Effect on voice

[BlueTights]

Can sombody please tell me what kind of effects are on the voice from these tracks? I have Adobe Audition, and am looking for the right one's? Any ideas?

http://www.radio-mall.com/m2h/sonic_infuzion_3.mp3

http://www.radioimaging.com/demos/demo3.mp3

http://www.radioimaging.com/demos/demo15.mp3

 

[uppendowndadial]

I hear a lot of filtering and some chorusing. You just have to play with the settings in your DAW to get it right. There are also some great VST effects you can plug in. Vinyl is free, and Spectron will do some crazy stuff. There is a "demo" mode to it that is free, and very workable. They are both published by Izotope.

 

[DeadAudicy]

Access your effects tab and experiment plenty. Take delay times, intensities, feedbacks, etc, and max them up and down. Make noise. Come up with your own wizardry...the stuff in the posted demos is fundamental. You can do better starting from zero.

One thing tho, how did they get the lady to scream in ecstasy in demo #1? My Audition 2.0 sure doesn't have that button.

 

[jimmyfish]

Hardly fundmental, atleast the second 2, part of those demos were produced by Eric Chase, nuff said.

 

[DeadAudicy]

And how does the name "Eric Chase" differentiate fundaments of the production on the demo? It is still all repeat/delay/filter/compress. Where's the emoticom for yawn?

 

[jimmyfish]

..
o O.k. back to helping this guy. Just try using an eq and drop everything off before the 400k and maybe boost the mids. You can roll off the highs and squash it with some compression, distort it a little, some or all of the above. the possibilities are endless.Some eq programs have phone filter/old radio ect that could be a starting point.

The basics on the filter are boosted highs and lows rolled off.

This is just my oppinion and ideas and are not absolute. Just play around and get some more ideas and oppinions from the production pros on this board. Eric Chase is always a great guy to lookup, he is a nice guy and I think he would help you with settings if you can track him down. He does Chasecuts through Pemiere. In fact on the Chasecuts site he often gives tips, settings, tricks and explanations on how he does things.

 

[robnokshus06]

DeadAudicy is dead on (great moniker btw).

You got plugins? Go to town! Play around. Move things around in the chain and notice how one plugin affects the one that follows it. Switch 'em around and get a completely different sound!

Don't be afraid to go old school either. Voice doubling (read the same piece of copy a couple of times and run it on seperate tracks, one hard panned left, the other hard panned right. Nudge one of the tracks a bit for some phasing) is a quick and low tech effect that creates a big spatial sound.

Just play around and have (don't let the suits hear) fun!

 

[DeadAudicy]

read the same piece of copy a couple of times

Also fun along that same line: Take a single read and double it (save it twice as 2 separate files so they can be edited separately). Slow file #1 slightly (say about .5 semi tones in "Pitch Bend"), and insert both files into multi-track. Pull the slowed file (track) back in time a few milliseconds in relation to the unaffected track, and the effect will be a pure flange. Play with placing the 2 tracks against eachother in time for different phase shift peaks. Or make many peaks happen by shrinking the time of the slowed track by a few millisecs in "Time Stretch". Enhance the effect by boosting high mid range in eq.

With tracks in the same positions, pan track 1 all the way left, and track 2 all the way right for a much more realistically perceived "delay based" pan, as opposed to the typical amp based pan. Very spacious, but without the doubling. Hearing it in mono will give you the phase cancellation flange effect, in stereo you get the pan.