyal fans. To blow up CBS FM was a huge mistake. Obviously that was realized two years later. In LA, Jack replaced a similar "Arrow" format.They didn't blow up KRTH for Jack.

No, CBS-FM was a station with aging demos that had to be significantly reformatted. At the time, pre-PPM, it seemed that Jack was the answer since the diary reflected a different reality on "oldies" stations.

Once the PPM results from Philadelphia came in... and Philly was much earlier on the PPM rollout than New York... it became clear that the classic hits format that had evolved on WOGL was a winner. There was no way of knowing that when Jack was introduced.

The main reason for dumping Jack in New York so fast after just a few months of "currency" PPM in Philly was obviously to prevent another operator from seizing the format first.

CBS did not have to blow up KRTH... it already existed. But they did have a ratings and demo issue on Arrow, so they fixed it. KRTH ran into problems going into the PPM, and they did a major revision including PD, music mix, etc.
 
Gregg said:
Here's why Jack didn't do well in NYC.

Let's check the facts vs. uban legend.

The last two (winter and spring, 2005) full CBS-FM Oldies books had 2.8 and a 3.1 in 25-54, and the last full book (winter, 2007) as Jack had a 3.2.

So the myth that Jack did "badly" is not an absolute. The 25-54 did not increase by much, and they were likely hoping for more. But the oldies 25-54 was declining consistently, so two years later it would likely have gotten into the mid-2's.

The Jack format did OK. Not great. But when the PPM revealed a whole new set of truths, it made sense to blow the station up again and go to classic hits. In this case, it was all about PPM.

When CBS chief Joel Hollander saw how Jack had done in Canada and the success it was having in Dallas and later LA, he thought this was the answer for all the CBS Oldies stations across the U.S. which were still playing The Four Seasons and The Temptations. He told interviewers that Jack "was a new kind of Oldies." He was right about the demographics but wrong about one identical format working in all markets, including markets that weren't that big on 80s and 90s Rock.

But Jack is not an identical format. What is identical is the brand and the snarky anti-DJ imaging, the use of listener drops and such. The music is as different from one market to another as night and day. Jack in Winnipeg was not the same as Jack in LA. In fact, Jack is licensed in a number of other places in the world, and each does its own music research or selection and is locally focused.

(He also liked it because it eliminated all DJs, including a high-priced, multi-person morning show.)

Using LA as an example, and DJ savings from Arrow were likely exceeded by the Jack licensing fees and the cost of fulltime production pros in the studio at all times to do "instant listener drops." Of course, the PPM pretty much eliminated big-cast, chatty morning shows all by itself.

Again, the big change was not the format, it was the method of measurement.

It might not be a big biller since part of its audience is over 54. But it makes decent money and costs CBS little to run.

WCBS-FM is a big biller... it is in a tie for the #3 billing FM position in New York City; it's the 17th highest biller in the US and the 10th highest billing FM. It does not matter how much spillage into 55+ it has since it is consistently top 5 in 25-54. In fact, I'd bet that advertisers see all those "free" 55+ ears as sort of a "it can't hurt" bonus to a CBS-FM buy.

As to operating costs, the bulk of those are not DJ salaries.
 
Thanks for their thoughts. I don't listened to CBS-FM when it was "Jack", so I tried to listen to other stations rather than "Jack". Back in 2005, NYC never had a oldies station at time. There was one in the Hudson Valley where they played oldies was WBPM's "Cool 92.9". That usually brought some of its listeners from the loss of CBS-FM and it remained until February 2007 when Pamal took over from CC, it became "92.9 WBPM" as a classic hits format with some few rock songs from "Jack". When CBS-FM came back in 2007, they added a few 80's songs in its rotation, but it never changed, but if the station will add some 90's in the mix, we shall see.

Even today, you've Sirius/XM where you have "50's on 5", "60's on 6" and so on, there's also Rewound Radio which is an internet stream playing the oldies along with the "DJ Hall of Fame" show every Saturday with an aircheck from previous radio stations and of course, on terrestrial radio, there's "Fox Oldies" which is in Poughkeepsie, the home of Van Ritshie, Bob O, Bob Corisino and Joe Manglass, they played a lot of pre-Beatles stuff along with 60's and 70's, but there is no disco played on "Fox Oldies", but this is just an example of an oldies station in the Hudson Valley that it would feel like it was CBS-FM all over again.
 
