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GOLD MENTOR - MARK ALLEN BACK IN AM DRIVE

I disagree. Well....yes and no. You Light Up My Life. #1 for 10 weeks on Billboard Hot 100. #1 on Adult Contemporary chart. #4 country chart. Biggest single of the decade for the 70s. Probably would have been #1 single for 1977 if it hadn't been split over 77/78. Yet, you'll never hear it played on radio today [Thank God]. Sweet Caroline only #4 Hot 100 in 1969, #3 Easy listening charts. Turn on the radio on classic hits station, chances are pretty good, you'll hear it. "Piano Man" only reached #25 on Hot 100 but #4 on A/C chart. Turn on the radio and you may hear it played more today than when it was "popular". Songs that got played decades ago, couldn't play today or you'd be fired, cancelled, strung up and probably be given the death sentence. Example: C.B. Savage. I can remember songs that people had hysterics over because had "Son of a bitch" in the lyrics of "Devil Went Down To Georgia" same went for "Uneasy Rider" with "Like their heads were on fire and their asses was catchin' " Nowadays you can hear way worse than that on the radio. [Anybody up for "WAP"? by Cardi B?] There are songs I could play at games years ago that nobody said nothing about. A couple of years ago was told can't play "Piano Man" any more because it was talking about a bar and had beer in the lyrics which could encourage kids to become raging alcoholics. I just rolled my eyes.
You Light Up My Life = "radio death"

Wreck of the Edmund Fitzgerald was considered the same, it's long and it's a "dirge". At WMJI, late 90s, we'd only play it late Oct thru mid-Nov, due to the Great Lakes tie in and the anniversary. Never as a request.

Now, it's in rotation on MJI, hear it all the time. Different programming theories. Neither is wrong.
 
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GOLD 2/2 Morning drive, 8AM into 9AM ... lots of hits. "owow/deep"; 8am - Lesley Gore, 9am - Cymarron,

Elvis "Rubberneckin'" a No.6 hit 1969, one of 38 Top 10s. The remix reached No1 on Billboard Dance chart, and a major international hit, peaking at #2 in Canada, #3 in Australia, and top 10 in the UK. Remix was prominently featured in a popular 2004 Toyota Solara TV spot.

Not deep as far as the original... deep for the remix. Shouldn't be played.

They're probably using much, if not most, of the music library that was already there from Ted Alexander. Probably still culling songs.



Spencer Davis - Keep On Runnin'
Music Explosion - Little Bit O' Soul
Elvis Presley - Rubberneckin (Oakenfold remix)
Mindbenders - Groovy Kind of Love
Jimmy Buffett - Come Monday
Righteous Bros - You've Lost That Lovin' Feeling
Cymarron - Rings
Robert Parker - Barefootin'
doing a bit
Sonny & Cher - I Got You Babe (Groundhog Day mix)
twin spin sweep
Sonny & Cher - I Got You Babe

9am

BJ Thomas - Rock and Roll Lullaby
Bee Gees - Words
Gary Puckett - Woman Woman
Swinging Medallions - Double Shot of My Baby's Love
Ace - How Long
Marvin Gaye - I'll Be Doggone
Swingin' Blue Jeans - Good Golly Miss Molly
Bobby Sherman - Easy Come, Easy Go
Rolling Stones - Not Fade Away
Johnny Rivers - Help Me Rhonda
Temptations - Aint Too Proud to Beg
Blues Image - Ride Captain Ride
Lesley Gore - My Town My Guy and Me
Cher - All I Really Wanna Do
Chicago - Colour My World
Dave Mason - We Just Disagree
The Who - Happy Jack
Four Seasons - Candy Girl
Tommy James - Mony Mony

8am
 
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Actually, the Mark Allen on WQGR and WREO used to be on WZOO and even the old WPHR in the late 1980's.
I've known Mark since 1995, worked together at WZOO.

Mark spent 23 years at WREO, 1997-2020. Covid budget casualty.

WZOO 1988- 1997.

IIRC.... WFUN, and others, Ashtabula late 70s/early 80s.

other stops
WDCG/G105 Raleigh (nights). We have that in common, too. as I worked in that Raleigh cluster 00-04.

Power 108/CLE (parttime)
and stations in Erie PA and Panama City Beach.
 
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The justfication of all this will be if they can sell it. I imagine right now and maybe always they will be sold in combo with the established Geneva station. And that's OK.
Can be pitched as a flanker to WKKY or an add-on. Selling as a stand alone just on the music will be harder unless they add some more local elements like news. It is a "graying" market area and that requires some creative persuasion to sell. But it can be done. I wish them well.
 
