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DeltaKing
Guest
I was reading the threads about KIX and Classic Country, and decided to think about each FM station in the market as far as their compeititive situation. My opinions may differ from yours. but here is what I've come up with in my feeble little mind. Mind you, these are just the Commercial FM's.
92.9: 93X has the alt market all to themselves, and they still struggle. They do share audience with 98.1 and Rock 103, but pretty much are their own competition, having lost any battle with 94.1 when The Buzz softened up. No reason they shouldn't have more success. They are the "we hate everyone" angry white kid station.
94.1: The Buzz has become their own competition lately, having put themselves back into direct competion with FM 100. They could have stayed the course and carved out a niche, but chose to jump in with both WMC, and even WRVR to a point (Michael Buble just doesn't sound right on 94). They also have WHBQ-FM on the younger end.
95.7: A format to themselves. They have some sharing with WLOK, but are truly the station of salvation in Memphis.
97.1: Lots of competitors, but they still dominate the urban scene. Biggest battles are with Hot 107.1. They share some audience with WMPW, but KXHT is their enemy.
98.1: The Max has really gone after Rock 103 in recent months, but still seem like a one trick pony with Drake and Zeke. Rock 103 is very close musically and has heritage, but D&Z have brought some followers to 98.1. They also experiment with some newer titles that WEGR won't mess with.
98.9: In need of a format change. Too many competitors to have any sort of success. WHRK, KXHT, WHBQ-FM, you can hear Power 99's playlist on any one of those stations already. With the move to some syndicated fare, the end may be near for Power.
99.7: FM 100 has the heritage and the misfortune of being in a format that all other "white stations" want to play in. They get hit from all sides. With WRVR's more current stance, and WMBZ virtually copying the FM 100 playbook, it's more crowded than ever for them. Yet, they still own Women 25-54. Also, WHBQ-FM has thrown in more HOT AC titles during the day, and 30% of their women also sample KIX.
101.1: V101 may be only competing against themselves, but have WRBO on the older end, and WDIA on the even older side. However, KJMS has pretty much a lock on older black listeners with their Urban AC format. They also share a lot with sister WHAL.
102.7: Had no real competiton until last year, and still do well. They've recovered nicely form the loss of D&Z and are back in the Top 10. They stay purely Classic Rock, and share mostly with 98.1, and...surprisingly, FM 100.
103.5: Niche format, but demographic competitors abound. They share many titles and listeners with KJMS and also WDIA.
104.5: The other half of the Entercom sandwich, WRVR has opened up and played many younger tinged titles as a result of their battle with FM 100, but also have WMBZ playing similar titles to WRVR as THEY soften up. Entercom needs to separate the sisters a bit more, as that may have something to do with WRVR's down book in Spring. They share mostly with FM 100, but also substantially with KIX for their Women.
105.9: All alone in first. KIX's ups and downs have more to do with diary placement than anything. This is where Country fans go, since they have no other bar to stand at. They share some with all other main Adult stations, but have the highest level of P1 loyalty in Memphis (next to WHAL).
107.1: They are in a dogfight mostly with K97. WMPW is not much more than an annoyance, and they also have in-building competiton with 107.5. They have the street credibility that gives them big young end numbers.
107.5: "Gee, who do we want to sound like today?" They made sme strides, but are very scattershot with their CHR playlist. They share mostly with FM 100 and WMBZ, but also skim some from the Urbans. They are the 13-year-old "white girl" station. They are heavily dayparted, and dabble in Hot AC during the day, whle "ridin' dirty" at night. You don't know what to expect when you tune in.
Flame away.
DK
92.9: 93X has the alt market all to themselves, and they still struggle. They do share audience with 98.1 and Rock 103, but pretty much are their own competition, having lost any battle with 94.1 when The Buzz softened up. No reason they shouldn't have more success. They are the "we hate everyone" angry white kid station.
94.1: The Buzz has become their own competition lately, having put themselves back into direct competion with FM 100. They could have stayed the course and carved out a niche, but chose to jump in with both WMC, and even WRVR to a point (Michael Buble just doesn't sound right on 94). They also have WHBQ-FM on the younger end.
95.7: A format to themselves. They have some sharing with WLOK, but are truly the station of salvation in Memphis.
97.1: Lots of competitors, but they still dominate the urban scene. Biggest battles are with Hot 107.1. They share some audience with WMPW, but KXHT is their enemy.
98.1: The Max has really gone after Rock 103 in recent months, but still seem like a one trick pony with Drake and Zeke. Rock 103 is very close musically and has heritage, but D&Z have brought some followers to 98.1. They also experiment with some newer titles that WEGR won't mess with.
98.9: In need of a format change. Too many competitors to have any sort of success. WHRK, KXHT, WHBQ-FM, you can hear Power 99's playlist on any one of those stations already. With the move to some syndicated fare, the end may be near for Power.
99.7: FM 100 has the heritage and the misfortune of being in a format that all other "white stations" want to play in. They get hit from all sides. With WRVR's more current stance, and WMBZ virtually copying the FM 100 playbook, it's more crowded than ever for them. Yet, they still own Women 25-54. Also, WHBQ-FM has thrown in more HOT AC titles during the day, and 30% of their women also sample KIX.
101.1: V101 may be only competing against themselves, but have WRBO on the older end, and WDIA on the even older side. However, KJMS has pretty much a lock on older black listeners with their Urban AC format. They also share a lot with sister WHAL.
102.7: Had no real competiton until last year, and still do well. They've recovered nicely form the loss of D&Z and are back in the Top 10. They stay purely Classic Rock, and share mostly with 98.1, and...surprisingly, FM 100.
103.5: Niche format, but demographic competitors abound. They share many titles and listeners with KJMS and also WDIA.
104.5: The other half of the Entercom sandwich, WRVR has opened up and played many younger tinged titles as a result of their battle with FM 100, but also have WMBZ playing similar titles to WRVR as THEY soften up. Entercom needs to separate the sisters a bit more, as that may have something to do with WRVR's down book in Spring. They share mostly with FM 100, but also substantially with KIX for their Women.
105.9: All alone in first. KIX's ups and downs have more to do with diary placement than anything. This is where Country fans go, since they have no other bar to stand at. They share some with all other main Adult stations, but have the highest level of P1 loyalty in Memphis (next to WHAL).
107.1: They are in a dogfight mostly with K97. WMPW is not much more than an annoyance, and they also have in-building competiton with 107.5. They have the street credibility that gives them big young end numbers.
107.5: "Gee, who do we want to sound like today?" They made sme strides, but are very scattershot with their CHR playlist. They share mostly with FM 100 and WMBZ, but also skim some from the Urbans. They are the 13-year-old "white girl" station. They are heavily dayparted, and dabble in Hot AC during the day, whle "ridin' dirty" at night. You don't know what to expect when you tune in.
Flame away.
DK