When connecting two or more computers to a mixer, it's really easy to get a ground loop. For a while, I was using Griffin automotive style isolators to connect from my Delta 1010LT sound cards to my Presonus mixer. After doing some testing with tones, I discovered that the isolators are saturating because of too much signal. (If I connect a UTC A-22, there is, of course, NO saturation problem.) There's not much iron in these isolators, so it's not a surprise that they are not good.
What sort of interface are you using to connect the audio out of your computers to your console's balanced inputs? The Rolls Promatch is useful for level interfacing, but there's no transformer in the path.
As far as transformers are concerned, Jensen, Cinemag, and Lundahl are overkill for the application. Plus, they're too expensive. It would be fabulous to have a box full of A-22s, but all the ones I had have vanished.
Has anyone here used Edcor transformers? They make some reasonably priced 600:600 dual transformers (balanced to unbalanced), such as the s2s600t-600. According to a recording engineer buddy, they're quite good transformers so long as the source and load impedances are matched. Maybe I should buy some of these, put a 600 ohm resistor in series with the unbalanced RCA inputs (since the output impedance of a computer sound card is probably 5 ohms) and put a 600 ohm resistor across the secondary (since the input impedance of the typical mixer is 10K or more).
How are you interfacing consumer equipment with professional consoles? (It sure was nice when all consoles had transformer inputs.)
What sort of interface are you using to connect the audio out of your computers to your console's balanced inputs? The Rolls Promatch is useful for level interfacing, but there's no transformer in the path.
As far as transformers are concerned, Jensen, Cinemag, and Lundahl are overkill for the application. Plus, they're too expensive. It would be fabulous to have a box full of A-22s, but all the ones I had have vanished.
Has anyone here used Edcor transformers? They make some reasonably priced 600:600 dual transformers (balanced to unbalanced), such as the s2s600t-600. According to a recording engineer buddy, they're quite good transformers so long as the source and load impedances are matched. Maybe I should buy some of these, put a 600 ohm resistor in series with the unbalanced RCA inputs (since the output impedance of a computer sound card is probably 5 ohms) and put a 600 ohm resistor across the secondary (since the input impedance of the typical mixer is 10K or more).
How are you interfacing consumer equipment with professional consoles? (It sure was nice when all consoles had transformer inputs.)