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HD Radio

I recently obtained an Accurian HD radio, and I'm interested to hear some experiences from others who have these and other brands of HD radios, specifically as they relate to our region. I'm in Durham, and I'm able to receive HD signals from the following:

WNCU 90.7
WUNC 91.5
WMAG 99.5 (a smooth jazz sub-channel, this one can be spotty)
WCMC 99.9 (a positive country/contemporary Christian sub-channel)
WRAL 101.5 (a AAA sub-channel)

I'm not able to receive WNNL 103.9's HD signal or those from WVBZ 100.3. From comparing coverage maps with my location, it seems you have to get a city grade signal to receive the HD broadcast. I tested the unit out in Newport News, VA earlier last week, and this seemed to be the case there as well. Has anyone had different results, or experienced any HD DX? AN article in today's News and Observer http://www.newsobserver.com/696/v-print/story/527098.htmlsaid that the local Clear Channel stations (WKSL, WRVA-FM, WDCG and WRDU) would have HD operational by late March.
 
HD radio is an infant. It will take years for the technology and use of it to mature - and it is up to radio owners to stick with it! I was pleased to hear WTQR running some promos about HD. It will take three or four years from the moment stations start broadcasting in HD for the consumer to accept in numbers large enough to make a difference. Patience is a virtue with new technology.
 
The only thing I don't like is the way CC is doing the HD channels. They're doing the same ol' crap that they do with the regular stations but 10 times worse. They ALL run out of San Antonio or wherever CC does their HD programming. They have one "sub-format" for each format. The Buzzard's "Rock on Random" is probably used 100 other places. Same with the Smooth Jazz, Classic Country, Fuerza, and Funk channels that the other CC-GSO stations run. I was hoping for local programming. Stupid me for wishing.
 
Give it a chance - some time - lots of time! HD is an infant and it will take a long time for companies to generate the revenue necessary to do it right! Meanwhile, how many listeners are there, five?
 
I live in Wilkes County, about 60 miles from Greensboro, 80 miles from Charlotte. Here's a sample of what the HD sounds like at my house using an INDOOR ANTENNA (Magnum Dynalab SR100). Recorded from headphone jack (which really is a line output...too low to drive headphones much), tone controls flat, straight into Archos Gmini 402 as uncompressed 44.1khz wav...then transferred to PC in my studio, edited for brevity, comments added, mixed, and finally compressed to a high bitrate wma.

http://www.theproductionroom.net/hd.m3u

If you'd like to directly download the file, here it is

http://www.theproductionroom.net/hd.wma

Who says FM HD isn't solid as a rock at great distances? ;)
 
It may be solid as a rock, but it sure doesn't sound great. I can hear the compression artifacts much too easily. Sounds to me like you're not getting the full bitrate out of the stations. It's definitely not the file's audio quality, either... your voice sounds terrific coming through. The stations, however, don't.
 
The only station that was broadcasting full 96kbps was WDAV. All the others were 48kbps. IMHO, the only one that really sounded great was WDAV. And if you don't hear that, then it's artifacts from the audio being compressed twice...once for broadcast, a second time for my file. Trust me...on the original, through good headphones, it's like the announcer is in the room with you. The sudden change in dynamics is stunning. If you're listening on computer speakers, you ain't doing it justice. If you do hear compression artifacts, it's not from the original (not on WDAV anyhow). It's from "dueling algorithms".

Try burning that file to cd, and listening on a GOOD system, or through headphones. I think you might discover it's better than you think.
 
I'm listening through my stereo. In the music, absolutely the artifacts are more than noticeable. However, running through a frequency analysis, the levels of WDAV's announcer are noticeably reduced from upwards of about 15.6kHz, resulting in a not-quite-but-almost cutoff sound with very little high end in the upper range to be heard.

WTQR sounds grainy all the way through.

The difference in stereo separation and the addition of the higher frequencies is quite noticeable on Lite's primary and secondary streams. They have some great-sounding processing.

However, listening through it all again, it still sounds much worse than it should. I've never heard cascading codecs sound as bad as this (especially in WMA files). It leads me to believe that HD still isn't up to par. Give me the analogue signal any day.
 
Josh C. said:
It may be solid as a rock, but it sure doesn't sound great. I can hear the compression artifacts much too easily. Sounds to me like you're not getting the full bitrate out of the stations. It's definitely not the file's audio quality, either... your voice sounds terrific coming through. The stations, however, don't.