I don't see what's wrong with this playlist, or at least the songs posted. I feel like I recognize the vast majority of these songs and like most of them. Way better than dependably hearing the absolutely overplayed Sweet Caroline or Free Bird.
 
Same here. There are two successful area AM radio station tribute sites on the internet that regularly play all the aforementioned songs.

Both web-casters have listeners all around the world and one, in particular, had a recent informal fund drive to help cover the costs for the upkeep of the station (utilities, royalties, maintenance,...). Needless to say, they exceeded their goals and will not have to rely on internet ads through their webcasting service to keep the lights on.

Granted, for a bona-fide terrestrial station, their operating costs are much more, and their overall audience is smaller, but if you can find ways of getting the word out about your station and delivering a product that shows you are putting some personalized effort into the playlist and presentation, you *could* have some success and have a better shot at breaking even or making a slim profit.
 
The Lesley Gore song is actually, "You Don't Own Me" (1963-1964). The Neil Diamond song is curious as there are better known hits by him. The Gerry and The Pacemakers song was their first really big hit in the U.S. and is very pleasant. The Velvettes never hit the Pop charts as far as I know, and I've never heard it. Jr. Walker's "Shake & Finger Pop" doesn't pop out at me at all. A so-so chart hit.
The three songs by former Beatles are all great to me, with McCartney/Wings being the winner for most useful. The hard rock/pop of the Mitch Ryder & The Detroit Wheels "Devil.../Good Golly..." will really wake listeners up. Very powerful and very good. Like some others on this list, there are more notable songs by The Hollies.
I worked at WMJI, when it was good (1994-00), "Thank the Lord" was in rotation, definately most of Mitch Ryder's catalog, Lesley Gore "You Don't Own Me" in rotation, too. Most of her catalog. Velvelettes were played. That particular cut mostly Motown Monday or Motown/Soul Weekend. The Jr Walker track an "owow", but it's a good tune. Also Motown Monday fare. The Hollies track not "unknown". If you know the format, and 60s music, you'd know.

WMJI in the 90s, a juggernaut. 1998 Large Market Station of the Year. Not Oldies. Station. Beat all format. Won it's first (of five) Marconi in '98, Oldies Station of the Year.

WMJI rotated around 700 titles, not including theme weekends and request shows, remember those? Well before the "Fried 250" and "400" sphincter tight playlists of the last 20 years. Yes, tight playlists increase cume. Proven. However, WMJI still did well with it's playlists, and had over 7hours TSL.

Norm N Nite, Chris Quinn... could do as they wanted, within reason. Esp Norm, who flew from NYC, where he did 7-mid at WCBS, to CLE to do weekends.
 
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Same here. There are two successful area AM radio station tribute sites on the internet that regularly play all the aforementioned songs.

Both web-casters have listeners all around the world and one, in particular, had a recent informal fund drive to help cover the costs for the upkeep of the station (utilities, royalties, maintenance,...). Needless to say, they exceeded their goals and will not have to rely on internet ads through their webcasting service to keep the lights on.

Granted, for a bona-fide terrestrial station, their operating costs are much more, and their overall audience is smaller, but if you can find ways of getting the word out about your station and delivering a product that shows you are putting some personalized effort into the playlist and presentation, you *could* have some success and have a better shot at breaking even or making a slim profit.
WIXY 1260online is one. What's the other?
 
WMJI in the 90s, a juggernaut. 1998 Large Market Station of the Year. Not Oldies. Station. Beat all format. Won it's first (of five) Marconi in '98, Oldies Station of the Year.

Norm N Nite, Chris Quinn... could do as they wanted, within reason. Esp Norm, who flew from NYC, where he did 7-mid at WCBS, to CLE to do weekends.
Those were the days my friend.
We thought they'd never end.

But they did.😮‍💨
 
I worked at WMJI, when it was good (1994-00)

WMJI in the 90s, a juggernaut. 1998 Large Market Station of the Year. Not Oldies. Station. Beat all format. Won it's first (of five) Marconi in '98, Oldies Station of the Year.

WMJI rotated around 700 titles, not including theme weekends and request shows, remember those? Well before the "Fried 250" and "400" sphincter tight playlists of the last 20 years. Yes, tight playlists increase cume. Proven. However, WMJI still did well with it's playlists, and had over 7hours TSL.

Norm N Nite, Chris Quinn... could do as they wanted, within reason. Esp Norm, who flew from NYC, where he did 7-mid at WCBS, to CLE to do weekends.

