So you'll refuse to label EDM as EDM because so much of it is hyper-commercial marketing bullcrap, but you're willing to play Miley Cyrus (the very height of hyper-commercial marketing bullcrap) in a mix with what you would consider EDM? I mean, sure, mixing genres for the sake of variety is a skill any DJ should have, I'm not knocking that at all, but railing against something and then using exactly that something is just a tad hypocritical, don't you think?
Josh, Mike is not refusing anything about EDM. He stated what it has turned into, and admits he plays SOME on his station (in order to appeal to sheep, yet still educating with other genres). If anything, it seems you are refusing to see what is going on with the term. Pre 2010, the FEW that used the term understood it the way you do, and that's fine. That would actually be the hipster way of thinking. But after the labels cashed in and bastardized it, the average person (non hipsters) understand EDM as the sound Mike and I are talking about. You kind of remind me of myself back when this happened to Alternative. It was once pure and indie, but then all of a sudden, the labels identified the genre with Nirvana and that whole grunge sound. From then on, I had this battle with the alternative rookies, trying to convey to them that it started with Electronic and New Wave bands like Depeche Mode, New Order, The Cure and so on. They would just roll their eyes and say No thats gay. Alternative was poisoned with all the Rage and Korn and punk influences. I eventually gave up. Its the same today with EDM. These kids want their Afrowack, Steve Aoki, and Tiesto (new stuff only) and they would not be open minded to anything that actually is melodic or funky, groovy, deep, soulful. I hope I don't need to give examples, but that is House. EDM is not. Sorry, its not 2009 anymore. They win. EDM is what they put on those cheesy CDs "NOW That's What I call EDM!" with all the ******bags on the cover like Avicii and Deadrat.
In Europe, the House DJs I deal with don't play any EDM, and infact they laugh at it. They don't understand how it started off so good with Chicago House in the 80s (the birthplace of House), but now it's just a mess over here (in the states) with the cookie cutter sound. It's actually quite comical, because the whole 90s Dance sound has made a huge comeback in some of the new European tracks, but it pretty much stays over there in favor of the domestics signing Guetta, Laidback Luke, and the other jokers. If you really look at Dance globally, whats happening here is quite backwards