D
Don62
Guest
True in one sense. But Bartley did used to play less familiar, less "tested" songs.KevinFodor said:If the station you are listening to breaks from the network to play local spots, you don't hear the "forgotten gem" as it is covered by the local station's commercials.
Stations which do not have fully sold-out shows do not break for commercials at that point, and in those cases and on those stations, the "forgotten gem" plays.
It's a perfectly realistic way of playing the songs at a strategic point in the hour where, when placed between 2 "hits", the "gem" is not as likely to drive a listener away. But, in the more major makets where programmers and managers demand a show "plays the hits", those "drop songs" almost never play.
I know that doesn't satisfy the oldies purists who would pine for a station that played 5,000 different oldies, but that's what I remember Bartley's format clock to be.
I remember him opening one hour during the early '90s with
Baby Come Back by the Equals (from '68) followed by Runaway, Del Shannon.
Now the latter was a real oldie.
The Baby Come Back (Eddie Grant song) was certainly not a "tested" song, much like "I Had Too Much to Dream Last Night," or "Nobody But Me" by the Human Beinz.
Bartley also often played "Little Black Egg" by the Night Crawlers.
I also remember after the last break of the hour, Bartley would often play a gem such as "So Fine" by the Fiestas or "One Summer Night" by the Danleers. Those were certainly gems.
That's why when I returned to listening to Bartley's and Harvey's show how disappointed I was to only find compartative drek such as Black is Black, Sugar Sugar, Dizzy played ad nauseum.
That's the fast-food like songs found every day on oldies stations. Why repeat the weekday experience just to satisfy greedy PDs who only want Oh Pretty Woman, My Girl, etc.?