I finally found a Radio Shack with an Accurian set up for testing in the store.
This was last week in Houston, I'm just now getting around to posting this.
Accurian- The waiting is the hardest part.
In AM, the delay between pressing the frequency + or - button and hearing output is maddening!
If this were the only problem, it would be enough to keep me from buying. It would take 3-4 minutes to scan the band just to see if there were something I was interested in listening to. It might not be annoying for someone who sets presets or only listens to one station, but for me, it's frustrating not to be able tune this as a radio. There is also no ability to offset from the fixed 10kc steps, very sad.
In this case, there was no AM reception at all, and the empty jacks on the back made me wonder...
A built-in loop would have picked up all the "ambient" noise in the store, but there was almost none.
Do these radios have no built-in loop or ferrite bar antenna?
It may be that such an antenna IN the radio would pick up all the clock noise from the CPU osc or display.
The radio itself might make enough noise to self-interfere on AM, necessitating an external AM antenna.....
But then how could just any loop attached to these connections be very effective unless it were of a specific inductance, so
as to be reasonant with the capacitance of the tuning?
Or is the loop just broadbanded and loose coupled? At any rate, I would not ever expect much for AM sensitivity.
But finally, I got to hear FM HD. I did not have time to log stations and frequencies, but there were 3 or 4 signals that did decode in HD, and 2 or 3 had HD-2 channels that did work. The step-tune delay is not quite as bad as on the AM, but still annoying.
The HD mode did not stay solid on any of the signals, despite much rearranging of the antenna, and even when I thought I had it just right, the HD came and went for no apparent reason. The analog signals did not exhibit noise from the store environment.
700WLW said:
The differences were startling to me. HD sounds absolutely dead and lifeless.
The highs seem to be missing.... The sibilants sound artificial, like they're inserted after the fact. Kind of reminds me of poorly processed Dolby, where you hear no highs in the breath sounds until a strong sibilant comes along and opens up the high pass filter on the receiver.
And this does not occur smoothly, but digitally, as in "all or nothing"
I did not have enough time to truly compare whether the stations with 2nd feeds suffered more from the shared bandwidth, but I expect this would be noticable, as with all other zero-sum equations.
One of the stations was a classical music outlet, and the overtones on violins sound harsh and screechy, as if the difference was changing the local oscillator in the radio from sine-wave to square wave. It definitely is ADDING unnatural coloration.
It actually made this type of music sound like there was MORE hiss, as the analog did not exhibit this, and this effect in the digital mode does not sound more like live music.
I hear the same digital zizzlies in this as in all digital deliveries.
If I wished to distort music in this fashion, I would devise a motor to rapidly waver the azimuth of a tape player head, but why would I want that?
The data rate is clearly better than that used for the AM version, but still calls too much attention to itself.
The result is not as good as a sine-wave mixer-detected analog FM.
And the lack of "air" in recordings makes me wonder if the encoding has a threshold for low levels that ignores such whisper-level signals,
converting everything under 2% modulation to zero.
If the mode is incapable of delivering a clean sine wave at 15 khz, why not roll off the highs before encoding, so the result
only contains data which the mode can reasonably reproduce?
This is no different from digital photography with low resolution, where diagonal lines cannot reproduce as anything other than "stairsteps".
There is also some audio "stunting", where processing of the analog and digital do not match, so the HD kicks in as "louder",
but unfortunately, all the "louder" parts accentuate the inadequacies of the encoding (in the high freq phase innaccuracy).
This might sound good if the audio were upper-end limited to 10 or 12 khz, below the maximum resolution of the sampling.
Back in the 1920s and 30's, some early superhets and autodynes used IF frequencies just above audio, and the mixer byproducts were
every bit as annoying as this. This is ONE of the resons why AM radio standardized on higher IFs, in order to provide higher resolution.
Mr Fourier, call your office. There are some questions from your students in the remedial classes.