As always, transparency is our motto. The Times had a lot of info to cover in the article, as much is happening (more to come soon). BTW, the moves have also been reported in other local and national publications, so it is not just The Times recognizing KCSN's purpose and potential.
Karen wanted to return to teaching--her first love, much like radio is mine. She is going to focus on radio and media management studies, and is going to actively identify qualified CSUN students with skill sets we can utilize at KCSN.
The GM/PD role is an enormous amount of work, and I appreciate the University's show of support in allowing me to further guide KCSN on several levels. I will be creating new infrastructure to help us continue upward momentum.
The Connections Made By Guitar Center show is a tremendous collaboration with GC, Filter Magazine, KCSN, and other non-comm stations across the country. The intent is to provide exposure for unsigned and breaking acts. Guitar Center has five million unique visitors a month to their website-- which will help generate initial interest in the show as the radio consortium builds out. This is truly "connecting" several media platforms in a coordinated effort, which has long been lacking in the music business. The success of their "Guitar Center Sessions" with DirecTV made Nic an obvious host.
All of our signal upgrades operate within our ascribed dbu contours, so we are sensitive to KSBR and other stations in all of our growth initiatives. This is one of the greatest challenges we face--we have growing demand for our programming, and fulfilling the public interest is important to us.
As for paying for the growth initiatives, KCSN continues to develop increased patronage and underwriting. We intend to be a source of pride and revenue for the University, always sensitive to the ever increasing funding cuts to education and arts in the State. It is through the generosity of artists like Tom Petty & The Heartbreakers that we can take our first steps to prominence.
We hope to be recognized by more corporations, foundations, artists and patrons for our dedication to artist development.
We know we need to earn that recognition.