Mike Walker said:So you're the one who's still into MD, Zach! I shoveled a lot of money down that hole! I have two working portables, and two working stand-alone md recorders. And I haven't used any of 'em in years! Once I could record uncompressed .wav files on a pocket-sized hard-disk recorder (Archos GMini-402), I never looked back. Ok, I did glance back...and weep a bit at the money spent on a losing format!
Speaking of losing formats, wanna' buy a low mileage Sony DTCA5 dat recorder, with Super Bit Mapping? Anybody?
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DAT!
I remember being mad these were being actively supressed here the US, and I almost bought one in Montreal back when I was there every 2-3 months.
I am still super-happy with a Matsushita (radioshack) stereo analog book-size cassette analog recorder from 1980. Wish I'd bought 2 or three.
Best AVC I ever heard. Perfect normalization for crickets OR live rock concerts on stage.
Even worked well for recordings of Steam Engines, and there's almost nothing harder to make sound believable in a recording.
Never totally full signal levels, but always enough headroom and drive to record any peak that comes along and still sound good to my ears.
Instead of fussing with levels, I could just enjoy the show, then dub/boost/noise cut to a 0db "crammed-full" tape later.