dbdigital said:PocketRadio said:Thanks for the suggestions...
In your editorial you mention the impact limiting AM to 5 kHz can have on audio quality. Seems to me there was a study done either by or with the support of Jeff Littlejohn on whether or not listeners could hear the difference between a 5 kHz, 7.5 kHz and 10 kHz cut off. According to the study, listeners could hear a dramatic difference between 5 kHz and 7.5 but less between 7.5 and 10 kHz. After much rationalizing, the conclusion was that a 5 kHz cut off was an acceptable trade-off to accommodate HD-Radio. But the study failed to prove that point and an argument can be equally made that it is not acceptable.
I believe it was published in Radio World.
db
As someone who has been a member of the Audio Engineering Society (AES) for about 35 years, I had a hard time swallowing that report. Limiting audio at 5KHz might be OK for voice only applications. It's quite unacceptable for music. It completely eliminates the entire top two octaves. There is a lot going on up there that helps increase intelligibility, spacial perception, and most importantly "warmth" that makes listening to music a fulfilling experience. Cutting of at 5 kHz is analogous to driving your car at 70 MPH with a fogged over windshield. Perhaps you can do it, but it takes most of the fun out of it.
I find it hard to believe that most of the people who participated in those tests couldn't tell the difference between various frequency response curves. If it is true, it is quite a damning statement about the quality of all the radios used for the test. Can you say "garbage?" I wouldn't be at all surprised to find out that they were all hand selected for the test to sound especially revolting. Either that or the test was held at the Helen Keller Institute.
Obviously full frequency response is not going to happen on analog AM any time soon, but the technology does not preclude that. One of the promises of HD is improved frequency response for AM. Maybe so. What I've heard did have greater frequency response, but it also had very noticeable artifacts that in many ways were more disconcerting than modestly limited frequency response ever could be. Your brain has the ability to "fill in the blanks" when there is a constant that it can deal with. Most people can compensate for a missing half octave or even a full octave. Much more than that is quite a stretch for most folks. Because of their random nature, there is no way for you to compensate for intermittent dropouts and artifacting. Maybe we will be forced to learn how to cope with it, and it will become a new listening "norm." You can train yourself how to listen, so it is a possibility.
For most people, these problems simply causes listener fatigue. They may not be aware of what is happening, but the effect is real. In radio terms it might result in a lower TSL (Time Spent Listening.) That's cash out of someone's pocket
I'm sure some of the reason HD does this is because we are trying to use a band-aide approach. If the HD signal were higher power, then many of the drop-out problems would go away, but the resulting interference would be unbelievable. If the bandwidth were greater, then a lot of the artifacting problems might go away. I'm sure as we progress, new and improved codecs will be developed that can make excellent audio in limited bandwidth. That's well and good, but it does little for people who buy the current generation of HD radio that can''t be upgraded to an improved codec. In other words, buy now, hoping that they can figure out how to fix this thing. Then because your new radio can't be upgraded, you can put it in the same landfill as your analog radios.
Surely, we're not the only ones who think this is foolish. If we're going to do it, let's do it right.