A while back ago, I came up with what I call the four "schools" of a New York dance music fan. Some of these can actually blend with one another but I had wanted to be as specific as possible. So, here we go.....
1) WORLDLY:
These are people that are either....
a. visiting NYC that come from Europe or other dance music friendly nations
b. transplants from this country living in NYC
c. African or Asian-Americans, with a blend of Latinos in there.
These are the people that venture to the Manhattan underground clubs and lounges such as Cielo, Marquee, Pacha, etc. that are mainly house (specifically..."soulful"), trance, electronica and alternative fans.
2) BRIDGE AND TUNNEL:
These are the Brooklyn, Queens, Bronx, Staten Island, New Jersey and Long Island crowds, mostly Latino and Italian. This is the crowd that Beatstock targets. Clubs that are in these regions play dance music a la Pulse 87 (Kim Sozzi, Lucas Prata, etc.) as well as classic freestyle from the late 80's/early 90's
3) SOCCER MOM
These ladies USED to hit the clubs back in their single days (80's and 90's). However as they got older, they married, settled down, work, had kids of their own, attend community sporting events, etc. Yet the music they heard in the clubs still holds a presence. The difference with this and "Bridge and Tunnel" is the fact that while those under B&T still follow the music closely, the "Soccer Mom" is just as satisfied hearing the classic stuff along with the more rhythmic mainstream material out there. Think 'KTU.
4) GAY/LESBIAN/BI/TRANSGENDER
A lot of this crowd do go into the "Worldly" clubs but not necessarily the "B&T". However, there are also clubs specifically targeted to them as well with their own "brand" of dance music, known as "the circuit". It's mainly house and trance but there is a strong base of artists that specifically cater to this community. This brand of music is heard very little on radio...with the possible exception of "Pride" on KTU's HD-2 signal.
Morpehux is right in terms of the fans of dance in other cities, and some of my "schools" could fall to specific communities in such cities. That's why (according to that article), you didn't hear anyone scream out Manhattan, because Manhattan isn't necessarily into the Bridge and Tunnel brand of dance.