KeithE4 said:
tested said:
- "American Idol" has changed the music industry by finding several stars from total unknowns.
You can thank a guy named Edward Bowes for doing that, beginning in 1934. After all, what is the real difference between
American Idol and Major Bowes', and later Ted Mack's,
Original Amateur Hour, which spent 18 years on radio and another 23 on television - on all four networks? There were others as well, most notably one hosted by Arthur Godfrey.
BTW, one of the future stars discovered by Bowes was some guy named Sinatra. If anyone "changed the music industry," it was him. Pat Boone, Gladys Knight, Irene Cara, and Ann-Margaret were other unknowns that first garnered attention on the TV version of
Amateur Hour.
There's nothing whatsoever original about
American Idol. It's just another talent show, and they've been broadcast nationwide for almost 80 years.
Interesting point. Bowes had the gong which he used to get a bad act off the stage (and which would resurface under the auspices of Chuck Barris). Mack thought the gong too cruel, but in an interview in TV Guide in 1968 he admitted that it "made the show."
So as not to have to do a separate posting I'll mention an article in my local paper about Fox's 25th anniversary that ran this morning. Written by Chuck Barney of the Contra Costa Times, it praises Fox for pushing the creative envelope and named ten shows which he feels did just that:
1. Married...With Children: he feels it brought new life to the sitcom, as the Bundys said and did things ABC, CBS, and NBC would not have allowed, and made Fox the place to go for offbeat programming.
2. The Simpsons: He thinks its initial "subversive" attitude waned and it became one of the best comedies, animated or live-action, period.
3. In Living Color: "The humor was broad, sometimes crass, but never vicious." Plus it introduced America to the Wayans brothers, Jim Carrey, Jamie Foxx, and Jennifer Lopez.
4. Beverly Hills 90210: He likes the way it dealt with such matters as date rape, suicide, drunken driving, abortion, and AIDS.
5. The X-Files: "Intelligent, well-crafted science fiction," he calls it, with its conspiracy theories, paranoia, alien invasions, really bad juju (whatever that is, I'm getting old), and the sexual tension between Mulder and Scully.
6. Ally McBeal: It gave us unisex bathrooms, dancing babies, wattle fetishes, and debates over proper skirt length in the office and feminism in general.
7. 24: "Touched a nerve by tapping into our post-9/11 anxieties and serving as a flash point in the national debate about wartime torture tactics."
8. American Idol: Singles out Simon Cowell; it was "refreshing" to hear him "cut deluded wannabes down to size." Barney likes the notion that a nobody could become a somebody, but we already know that was going on as far back as Major Bowes on radio.
9. House: Hugh Laurie as a "sardonic, misanthropic, pill-popping narcissist. Marcus Welby would have been appalled, but viewers were mesmerized."
10. Glee: "Huge musical numbers and weekly lessons about the joys (and pains) of being different." (Didn't "Freaks and Geeks" do something similar on that second point?) Generated a concert tour and "more Billboard hits than the Beatles."
Unfortunately, except for the fact that I named a cat after Bart Simpson, none of these shows has impacted me; as the other networks have tried to follow suit, I find myself watching practically nothing in primetime.