Too many complain about tight playlists today, yet complain also if "too open".

I can tell that most of those commenting have either never worked oldies/classic hits (in a rated market), and certainly never programmed it.
Growing up in the 90s, I mainly listened to WMJI as that's what my parents listened to. I had no siblings or many friends, so there was no influence on modern day music at the time. As a result, most of my listening on radio was music from the 50s and 60s, stuff many people my age wouldn't even listen to.

I remember getting ready for school and listening for the Cash Bribe Oldie, which was played somewhere around 7:20 AM. If I was home in the afternoon, I would tune in to when the Cash Bribe Oldie was about to be played (somewhere around :45-:50 of the announced hour) just to see who would win. My mom was able to get through one night to request Old Time Rock & Roll (wish I still had the tape as I remember recording it), and once she told me to listen for the "touch tones" and let her know so she could call in for whatever they were giving away on the air at the time.

I also remember when things like the themed weekends (example: British Invasion Weekend) were a big deal, and I wanted to be home by 4 PM on Friday just to listen and catch the start of it. Also events like the Majic 500 countdown or Memorial Day countdown were things that I wanted to tune into. And who can forget the jingles? At least changed up from time-to-time so that they didn't get stale. Not to mention this one that scared me a couple of times..

(Uplifting jingle, suddenly stops. Ominous voice: This is WMJI Cleveland. When the music stops. That's news... DUM DUM DUUUMMM.... Do-do-do-do-do. Do-do-do-do-do!) Still gives me chills.

It was around 1999 when I noticed WMJI's playlist starting to become repetitive, which I believe was the time when Clear Channel (A.K.A. iHeart Radio) took over the station. The playlist also started to shift more towards the 70s, and the consisted more of top hits. I remember traveling down to Columbus around the start of the new millennium and tuning into I think 107.9 FM down there, which was once an oldies format as well, and thinking, "man, their playlist is much better compared to Majic's". I occasionally streamed the station from my computer at home, but dial-up at the time made it impossible for constant listening. Eventually I moved away from listening to WMJI and slowly shifted to WDOK's soft AC format, until they dumped that in 2012 for New/Star 102. Most of my classmates listened to stations like WKDD, Q104 or 96.5 Kiss FM, with music that was unappealing to me. I credit my early listening to stations like WMJI and even Radio Disney for helping maintain a good taste in music. It kept me from listening to rap and other suggestive content that most pre-teens listen to this day, as well as awful sounding music and artists.

As far as presentation, regardless of the station, today's youth is really missing out on just how creative and engaging broadcast radio was. They are spoiled by their Spotify and other streaming platforms. The internet has really killed broadcast radio to the point where no station does anything creative in order to stand out from their competition. Heck, even their websites are nothing but a corporate template, and 90% if its content has nothing to do about the station.
 
WIXY 1260online is one. What's the other?

Big8radio.com.

I know CKLW was technically a Canadian station aiming for the Metro Detroit audiences, but it treated Cleveland and Northern Ohio like it was a Detroit suburb. And their signal was as strong as or stronger than the locals, especially at night.

CK vet Charlie O'Brien Is for the most part the music director of the website. While there are no live shows like WIXY, they use the original format clock and still sprinkle in a lot of rarer songs and clips of the past throughout the day.

Their Friday Request Show proves the listeners are there and are are en masse.
 
IMO, even if there was someone today who had the deep pockets and could find the talent and the facilities to recreate a WMJI or a WMMS or a 1220 WGAR in its heyday, it would flop.
The audience has irrevocably changed. Even those old enough to remember wouldn't listen. They have moved on for any number of reasons and have different expectations and desires for their media use.
You can't go back home.
 
IMO, even if there was someone today who had the deep pockets and could find the talent and the facilities to recreate a WMJI or a WMMS or a 1220 WGAR in its heyday, it would flop.
The audience has irrevocably changed. Even those old enough to remember wouldn't listen. They have moved on for any number of reasons and have different expectations and desires for their media use.
You can't go back home.
The more discriminating music audience moved to online quite a while ago. What's left of the music listeners to FM is a crowd who is not so refined in their musical taste.
 
GOLD 2/2 Morning drive, 8AM into 9AM ... lots of hits. "owow/deep"; 8am - Lesley Gore, 9am - Cymarron,

Elvis "Rubberneckin'" a No.6 hit 1969, one of 38 Top 10s. The remix reached No1 on Billboard Dance chart, and a major international hit, peaking at #2 in Canada, #3 in Australia, and top 10 in the UK. Remix was prominently featured in a popular 2004 Toyota Solara TV spot.
"Rubberneckin'" was the B-side of "Don't Cry Daddy" which was the main song and should be the one that's credited for making the record a Top 10 hit. I never heard "Rubberneckin'" on the radio back then in the Northeast Ohio area.
 