I have not had a chance to listen to the stations he listed. But I can tell you it makes a HUUUGE difference in how HD is processed. There are some stations that sound great on HD and others that sound like digital garbage.

WMAG HD2 is pretty decent.

Also, when going to a compressed audio file, you can get (for lack of a better term) crossing of the digital bit rates and get more digital garbage.
 
First of all, of course WDAV's announcer mic is lower than the music. That's the way they do it in classical radio. Almost no processing.

Nobody...and I mean NOBODY who has heard this file has responded the way you have. You obviously ain't an HD fan.

I have never, and I mean NEVER heard analog fm approach what I'm hearing on HD stations like WDAV. I can actually hear the noise threshold of the recording...and I mean DIGITAL RECORDING fall away as a cd ends. Ever heard that on analog radio?

Well done HD is many orders of magnitude more transparent than analog, ESPECIALLY for those of us who live in multipath-ridden areas, at a distance from the tower. I am in the fringe of EVERY fm signal (except for WKBC FM here in Wilkes County). Sure, analog approaches this level of quality IN THE CITY. But not here in the boonies. It's a freaking revelation! If you don't hear it, or don't care, don't buy. It's your money. That simple.
 
Any word on how the recent CC-R format changes will affect the HD channels? The HD subchannel on 93.9 (when it was still Sunny 93.9) was supposed to be smooth jazz (like on WMAG), 106.1's (pre-Rooster) was supposed to be deep rock tracks, and 100.7 The River's was to be AC variety.
 
I finally got around to listening to these streams Mike posted a while back... I expected they would be better somehow.

Yes, Mike, the signal seems to be solid as a rock, and the recordings are good, but I hear the same upper-resolution frequency limit
defined by bitrate making every recording sound as though it were run through a super-fine tooth comb.
This is exactly what I heard listening to the Accurian in Houston. It is adding sounds that are NOT in the original.
And I say this based on "Sir Duke" and "Knowing Me, Knowing You", which I have full familiarity with.
The violins on WDAV have more "zing" than live violins, and the zing is all at ONE frequency, the upper limiting resolution.

It may sound better in your compromised RF environment than analog, true enough.
But I cannot call it an improvement over well done analog.
One aspect of fidelity is not losing anything that was recorded. Another important aspect is NOT ADDING anything that was not there, or if you do, it should be natural-sounding.
Sine waves of high frequencies are being reproduced as a connect-the-dots drawing with too few points measured, and in the final result, it is audibly clear that these high frequencies are no longer sinusoidal.
And the result is as not as natural sounding as analog radio, at least with strong signals.
I'm not being argumentative here, just honest.
Regarding HD in Raleigh/Durham.
I beleive I heard ONE AM HD in Raleigh/Durham last year, a spanish-only above 1200 or so. Is it still in HD?
 
As someone who lives almost under WDAV's transmitter in Huntersville, NC, I listen to their analog signal often at home on my Adcom music setup. They do have a great analog sound quality and are the best in this region. I piped his files over to my system via my PC sound card output. I did clearly hear a degrading in the sibilance of the station, even at 96k (HD). It wasn't bad mind you, but the analog sounds a little more real. The HD did sound good though and I so wish most music stations would only broadcast at 96k. I noticed when listening to the files of WTQR in W-S, and the Charlotte metro stations in HD, I was somewhat surprised by how badly they sounded when at 48k. The highs were artificial sounding and were probably filtered off in order to make do with less bandwidth. After having heard anything under 96k, I have to say that it is anything but HD quality. What really saddens me is that we all know that broadcasters will choose to have 2 sideband stations instead of one, thus dividing their bandwidth in half. That will make for a very non-high def sounding set of music stations. We all know that stations won't care and will want to instead produce more content, even bad sounding content. Just look at the Satellite experience now. It is not nearly FM quality any longer. I am thinking this is the real reason we are hearing the CC ads now. They realize (HD) is a way of providing more content and later, more revenue streams. I would not hold my breath for stations to support 96k for their streams. I am pretty sure that HD will not be pushed by the broadcasters to sound High Def. Thats a pitty as this could really be an exciting new medium. Let's hope the non-commercial stations will strive for sound quality.
 
