Your quoting Radio Ink. Their business depends on the survival of radio. No one hears new music breaking on the radio.
Certainly not on your station.
Radio Ink didn't do the poll in my link. It was done by an independent source.
Your quoting Radio Ink. Their business depends on the survival of radio. No one hears new music breaking on the radio.
Not a big problem. They just move Mark Levin into the slot.So Hannity is out at WBEN, he gets replaced by Savage, and today Savage announces he's quitting radio:
http://www.insideradio.com/free/mic...cle_2b077498-042a-11eb-9552-8352c305cdbb.html
So now WBEN is stuck with a hole in evenings.
Certainly not on your station.
Radio Ink didn't do the poll in my link. It was done by an independent source.
So Hannity is out at WBEN, he gets replaced by Savage, and today Savage announces he's quitting radio:
http://www.insideradio.com/free/mic...cle_2b077498-042a-11eb-9552-8352c305cdbb.html
So now WBEN is stuck with a hole in evenings.
So blaming the Canadian stations may not really be a valid point.
I've examined data from 2DAY the FM group in Australia that pioneered the "never more than two minutes away from music" concept over 20 years ago. While I like the ability to create flow and texture in a sweep of 5, 6 or more songs, I also like examining alternatives, particularly in hit-driven formats where you can't control flow because you only have 60 to 120 full rotation songs in the library.
We don't know the effect of the Buffalo area out of market signals as most don't subscribe. We do now that the total commercial share in the market was 80 in 2018 and is now just under 77. That means over 20 shares to the non-coms and out of market signals. But "out of market" can mean Rochester or somewhere else in the US, so we really don't know where it goes. As a good contrast, Cleveland, which has no Canadian signals to figure in, has 75 local commercial shares... could there be better non-coms, or more listening to Akron stations? Rochester has 70% local commercial share... even less than Buffalo and Cleveland.
Not only are they aware, they actually access those alternatives.
What does that say about the value of local talent?
A lot of what crosses the river and lake, be it music or air personalities, is perceived by many on this side of the border to be "local talent."
The Canadian numbers could also indicate that US listeners are searching for less homogenized content.
The Canadian numbers could also indicate that US listeners are searching for less homogenized content.
The Canadian numbers could also indicate that US listeners are searching for less homogenized content. Canadian stations have Canadian content rules that broaden their playlists.
Either way, the fact that a wider variety of music is available - and apparently consumed - indicates that at least part of the US audience isn't satisfied with the pap fed to them by corporate radio.
No, it doesn’t have to, but it most often does, at least in this market.CanCon does not really have to broaden content.
Only about 10% of all radio stations in the US are owned by large radio companies.
A more accurate metric relates to the market sizes reached by the corporate owned radio stations and the per cent of population, and more precisely the major and medium population centers of the United States reached by the “only about 10%.”
The point is that many listeners seem to be looking for something they're not getting here, as demonstrated by shrinking TSL and increased listening to other audio options.
No, it doesn’t have to, but it most often does, at least in this market.
Actually, it’s slightly higher than 10%, but let's go with ten per cent. Approximately 15,400 licensed radio stations in the US. Of those, approximately 1,840 owned by iHeart (c.855); Entercom (c.235); Cumulus (c.428) and Townsquare (c.322).
Canada has it's share of corporate pap. The US certainly has its share of corporate pap. In WNY, we get to hear different varieties of corporate pap - and two varieties of programming from smaller owners as well. The point is that many listeners seem to be looking for something they're not getting here, as demonstrated by shrinking TSL and increased listening to other audio options.