Gregg said:
... CBS chief Joel Hollander... he thought this was the answer for all the CBS Oldies stations across the U.S... it was clear Jack was doomed in NYC. After a year and a half of bad ratings, a new PD, Brian Thomas, was brought in... So the decision was made to go back to an updated WCBS-FM...

Of course, Joel would have made it much easier for everybody by simply revamping the CBS-FM playlist and branding back in 2005, rather than put an outsourced "oldies" format on the air.
 
I realize the demos were too high in 2005 for CBS-FM, and I agree that Hollander and company should have just revamped the station then instead of going with the Jack format. That move pissed off a lot of people, and I still maintain one of the reasons the Jack format did not do well in New York was because of the station it replaced.
 
A lot of the above is not true, it is just opinion. First, I did not agree with taking away CBS-FM for Jack, so I will state that right from the beginning.

Gregg posted that New York did not share the same experiences as New York and LA in regards to Alternative. That is not true. From 1991-1996, a little station called Z100 played Depeche Mode and other alternative acts, which my generation (Gen X/Y) grew up listening to. We now have nothing, and are being completely ignored in terms of radio formats. Jack failed because it was a mismosh of two different generations of rock music, sort of in the same vain of RXP.

Another poster stated that CBS saw how well WOGL was doing in Philadelphia, they decided to bring back CBS FM. Philadelphia (and Boston, Hartford) have thriving alternative formats (Radio 104.5, Radio 104.1, and Radio 92.9). How come New York is not Philadelphia in regards to alternative, but is in regards to classic hits?
 
But Z100 wasn't the same during that era. They mixed in alternative stuff with pop stuff, (ie playing Mariah Carey before Pearl Jam). KROQ never did that. And there was WDRE/WLIR but it never got any substantial ratings.

As for the original topic, the answer Jack didn't work was simply because they sacrificed CBS-FM to do so. Yes, they had demographic issues, but to get rid of it without warning, then to run liners insulting their audience just created a bad atmosphere that they couldn't recover from for the rest of Jack's experience. Even Mayor Bloomberg used curse words explaining what happened.

And as someone who was at the young end of the money demo, I couldn't listen even if the music mix was decent because of what it replaced.
 
Though certainly, in a sense if not reality, WCBS-FM's resurrection and success "saved" the oldies format by pushing it forward ten or so years, musically speaking.

And why not? Today's 25-54 listener seems to be aging just as the last group did and is embracing nostalgia at just about the same time in their lives. So, why shouldn't there be a station for them?

What WCBS-FM does very well in it's new incantation is embrace the sound and feel of New York, without totally forgetting rock and roll's (and the station heritage's) early years, though that music is fewer and more far between as time passes.

I can remember when it came back, a lot of posters on this board predicted disaster, almost from the second we heard "Do It Again" by the Beach Boys. Third in billing, second 12 plus and flirting with #1 from time to time...

Yeah, I'll say it...I told you so.
 
mrbrightside said:
How come New York is not Philadelphia in regards to alternative, but is in regards to classic hits?

Because WOGL's PPM performance was a revelation and represented, for CBS, a strategic opportunity to be seized quickly, while alternative was not a PPM superstar format... in fact, it got hurt in many places.

This is, again, about the timing of PPM, not about any specific format. Some formats did better in PPM, others did worse. The stars were CHR and Classic Hits, and the big loser was Smooth Jazz. There were many others that had to be judged on a station by station or market by market basis.
 
DavidEduardo said:
mrbrightside said:
How come New York is not Philadelphia in regards to alternative, but is in regards to classic hits?

Because WOGL's PPM performance was a revelation and represented, for CBS, a strategic opportunity to be seized quickly, while alternative was not a PPM superstar format... in fact, it got hurt in many places.

This is, again, about the timing of PPM, not about any specific format. Some formats did better in PPM, others did worse. The stars were CHR and Classic Hits, and the big loser was Smooth Jazz. There were many others that had to be judged on a station by station or market by market basis.

