PleasetoShore said:
I beg to differ. RHCP represent a band that grew out of Alternative radio that the format should, and can, hold on to. Will they have to share this group with other stations? partially. Syrupy tracks don't have to be played, but theres still experimental and aggressive stuff on their last release. Even so, I'd still play the syrupy stuff during the day at WHTG. The RHCP still have the cred that the format very much needs... and yet write songs that appeal to a larger group of people (think "cume audience") than a format based on what ever flavor is hip now might normally attract. That continues to be part of what bugs the crap outta me about the Alt format. "Lets find a band, play them all the time, and then when they become a bit popular, cast them aside because we're too cool for that." Radio works on cume and TSL, the RHCP can fill both ends of that for a good alternative radio station.
Informative post, and worthy of reply, at least 'til you got here:
PleasetoShore said:
But, that's just my humble opinion, I'm sure you know better.
Give me a break.
But getting back to the good bit, you've put your finger on Alternative's strength and its weakness - the wholesale jettisoning of the bands it built, and not necessarily because they've become "too popular", but because they're no longer growing artistically. In short, if you get boring, you're outta there. Today's alternative format had a very high tolerance for "boring", and it's driving people to their iPods...which will also get boring without constant feeding, so wouldn't it be nice if those people had someplace to turn to that could relieve them of that boredom? G's current success, in my opinion, is a direct result of their being far less boring lately than they've been at any time since the station changed hands in 2000.
Note that this is really only a small percentage of the market. Most people like "boring" just fine, because they don't perceive music as something that
should be exciting. They'd just rather relive whatever glory days they had with whatever formed its soundtrack. And more power to 'em, because there's clearly money to be made there.
The name of the game for most folks is money made, of course, so any band (Chilis or not) is free to do whatever they'd like in their releases, but there's no reason for me to spend any further time on them. It's my opinion that whatever RHCP's cred was - that they were a cadre of full-on madmen who didn't give a damn what you thought of them as long as you came to see them - is long gone. In its place - at least by the time of "By The Way" - was a fairly calculated set of by-the-numbers nods to the bits about the band's output that seemed to spur sales and airplay. That's not to fault them; that's their job, just as it's the bus driver's job to drive the bus, when I might prefer to take the train. "Stadium Arcadium" is a bit better, incidentally, but quality wise, it still pales in comparison to, for instance, the new Bruce Springsteen album...and that should say something about the current state of Alternative.
But that's just my humble opinion.