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Fall 2 trends

Tibbs2 said:
There is no real way to apply 'a one size fits all' approach to local AM radio stations. CR may
beg to differ. :)

nyahhh...not this time.
keeping a music AM afloat...esecially in a shadow market like Gallatin...is no easy feat...
I'll just leave it at that (NY resolution)
 
Tibbs2 said:
Scott --- didn't you once say it didn't really matter what format you had, you'd still get similar revenues?
What if you went to talk or religious programming, would it actually help you BILL more? I think alot of people
are conditioned to just not understand music on AM. Especially Hot AC.

Youth of America is not really the demo any radio station should be worried about targeting. For the life
of me, I cannot see why AM single owners aren't going for the 40+ demo that has been thrown away by
CONsultants. And, that doesn't mean you have to play funeral music. I'd rather put my faith/trust in a demo
that may age or die off in ten to twenty years than one that will never have a clue that AM exists ... or
care.

I think Scotts pretty much accurate on his "rant." Having had the pleasure of a limited amount of AM experience
in Sumner County many years ago ...all I can say is unless your New Year's e-mailer has lived the dream,
locally, recently, etc., then he/she has no real dog in that hunt, perhaps just a bunch of opinions based upon book
knowledge. There is no real way to apply 'a one size fits all' approach to local AM radio stations. CR may
beg to differ. :)

Have you thought about a disco format? I hear there's many Sumner County residents begging for it.

Tibbs,
You are correct in what I said. On AM, it really doesn’t matter what programming you have on the air, as long as it brings in revenue. Now Magic 1560, WMRO, is only Hot AC six days a week. On Sundays, we dropped the Hot AC Format for all religion and gospel programming. This is where my “MAIN” money is made. Magic 1560 is gospel on Sundays from 6 AM to 7 PM, and every hour, every minute is sold and paid for by a church or preacher.

I tend to look at it this way, as some of you know; the station does not pay me or anybody else a salary. I have “0” employees. I do everything myself. As long as it pays for it bills, electric, water, gas, music rights, etc, we’re fine. With the advent of the PC, it has made running a small business much easier.

Tibbs, you mention that you couldn’t understand why AM stations are not programming to the 40+ crowd. There are several AM stations which are counted in Arbitron’s eight county Nashville Metro that are playing some kind of Oldies format.

Your former stomping ground, WQKR, AM 1270 up the road from me in Portland is doing Oldies, similar to what I was doing before. Former “Good Guy” Lee Dorman (now GM) of WQKR and I got together over the phone one night in 2006 and Lee was the one that helped me come up with doing Hot AC, since they were doing oldies, and we are in the same county. Lee and I looked at ABC’s Hot AC Format for us, and it was his recommendation that lead to Magic 1560’s format change, because the demo was 35-54, my age group and Pat is in that group as well.

There was collision between the two stations, WQKR & WMRO, both doing Oldies and I felt that WMRO, Magic 1560 was played out, being an Oldies 60’s/70’s station. It was time for a change; in addition, you do not want two AM stations doing the same format in a Suburban County, like Sumner County. Lee is the only one that will defend my station’s format change.

WSGI, 1100 in Springfield is doing Oldies, (live in the afternoon). I don’t know about the rest of their dayparts. WRUS in Russellville, KY is doing Oldies in the afternoons with Big Daddy Lon Sosh. These signals reach (maybe not well) the Nashville/Metro area and are considered to be Nashville area station’s, according to Arbitron and BIA.

As I pointed out to Pat, the Hot AC format gears to a 40+ audience, but really more towards the “Female” side. It gears to working moms and even grandmothers, because “grandma” can be as young as 35 these days. I know plenty of ladies, even quite a few that I graduated high school with, that are now grandmothers. And no, they didn’t get pregnant in high school! My wife Leslie and I have no kids, but see others our age grandparents makes us feel old!

I’m 43, and I will be 44 in May. My wife, Leslie is 40. We like the 70’s and 80’s Oldies, but still keep up with the Current AC hits that are out today. Yes, you may hear Def Leppard now on Magic 1560, but bear in mind that Def Leppard’s music were hits when I was in my late teens and early 20’s in the 80’s, so their music is classified as Oldies because they were hits on the CHR charts of the early 80’s, 27 years ago, almost 30. That’s what I’m trying to get Pat to understand. There are many his age that listen to Def Leppard and jocks they played their hits.