audiomusiclover said:
As someone who lives almost under WDAV's transmitter in Huntersville, NC, I listen to their analog signal often at home on my Adcom music setup. They do have a great analog sound quality and are the best in this region. I piped his files over to my system via my PC sound card output. I did clearly hear a degrading in the sibilance of the station, even at 96k (HD). It wasn't bad mind you, but the analog sounds a little more real. The HD did sound good though and I so wish most music stations would only broadcast at 96k. I noticed when listening to the files of WTQR in W-S, and the Charlotte metro stations in HD, I was somewhat surprised by how badly they sounded when at 48k. The highs were artificial sounding and were probably filtered off in order to make do with less bandwidth. After having heard anything under 96k, I have to say that it is anything but HD quality. What really saddens me is that we all know that broadcasters will choose to have 2 sideband stations instead of one, thus dividing their bandwidth in half. That will make for a very non-high def sounding set of music stations. We all know that stations won't care and will want to instead produce more content, even bad sounding content. Just look at the Satellite experience now. It is not nearly FM quality any longer. I am thinking this is the real reason we are hearing the CC ads now. They realize (HD) is a way of providing more content and later, more revenue streams. I would not hold my breath for stations to support 96k for their streams. I am pretty sure that HD will not be pushed by the broadcasters to sound High Def. Thats a pitty as this could really be an exciting new medium. Let's hope the non-commercial stations will strive for sound quality.

What are you using for a receiver for HD?

Also, rolling off frequencies will not limit transmission badwidth. So there is no reason to roll of frequencies.

Again, audio processing makes all of the difference in how the HD and HD 2 sound. I have heard a number of HD 2 stations (and even one runnign HD3) that sound very nice. I have heard some that sound like garbage.

Engineers are still learning how to control the HD signals and how to process the audio.
 
1q2w3e said:
What are you using for a receiver for HD?

Also, rolling off frequencies will not limit transmission badwidth. So there is no reason to roll of frequencies.

Again, audio processing makes all of the difference in how the HD and HD 2 sound. I have heard a number of HD 2 stations (and even one runnign HD3) that sound very nice. I have heard some that sound like garbage.

Engineers are still learning how to control the HD signals and how to process the audio.

Agreed, but they they still cannot give more resolution than the technology permits, and the digital at 96K is still not as transparent as
the CONTINUOUS resolution of analog.

Rolling off the highs before digital encoding would remove the frequencies the HD has insufficient resolution to reproduce, and I'd like to hear what
HD could sound like with the high audio rolled off, then brickwalled at 15khz.
 
Tom Wells said:
1q2w3e said:
What are you using for a receiver for HD?

Also, rolling off frequencies will not limit transmission badwidth. So there is no reason to roll of frequencies.

Again, audio processing makes all of the difference in how the HD and HD 2 sound. I have heard a number of HD 2 stations (and even one runnign HD3) that sound very nice. I have heard some that sound like garbage.

Engineers are still learning how to control the HD signals and how to process the audio.

Agreed, but they they still cannot give more resolution than the technology permits, and the digital at 96K is still not as transparent as
the CONTINUOUS resolution of analog.

Rolling off the highs before digital encoding would remove the frequencies the HD has insufficient resolution to reproduce, and I'd like to hear what
HD could sound like with the high audio rolled off, then brickwalled at 15khz.

Bandwidth of the HD signal has nothing to do with the bandwidth of the audio. HD is capable of reproducing just about any frequency that is programmed into the CODEC (usually smewhere around 20Hz to 20kHz). The difference is the complexity of the audio. In other words, how many changes happen in a certain amount of time. When the audio becomes too complex the CODEC can break down a little. Thats when you get that digital sound.

You can see this when you apply a single tone to a codec. It comes through just fine.

Also if you over drive (or underdrive) a CODEC you dont get the maxium quality. I am far from a CODEC expert, but there are ways.. proper ways... to maximize the audio quality. Some stations have nailed it, others have a long way to go yet.
 
I am not an engineer, but I do believe bandwidth is an issue for HD. The digital specturm is finite and how much you uses within the available spectrum does make a difference. That is why stations stream at different rates!
 
Mike Walker said:
First of all, of course WDAV's announcer mic is lower than the music. That's the way they do it in classical radio. Almost no processing.

