Radio has worked in the past, and continues to work for the companies that invest in that portion of the programming that ENHANCES the music. If you're simply a music delivery service, you'll lose to new technologies who can do that better - at least on devices that are connected to the Internet. You may do OK with generic, canned programming if other technologies are unavailable or expensive, but otherwise you need to add something that the on-line services can't. Timely, locally relevant content is the "value added" portion.
Of course, on-line broadcasters could do the same thing, but you have the problem of the delivery system, which generally isn't as portable or robust as FM radio. Sorry, but AM gets short shrift here. It's been so battered by bad technology that it's a wheezing invalid these days. And, on-line broadcasters generally don't have the money to invest in timely, locally relevant audio content because they're paying rights fees. They also lack decent studio space, although the generally poor audio quality of streaming isn't as picky as OTA FM.
The simple fact is that streaming is not a replacement for radio, and won't be for some time to come. If you live in a major metropolitan area, and can afford a decent data plan for your cell phone, you may not be tethered to a LAN in order to get audio content. Realistically, the coverage will be spotty, and grow increasingly so as you move away from the most densely populated areas. If you're able to connect to a wireless LAN, it will be better, but not so portable. Radio offers at least some channels with robust audio in most areas. Cellular doesn't. OTOH, radio has limited range, and serves a fairly well defined geographic area.
So, the answer is to play to your strenghts. Program directly to the people that you reach - which on-line can't do as effectively. Add content unavailable through other audio services. Yes, people can look stuff up on their smart phones. Reality is that they can't do that while driving, working, or tending to the myriad other chores required for daily living. Unlike some people who constantly post on this board, the majority of listeners LISTEN for a reason. They're BUSY.
If you don't deliver content unavailable elsewhere, your business will suffer. You'll have no added value, which means you can't ask advertisers to pay a premium for that programming that attracts listeners to your station in the first place. BTW, one of the most laughable lines from TheBigA in a while is:
TheBigA said:
Most radio stations get great ratings already. The problem is their revenue has topped out. They can't increase rates because of too much competition, and they can't add inventory because listeners will tune out.
That's simply untrue, as demonstrated by the people who sell radio in the trenches every day. Even if you live in a transactional market - and larger markets lean that way - numbers don't always directly translate to revenue. Some stations do better than their cost per point would indicate because they're foreground programming, and advertisers have seen that their advertising is more effective on those stations. That's where relationship selling - which TheBigA ignores - comes in.
Come to Buffalo. I'll introduce you to a lot of people who've done very well selling both with and without rating books. Over time, they've established track record for success that advertisers recognize and are willing to pay extra for. Only rookies live and die by the book - mostly because they have no other choice.
Lastly, there would be sufficient money for programming if the Corporate Raiders leading these organizations hadn't severely overpaid for their properties, and hadn't recycled that debt several times - paying higher interest rates each time to forestall bankruptcy. Those guys are playing a financial shell game, they're not trying to build or grow companies. It's about real estate transactions, not operation of broadcast properties. The companies actually concerned about operating and making a profit are generally doing well. The ones speculating are the ones in trouble.