Also, there is no such thing as a Gallatin Market, a Portland market, a Lebanon Market. The cities are all apart of the Metro Nashville market. Why? One reason is like I pointed out to Pat, new homes, condos are going up and the 25-65 age group for the most part works in Nashville. Arbitron and BIA have taken Davidson County, and the eight counties that touch it or are close to it and made it one big market, THE NASHVILLE MARKET!

For those who want to hear 50’s/60’s/70’s Oldies in Sumner County, listen to 1270 WQKR!

Disco; I “LOVED” when Chris Romer was programming Majik 13. He hates me for saying this, but he did an BANG UP EXCELLENT JOB!, and I enjoyed that format so much in my mid teen years that WMRO was named Magic 1560, after his format, in his honor. He played good dance songs, and we even played them on Magic 1560. When WMRO (was WWGM) went back on in 1994, I wanted Chris to do some liners for us, and pay him good $$$ for them. It would have sounded nice, especially when I played the disco hits of KC and the Sunshine Band, Bee Gees, Kool and the Gang, Prince, etc.

I forget the artist, but it was a white female that did a song with lyrics “I love the nightlife, I love to boogie, on the disco”! That was my kind of music in 1979-1980. I hated it when the automated Majik 13 format was taken off for Pop Oldies, January 1, 1980. THe format was ahead of its time and some didn't understand it, in my honest opinion.

That’s the reason why I made a suggestion to Chris that I would like to bring back Majik 13 on the internet, streaming audio with all the Disco Hits, with his input. Oh by the way Chris, I do have the DVD of Saturday Night Fever, and I get a big kick out of out of John Travolta and his partners dance moves. It was my kind of music back in the day! Sorry Tibbs, now I’m drifting back my teen and early 20’s years of my life, just like some of you do!

We’ll its back to today’s corporate world for me and after work, its Arbor Mist time!
 
Alicia Bridges sang "I Love the Night Life." She was a one-hit wonder, as far as I know. She has (or at least had) a hairstyle that would remind you of Susan Powter. I have an assorted artists compilation CD of disco hits that includes "I Love the Night Life."

WQSV-AM 790 in Ashland City plays oldies during the evening and overnight hours, but I can only hear them on their stream at http://www.wqsvam790.com They pump out a whopping 500 watts daytime, so even here in Pegram, I have trouble picking up their signal.

WPFD down in Fairview was playing classic country, but they have now gone totally hispanic. I think my dad misses it, now that they have changed. (Maybe they can play Freddy Fender for him!)
 
On AM, it really doesn’t matter what programming you have on the air, as long as it brings in revenue.

I truly believe that a small AM station can remain successful if they provide something to listeners that the big stations won't - local programming and information. During my short 20 minute commute across Clarksville each day, I 'd like to hear news and weather plus what is going on in and around town without all the (in you face) announcers (who are not as funny, good or smart as they think they are). I have tried to listen to WJZM but, their station sounds (at best) like listening through a telephone receiver but mostly like listening through a busted speaker. The distortion is so bad I cannot listen without it getting on my nerves. The last few months I have been listening to WRUS (out of Russellville). The old guy there reads the news, weather, obits, birthdays and other tidbits of info (sounds like he's reading the local paper). Although some may find their morning show a little homespun and/or corny, I find it entertaining because it is just different than what the Clarksvegas stations shells out. On my way home everyday, I just scan back and forth looking for something listenable. Yesterday I noticed WJCI ended their Christmas music and started playing "God's Country"... Gospel and Christian music performed by Country Music Artists. (I wonder just how many of today's country stars have recorded a Gospel album. I know back in the 60's and 70's just about all of them did.) I found this format enjoyable and listened all the way home. (side note... This morning on my way back to work the station was off the air.) What else could the small stations offer during the day? I'd say just about any type of music that was enjoyable as long as you inserted local news, weather and information or any type of family friendly talk (no more hillbilly humor or politics please). I once asked Jack Williams why he broadcasted Little League Baseball on WHIN (this was back in the early 80's) and he said because people listened to the broadcasts and sponsors bought ads. Enough ranting... I guess like the rest of you I miss radio the way it was back in the day. Unlike the rest of you, I didn't work for KDF, WSIX, or 92Q - I was only good enough to work at the small stations... WVCP, WRKM Carthage, WAMG and -yuck- WJKM Hartsville (boy what a total NUT CASE Chester Davis was). Take care all.
 
