I don't know if this is the right board, but
certainly See It Now and (particularly) the
broadcasts on Lt. Milo Radulovich and, of course,
Edward R. Murrow's expose of Joe McCarthy and his
tactics, are classic television.
"Good Night And Good Luck" is a docudrama about
Murrow vs. McCarthy. It is 1953, and CBS employees
are being pressured into signing a paper saying that
they are not, and never have been, members of the
Communist party. Disgusted with the whole idea,
Murrow runs across a news item in a Detroit paper
saying that a Lt. Milo Radulovich is about to be
separated from the Air Force because of his father's
suspected Communist leanings (his father is an immigrant
from Serbia). After the success of that broadcast,
Murrow decides it's time to expose McCarthy for what he
is.
Now, I'm not going to argue politics here. Either
McCarthy was doing the country a service or he was
a self-serving, camera-hogging, minor-league politician
who jumped on the issue of suspected Communists in the
federal government to get re-elected senator from Wisconsin.
The movie, while appearing to champion Murrow and his team
of reporters, producers, and camera people, leaves open the
possibility that McCarthy WAS doing the country a service.
The movie also points out CBS chairman William Paley's
reluctance (despite utterances to the contrary) to support
Murrow and producer Fred Friendly, mainly because of concerns
about losing Alcoa, See It Now's sponsor. It also depicts
WCBS anchor Don Hollenbeck's downward spiral toward suicide,
triggered by his on-air association with Murrow's stand
against McCarthy.
David Strathairn does a credible Murrow, and George Clooney
(who also directed) is a fine Fred Friendly. McCarthy is
shown in actual film footage; who could play him?
The one downside is a subplot involving reporter Joe Wershba
and his wife Shirley, who both work at CBS and are defying
company policy by being married. It adds little to the story.
The movie is in black-and-white, perhaps fitting for the '50s
setting; period details (lots of smoking, old commercials for
Kent cigarettes and Alcoa, for example) are, for the most part,
accurate.
At the end of the film, Murrow/Strathairn is shown speaking
at the 1958 RTNDA convention. Here he attacks television's
propensity to entertain rather than inform, and I think his
words ring more true today than they did then. And listen
to Murrow's closing comments on his various broadcasts; they
are unequalled today for their literacy.
Longtime viewers of 60 Minutes will recognize some of the
names of people who went on to be producers on that venerable
broadcast: Don Hewitt, Joe Wershba, Palmer Williams.
I saw this movie in Murrow's native city, Greensboro, NC.
When it was over I heard a man say that Murrow did Greensboro
proud. True, but the city does practically nothing to honor
his memory, save for one dead-end street grandly named
Murrow Boulevard.
Regardless of your politics, see this movie just to see
one broadcaster's courage despite great risks to his network
and his job, to see how television can change the world, and
(if you're into that sort of thing) to see how news programs
were put together in the '50s. And see if you don't agree
with Murrow that television can do a lot more to enlighten
us about the real world.
certainly See It Now and (particularly) the
broadcasts on Lt. Milo Radulovich and, of course,
Edward R. Murrow's expose of Joe McCarthy and his
tactics, are classic television.
"Good Night And Good Luck" is a docudrama about
Murrow vs. McCarthy. It is 1953, and CBS employees
are being pressured into signing a paper saying that
they are not, and never have been, members of the
Communist party. Disgusted with the whole idea,
Murrow runs across a news item in a Detroit paper
saying that a Lt. Milo Radulovich is about to be
separated from the Air Force because of his father's
suspected Communist leanings (his father is an immigrant
from Serbia). After the success of that broadcast,
Murrow decides it's time to expose McCarthy for what he
is.
Now, I'm not going to argue politics here. Either
McCarthy was doing the country a service or he was
a self-serving, camera-hogging, minor-league politician
who jumped on the issue of suspected Communists in the
federal government to get re-elected senator from Wisconsin.
The movie, while appearing to champion Murrow and his team
of reporters, producers, and camera people, leaves open the
possibility that McCarthy WAS doing the country a service.
The movie also points out CBS chairman William Paley's
reluctance (despite utterances to the contrary) to support
Murrow and producer Fred Friendly, mainly because of concerns
about losing Alcoa, See It Now's sponsor. It also depicts
WCBS anchor Don Hollenbeck's downward spiral toward suicide,
triggered by his on-air association with Murrow's stand
against McCarthy.
David Strathairn does a credible Murrow, and George Clooney
(who also directed) is a fine Fred Friendly. McCarthy is
shown in actual film footage; who could play him?
The one downside is a subplot involving reporter Joe Wershba
and his wife Shirley, who both work at CBS and are defying
company policy by being married. It adds little to the story.
The movie is in black-and-white, perhaps fitting for the '50s
setting; period details (lots of smoking, old commercials for
Kent cigarettes and Alcoa, for example) are, for the most part,
accurate.
At the end of the film, Murrow/Strathairn is shown speaking
at the 1958 RTNDA convention. Here he attacks television's
propensity to entertain rather than inform, and I think his
words ring more true today than they did then. And listen
to Murrow's closing comments on his various broadcasts; they
are unequalled today for their literacy.
Longtime viewers of 60 Minutes will recognize some of the
names of people who went on to be producers on that venerable
broadcast: Don Hewitt, Joe Wershba, Palmer Williams.
I saw this movie in Murrow's native city, Greensboro, NC.
When it was over I heard a man say that Murrow did Greensboro
proud. True, but the city does practically nothing to honor
his memory, save for one dead-end street grandly named
Murrow Boulevard.
Regardless of your politics, see this movie just to see
one broadcaster's courage despite great risks to his network
and his job, to see how television can change the world, and
(if you're into that sort of thing) to see how news programs
were put together in the '50s. And see if you don't agree
with Murrow that television can do a lot more to enlighten
us about the real world.