That's not what I said. I said the levels in the announcer's voice were reduced from around 15.6kHz on up. Now, quite obviously, those frequencies aren't used as much in human speech as they are in music, but the difference was noticeable between WDAV and the other stations. Yes, it very well could be the processing or lack thereof (and yes, I understand that's how classical stations are processed)... but this was a very awkward-sounding result if that was the cause. As I said before, it has an almost-but-not-quite cutoff sound to it.

Mike Walker said:
Nobody...and I mean NOBODY who has heard this file has responded the way you have. You obviously ain't an HD fan.

No, I'm not, however I can listen to clips with an unbiased ear. My problems with HD Radio are purely technical, and they have nothing to do with sound quality. I know how good HD can sound when done properly... these stations just don't sound to me like they're on that level, at least not through this file. Again, as I said before, even with cascading codecs taken into consideration, I haven't heard digitalization like this in other clips. It just sounds bad.

Mike Walker said:
I have never, and I mean NEVER heard analog fm approach what I'm hearing on HD stations like WDAV. I can actually hear the noise threshold of the recording...and I mean DIGITAL RECORDING fall away as a cd ends. Ever heard that on analog radio?

Yes, though I've never really had the desire to. That's not the type of thing the typical listener seeks to hear on the radio. I don't think many News/Talk, CHR or Country listeners are going to say, "Wow, that barely noticeable background noise that I was never even sure was there to begin with and didn't even really notice until now no longer exists!"

Mike Walker said:
Well done HD is many orders of magnitude more transparent than analog, ESPECIALLY for those of us who live in multipath-ridden areas, at a distance from the tower. I am in the fringe of EVERY fm signal (except for WKBC FM here in Wilkes County). Sure, analog approaches this level of quality IN THE CITY. But not here in the boonies. It's a freaking revelation! If you don't hear it, or don't care, don't buy. It's your money. That simple.

I understand it's a great advancement in sound quality, and it suffers multipath much less and a lot better than analogue. But, once again, how many listeners are really going to care about that? Radio is losing it's audience because of programming (or lack thereof), not because the audio isn't CD-quality. HD is a solution to a problem that doesn't truly exist.

As to everyone's comments about HD processing, I would recommend the following to any engineer. First, process the audio as you would analogue. Then turn off the pre-emphasis and reproduce the pre-emphasized sound as best you can (this reduces the chances of overloading the codec, especially in the high-end frequencies where most of the trouble is found). Then roll off the audio frequencies that result in artifacts at the bitrate the station streams (obviously this will vary from station to station depending on bitrate and processing). Then tweak your high end in the processor in order to bring out the lower high-end frequencies to compensate... not too much, but just enough to make the listener notice that there is high-end there. You definitely don't want those frequencies standing out, however, and that's very easy to make happen, so work that section carefully. Finally, test all of these settings on a typical radio, not a studio-quality monitor. The average listener isn't listening through a pair of Mackies, they're most likely listening through their car stereo or a portable radio at home. It should sound good on those devices, not your professional-grade test tuner.

Additionally, take notes from those who engineer Internet radio stations. They know what they're doing when it comes to digital processing.
 
Hey "Golden Ears"....PROVE IT!

If you really can tell such a huge degradation from aac+ coding on HD radio, PROVE IT! Tell me which two of these files are uncompressed cd rips, which one was compressed to aac+ at 96kbps, and which was compressed at 48kbps (uncompressed back to .wav so all files are of identical size). If you don't get all four then you've proven one thing...you're only guessing! Science...what a concept!

Coding was done with the MediaCoder program

01 http://www.theproductionroom.net/coal01.wav

02 http://www.theproductionroom.net/coal02.wav

03 http://www.theproductionroom.net/coal03.wav

04 http://www.theproductionroom.net/coal04.wav
 
You're right... I am only guessing. Guess you caught me... even though I never said anything to the effect that I knew for a fact what station was running what bitrate. Additionally, I never discredited the idea that it could be the station's processing to blame. In fact, I agreed that it was a possibility. Therefore, as you most likely didn't process these files as the stations you recorded do when they broadcast, this isn't a proper test of the point I was trying to make.

However, I shall give it "the old college try," as they say.

coal1.wav sounds like it's uncompressed.
coal2.wav sounds like it's the 96k AAC+ file.
coal3.wav sounds like it's uncompressed.
coal4.wav sounds like it's the 48k AAC+ file.

That's just based on my own ears (which can, and sometimes do, lie). If I really wanted to, I could run each file through analyzers and likely determine more accurately which one is which, but that would be cheating ;D
 
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