Growing up in the 90s, I mainly listened to WMJI as that's what my parents listened to. I had no siblings or many friends, so there was no influence on modern day music at the time. As a result, most of my listening on radio was music from the 50s and 60s, stuff many people my age wouldn't even listen to.

I remember getting ready for school and listening for the Cash Bribe Oldie, which was played somewhere around 7:20 AM. If I was home in the afternoon, I would tune in to when the Cash Bribe Oldie was about to be played (somewhere around :45-:50 of the announced hour) just to see who would win. My mom was able to get through one night to request Old Time Rock & Roll (wish I still had the tape as I remember recording it), and once she told me to listen for the "touch tones" and let her know so she could call in for whatever they were giving away on the air at the time.

I also remember when things like the themed weekends (example: British Invasion Weekend) were a big deal, and I wanted to be home by 4 PM on Friday just to listen and catch the start of it. Also events like the Majic 500 countdown or Memorial Day countdown were things that I wanted to tune into. And who can forget the jingles? At least changed up from time-to-time so that they didn't get stale. Not to mention this one that scared me a couple of times..

(Uplifting jingle, suddenly stops. Ominous voice: This is WMJI Cleveland. When the music stops. That's news... DUM DUM DUUUMMM.... Do-do-do-do-do. Do-do-do-do-do!) Still gives me chills.

It was around 1999 when I noticed WMJI's playlist starting to become repetitive, which I believe was the time when Clear Channel (A.K.A. iHeart Radio) took over the station. The playlist also started to shift more towards the 70s, and the consisted more of top hits. I remember traveling down to Columbus around the start of the new millennium and tuning into I think 107.9 FM down there, which was once an oldies format as well, and thinking, "man, their playlist is much better compared to Majic's". I occasionally streamed the station from my computer at home, but dial-up at the time made it impossible for constant listening. Eventually I moved away from listening to WMJI and slowly shifted to WDOK's soft AC format, until they dumped that in 2012 for New/Star 102. Most of my classmates listened to stations like WKDD, Q104 or 96.5 Kiss FM, with music that was unappealing to me. I credit my early listening to stations like WMJI and even Radio Disney for helping maintain a good taste in music. It kept me from listening to rap and other suggestive content that most pre-teens listen to this day, as well as awful sounding music and artists.

As far as presentation, regardless of the station, today's youth is really missing out on just how creative and engaging broadcast radio was. They are spoiled by their Spotify and other streaming platforms. The internet has really killed broadcast radio to the point where no station does anything creative in order to stand out from their competition. Heck, even their websites are nothing but a corporate template, and 90% if its content has nothing to do about the station.
" This is WMJI Cleveland. When the music stops.... That's news... DUM DUM DUUUMMM.... Do-do-do-do-do. Do-do-do-do-do!) Still gives me chills." That was the 12noon news intro.

Re-purposed it when I was at WAKR. OM/PD then was the late Chuck Collins. Great guy.

107.9 back then was a Saga oldies, then it was WODB. I interviewed for that gig Dec 2004. Definately had the gig. BUT... literally two hours after I interviewed learned that Bill Shannon (Tom Kent Network) was blown out in Charleston SC (WXLY). I've known Bill for years. He had worked previously for Saga, great relationship with Corporate management including founder Ed Christian. I knew he'd get the gig. No issue there, just bad timing. Bill actually VT'd the station I had just programmed in Raleigh via Charleston, where he was PD/PMD. Great guy. He's also programmed WRQN/Toledo many moons ago.

WMJI, with theme weekends, Majic 500, Freedom Festival, and many other things, was bigger than life. Our promos would actually be requested by listeners, whether produced by Mitch Todd or later by Doc Thompson. Then, TR came aboard and took the station to yet another level with his production and writing.
 
"Rubberneckin'" was the B-side of "Don't Cry Daddy" which was the main song and should be the one that's credited for making the record a Top 10 hit. I never heard "Rubberneckin'" on the radio back then in the Northeast Ohio area.
The remix of Rubberneckin' got a lot of attention/airplay, not much in the US, but around the world.

The remix reached #94 on the Billboard Hot 100 in September 2003, extending Presley's chart span to 47 years. It also reached #1 on the Billboard Dance Sales chart.
 


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