Another joy of working at a station where the programming was delivered via satellite and the local liners, positioning, etc. were pre-recorded and loaded into the automation system was when the provider would publish the wrong schedule or there was a mixup of some sort (especially in the days before the internet). Local station personnel (if there was anyone actually working the station facility, and if they were actually listening and noticed the mixup and if they had a clue which jock was actually hosting at that point try and match up the jock with the local drop ins they'd voiced) had to scramble to reprogram the automation system so it'd play the drop ins voiced by the talent currently hosting, vs. the one that was incorrectly listed on the schedule they'd been given.In the mid-80s I worked at an FM station that was a Transtar Format-41 affiliate. One of my jobs was to dub the network talent liners/magic calls/etc. to carts.
Whenever the network hired a new talent, we'd get a reel with the new guy's cuts and I would dub them to a set of carts. On at least one occasion, we got a reel with just gobs of hiss behind the talent's voice. Maybe about 6 dB down. I was handed the reel on a Friday night and the guy's first shift was the next day, so I had no choice but to use it.
And yeah, it sounded like @$$ on the air.
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