This does not equal "hurting" to me:

StationPPM Markets Jan 12 Feb 12 Mar 12 Apr 12 May 12
KYSR Los Angeles 2.6 2.7 2.6 2.9 2.7
WRFF Philadelphia* 4.4 4.8 5.0 5.0 4.6
WBOS Boston 3.6 3.9 3.6 3.5 3.8

*(the market that is not like NY, but is when in regards to Classic Hits, CHR, etc, but DEF NOT Alternative)

This board simply hates the format, and will say anything to shoot it down.
 
mrbrightside said:
DavidEduardo said:
mrbrightside said:
How come New York is not Philadelphia in regards to alternative, but is in regards to classic hits?

Because WOGL's PPM performance was a revelation and represented, for CBS, a strategic opportunity to be seized quickly, while alternative was not a PPM superstar format... in fact, it got hurt in many places.

This is, again, about the timing of PPM, not about any specific format. Some formats did better in PPM, others did worse. The stars were CHR and Classic Hits, and the big loser was Smooth Jazz. There were many others that had to be judged on a station by station or market by market basis.

This does not equal "hurting" to me:

StationPPM Markets Jan 12 Feb 12 Mar 12 Apr 12 May 12
KYSR Los Angeles 2.6 2.7 2.6 2.9 2.7
WRFF Philadelphia* 4.4 4.8 5.0 5.0 4.6
WBOS Boston 3.6 3.9 3.6 3.5 3.8

*(the market that is not like NY, but is when in regards to Classic Hits, CHR, etc, but DEF NOT Alternative)

This board simply hates the format, and will say anything to shoot it down.

PPM has been out for well over two years, stations have had more than enough time to adapt and showing some generic 6+ numbers from the past couple of months has no relation or relevance to what David was saying.

It's not about "alt is good" or "alt is bad," it's about "what makes THE MOST money." Alternative makes money, but there are easier ways to make more money. It's just fact.
 
DavidEduardo said:
benale said:
CBS-FM was a heritage station with many loyal fans. To blow up CBS FM was a huge mistake. Obviously that was realized two years later. In LA, Jack replaced a similar "Arrow" format.They didn't blow up KRTH for Jack.

No, CBS-FM was a station with aging demos that had to be significantly reformatted. At the time, pre-PPM, it seemed that Jack was the answer since the diary reflected a different reality on "oldies" stations.

Once the PPM results from Philadelphia came in... and Philly was much earlier on the PPM rollout than New York... it became clear that the classic hits format that had evolved on WOGL was a winner. There was no way of knowing that when Jack was introduced.

The main reason for dumping Jack in New York so fast after just a few months of "currency" PPM in Philly was obviously to prevent another operator from seizing the format first.

CBS did not have to blow up KRTH... it already existed. But they did have a ratings and demo issue on Arrow, so they fixed it. KRTH ran into problems going into the PPM, and they did a major revision including PD, music mix, etc.

As the Legend goes and it may or may not be true. Is That in March of 2005 Joel Hollander was just about ready to flip WOGL to Jack FM but got beaten to the punch by Greater Media flipping Mix 95.7 to Jack knockoff "BEN FM" .
 
Danfm said:
DavidEduardo said:
benale said:
CBS-FM was a heritage station with many loyal fans. To blow up CBS FM was a huge mistake. Obviously that was realized two years later. In LA, Jack replaced a similar "Arrow" format.They didn't blow up KRTH for Jack.

No, CBS-FM was a station with aging demos that had to be significantly reformatted. At the time, pre-PPM, it seemed that Jack was the answer since the diary reflected a different reality on "oldies" stations.

Once the PPM results from Philadelphia came in... and Philly was much earlier on the PPM rollout than New York... it became clear that the classic hits format that had evolved on WOGL was a winner. There was no way of knowing that when Jack was introduced.

The main reason for dumping Jack in New York so fast after just a few months of "currency" PPM in Philly was obviously to prevent another operator from seizing the format first.

CBS did not have to blow up KRTH... it already existed. But they did have a ratings and demo issue on Arrow, so they fixed it. KRTH ran into problems going into the PPM, and they did a major revision including PD, music mix, etc.

As the Legend goes and it may or may not be true. Is That in March of 2005 Joel Hollander was just about ready to flip WOGL to Jack FM but got beaten to the punch by Greater Media flipping Mix 95.7 to Jack knockoff "BEN FM" .

And apparently the same thing happened in Boston. They were ready to flip WODS to Jack but Entercom's 93.7 beat them with "Mike". Mike is now WEEI-FM.
 
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