rorban said:
The license is a bit generic. The loudness meter has no "self-destruct" date, so you don't need to worry about that clause in the license agreement.
Thank you. Now all we need is a free beta Optimod 8500 for Windows to drive it with!
Not to steer the thread off-topic, but on the subject of desktop audio processing, do you think it would be possible, theoretically, to replicate an 8100A/XT as software given today's CPU horsepower? The DSP gods have seen to it that nearly any analog circuit can be modeled digitally, right down to the sound of tubes. I'd imagine that the greatest challenge in emulating an 8100A/XT would lie in shoehorning the horsepower requirements of multiple analog clippers into one general-purpose x86 CPU. If I'm correct, the sound of analog clipping can only be achieved with positively enormous amounts of oversampling - to place the nyquist limit so high that any aliased harmonics falling into the "active" portion of an oversampled medium's spectrum will exist at inaudible dB levels. (Don't your modern boxes achieve the equivalent of 10 MHz oversampling by combining lower oversampling rates with anti-aliasing routines of some type?)
Anyway. In a strange way, I'm serious about this. Many covet the 8100A/XT's sound. And many more of your analog-era hardware designs continue to sell very well second-hand. Seems there's an opportunity there, somewhere. With real-world production of those old units no longer economically viable, perhaps virtual reproductions of your vintage designs would strike a chord with enough processing enthusiasts and audio production/effects/mastering/musician types to make them worthwhile. As an example, a few years back, I spotted
this at KVRaudio.com. They were trying their damndest to implement your 222A as a DAW plug-in. Why? Because they loved its sound. Google has
Google Labs. Maybe you should create "Orban Labs," with technological curiosities like your developing meter, and vintage processing emulators, for audition and/or sale. Available in stand-alone form for batch-processing WAVs, and as DirectX/VST/RTAS/etc. plug-ins for use with DAWs. 222A and StereoMaxx tools, classic parametrics... why, you could even sell the individual stages of your modern hardware individually for their particular benefits. The 8500's new AGC algorithms, and the automatic re-equalization properties of your five-band compression algorithms, would make two nifty products alone. As a plug-in, perhaps the 8500's five-band look-ahead limiting technology (envelope bricking) would draw some cash away from Waves' Multimaximizer.
And for all of us '80s kids, for release in 2009, a 25th anniversary commemorative edition of the 8100A/XT for Windows XP. So we can make everything on our iPods sound like it did the first time we heard it on the radio.
</pipe-dreaming>