Majik 13...the rest of the story...
I'd love to take credit/blame for the music selection during the Majik 13 era of WMAK...but here's
how it played out: when the format changed to urban/disco in August of 1978...Barry Mayo was
the PD...and he made all the music choices. When Barry left, the music was handled via a strange
relationship with Candy Wessling at Plough. She programmed K97 Memphis and another FM in DC...
and sent me the music schedules. I duplicated their music...hour by hour to run on WMAK...and it was
a tough chore: the Plough FMs had their music on insta-car machines...I had 6 reel-to reels...a couple
of aufio-file machines...and three carousels. No random access for me to use...so the music had to be
pulled and re-loaded every three hours to make the rotations work. The jock on 92Q was responsible for
changing the carts/reels on WMAK when no AM staffer was on duty.
Two words: the first is "cluster"...you know the other...

technically it worked well...and for most of thefinal year, it was just me and Bill Berlin...doing a primitive
version of voice tracking 12 hour shifts. This format died at midnight New Years Eve 1979...
with Berlin's 10 minute bit of hiring a hit man to kill the disco duck...which was accomplished in a VERY
guresome manner (a rolled up John Travolta poster was hammered through the duck's heart, while Bill
giggled and kicked the duck in the face until it finally died).
At 11:59:45...we (Watt Hairston) turned off the transmitter...back at midnight Jan 1 1980 as
"1300/WMAK...the station you grew up with" doing oldies. I dubbed the entire library of oldies in secret...
and the format change was nearly a total surprise.

the station simucast mornings with 92Q...(McCoy and MGL)...and never really amounted to much...
but it was fun while it lasted...
more simulcasts...Braves baseball...and then the change to god-forsaken WLUY...
the station went dark...was sold...and is now printing money as paid-for preacher features WNQM
 
romer979fm said:
Majik 13...the rest of the story...
I'd love to take credit/blame for the music selection during the Majik 13 era of WMAK...but here's
how it played out: when the format changed to urban/disco in August of 1978...Barry Mayo was
the PD...and he made all the music choices. When Barry left, the music was handled via a strange
relationship with Candy Wessling at Plough. She programmed K97 Memphis and another FM in DC...
and sent me the music schedules. I duplicated their music...hour by hour to run on WMAK...and it was
a tough chore: the Plough FMs had their music on insta-car machines...I had 6 reel-to reels...a couple
of aufio-file machines...and three carousels. No random access for me to use...so the music had to be
pulled and re-loaded every three hours to make the rotations work. The jock on 92Q was responsible for
changing the carts/reels on WMAK when no AM staffer was on duty.
Two words: the first is "cluster"...you know the other...

technically it worked well...and for most of thefinal year, it was just me and Bill Berlin...doing a primitive
version of voice tracking 12 hour shifts. This format died at midnight New Years Eve 1979...
with Berlin's 10 minute bit of hiring a hit man to kill the disco duck...which was accomplished in a VERY
guresome manner (a rolled up John Travolta poster was hammered through the duck's heart, while Bill
giggled and kicked the duck in the face until it finally died).
At 11:59:45...we (Watt Hairston) turned off the transmitter...back at midnight Jan 1 1980 as
"1300/WMAK...the station you grew up with" doing oldies. I dubbed the entire library of oldies in secret...
and the format change was nearly a total surprise.

the station simucast mornings with 92Q...(McCoy and MGL)...and never really amounted to much...
but it was fun while it lasted...
more simulcasts...Braves baseball...and then the change to god-forsaken WLUY...
the station went dark...was sold...and is now printing money as paid-for preacher features WNQM

Chris,
My first question is: where is Barry Mayo today? Is he still with Radio One?

It seems from what you’re telling me, when Barry left, it put more of a work load on you. I must admit, when Barry was there, it was right and he executed the format in such a way that it held the white listener. And of course, you keep it going, beat by beat. I loved it! I very well remember the day when WMAK changed from CHR to Urban/Disco. Seems I recall Russ Spooner was still there when the format changed. During that time, I believe WMAK clobbered WVOL in the book, due to WMAK had a much better signal than WVOL, but that format was a hard sell from what I have read.

Being a person that was into the New Wave music scene of the early to mid 80’s, when Disco was dying out, it merge with New Wave Rock of the early 80s’ and stayed alive through New Wave Rock, like was played on the Vandy Station WRVU 91.1 and on to the early days of Lighting 100 (early 90’s). This is what has inspired me to bring back the “Disco Format” with my home studio and broadcast it on the internet for fun.

In my honest opinion, after the Chicago incident at the ballpark in 1979, it was appropriate that the Urban/Disco format had to go. John Travolta was leaning to become “The Urban Cowboy” and his image was going country. The country was going anti-disco because it was like every format out there, driven into the ground! In 1980, bring back the CHR format was a smart move, but as an Oldies format, playing the music WMAK played throughout its Top 40/CHR days.

When WLUY came around, I predicted to my friends that the end was coming to 1300, and it did. The station sounded horrible, especially when those kids were on! Then, Eric Westenberger and his family from New Orleans turned it into a 50 KW radio church, 24/7.

Some of WMAK-AM’s old automation, “Sammie” ended up at WMRO, Magic 1560, in 1995. I need 3 more carousels for liners for a SMC satellite automation system (that I bought used from WWTN) and I was told that the SMC was used at WSIX-AM (now WYFN-AM) back in the late 80’s when they were doing a late night talk format off of satellite.

I interfaced “Sammie’s carousels to my stuff to play my jock liners, return lines and promo liners of then Westwood One’s, Oldies Channel format that Magic 1560 used from 1994 to 2006.

The SMC gear and Sammie’s carousels was used on Magic 1560 until 1999, when I went to a DOS digital system called “Automate”, then in 2004 to what we use today, “The Digital Juke Box”, with a Dell PC, running with MS Windows XP Pro, soon to be loaded with Windows Vista Pro.

Chris, here’s a thought, you may want to voice some stuff on the side for Magic 1560, you’ll get paid some extra doe $$$.
 
WNQM has only been broadcasting at 50,000 watts since about 1997. And even now, that's only in the daytime hours.

And CommoChief, don't feel too bad. I never made it in the big leagues, either! :( :mad: I think I came along too late.
 
boy what a total NUT CASE Chester Davis was). yea..he actually hired me, but fortunately, the next day WHIN called and i never had to buy the house shoes he required you to wear inside..he drove a 71 impala at one point(with the window sticker still in place) and went to sleep in front of a business here in gallatin waiting for the owner to return..slept there over three hours..i can say i never worked nashville radio, however back in the mid 70's WHIN showed up 3rd/4th in the nashville book..but, we didn't have a clue what that meant at the time..i know we got a lot of requests from that direction. we were a 1000 watts..but it put out way farther than it does now..it would stay hot all the way up 40 to cookeville..something about those big old tube transmitters i guess..not a 1st class engineer, but i learned in the music store business a tube amp will out scream a transister amp rated at the same power..i guess i'll just stick to my playlist here and in the car..and scott, i'm not picking on you or the magic..i just have very strong opinions of what i think would still work he in gallatin..no where else..but here..i know these people..but what the hell..unless i hit the powerball..we'll never know for sure ..LOL 8)
 
Scott:

Not to take away from some pretty great posts about the past, but two things:

1.) I meant to say that I did not understand why MORE AM stations didn't skew much older to hit a demo dropped
by the FM & larger market stations. I just think it's the logical approach. How sad would it be to be the 15th Country
AM in the market? Keep rockin'.

2.) Using Romer for VT/O --- are you kidding? CC will be OUTTA BIDNESS overnight, even if you're not on the air then,
if you use his sexy voice ... Just call it ROMER RADIO ROCK STAR onefivesixooooHHHH! Jack has nothing on this idea.
Even better, talk Romer into doing live radio 24/7 online. He's got the youth and energy. Knock on wood, baby.
 
Tibbs2 said:
2.) Using Romer for VT/O --- are you kidding? CC will be OUTTA BIDNESS overnight, even if you're not on the air then,
if you use his sexy voice ... Just call it ROMER RADIO ROCK STAR onefivesixooooHHHH! Jack has nothing on this idea.
Even better, talk Romer into doing live radio 24/7 online. He's got the youth and energy. Knock on wood, baby.
the DUI checkpoints are still in place thru the weekend...
be careful
 
We'll, let just bring Chris and his wife into a nice studio, and break out the Arbor Mist! After the show, he and the wife get in a nice Lemo...We have prepaired a a "Buntin" trade for a nice hotel with a hot tub/w jets and candles! He needs relaxation, just like the rest of us in this biz does! :eek:

I plan to take a pic of my father-in-law, (his name is Jack) in WMRO's newly remodel "Holy Room", sitting behind the preacher's mic, holding up a bottle of that good ole Arbor Mist. :D
 
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