• Get involved.
    We want your input!
    Apply for Membership and join the conversations about everything related to broadcasting.

    After we receive your registration, a moderator will review it. After your registration is approved, you will be permitted to post.
    If you use a disposable or false email address, your registration will be rejected.

    After your membership is approved, please take a minute to tell us a little bit about yourself.
    https://www.radiodiscussions.com/forums/introduce-yourself.1088/

    Thanks in advance and have fun!
    RadioDiscussions Administrators

Headphone / Studio Monitor Processing

So for all of you that are running hd, what are you using (if anything) to process your talent headphone feed / studio monitor. I don't have anything without latency lying around.
 
I use old 8100's but feed them into a Broadcast Tools composite decoder. Skips the steps of having to build a deemphasis device.

Otherwise, it's some kind of kludge with a Compellor and maybe a limiter like a CRL after it. Usually whatever is left over from old processing racks.
 
I have an Aphex 2020 MKII that we used to run on-air is now going online for headphone monitoring. The pre-emphasis can be bypassed with a $30 jumper card from Aphex. Its analog, so it will sound better... ;D
-D
 
We use the low latency output from the Optimod... I'm assuming you have a delay (HD or Profanity?)... In that case, I'd just build a cheap PC with an SSD and use Breakaway with the onboard sound.
 
chriscollins said:
We use the low latency output from the Optimod... I'm assuming you have a delay (HD or Profanity?)... In that case, I'd just build a cheap PC with an SSD and use Breakaway with the onboard sound.

And what a treat the Breakaway would be for the on air person as their feed would sound better than the air signal!
;D
 
Smiths and Smittys said:
chriscollins said:
We use the low latency output from the Optimod... I'm assuming you have a delay (HD or Profanity?)... In that case, I'd just build a cheap PC with an SSD and use Breakaway with the onboard sound.

And what a treat the Breakaway would be for the on air person as their feed would sound better than the air signal!
;D

It would sound good... But you could build a cheap PC with Realtek sound and a $79 40 Gig Intel SSD. Around 500 bucks and you have not only a great monitor, but you could spit out a processed composite signal in a crunch. I'd do this long before I would rely on a used 8100. Mind you, that is if you are buying no matter what. Obviously, if you have a rack of 8100's laying around, it would then be first choice.
 
Smiths and Smittys said:
chriscollins said:
We use the low latency output from the Optimod... I'm assuming you have a delay (HD or Profanity?)... In that case, I'd just build a cheap PC with an SSD and use Breakaway with the onboard sound.
And what a treat the Breakaway would be for the on air person as their feed would sound better than the air signal!
;D
But there would still be a delay... I notice latency from about 4ms. I can work with it, but absolutely hate it on the headphones. Analog processing has no delay whatsoever. Love it! Orban 8100 is indeed great for monitoring. So is the Inovonics 250 or the Aphex Archain (simplest version is just a 320 Compellor with a 720 Dominator). Downside: you're not really monitoring levels with on-air processing...
 
richard.vanderveen said:
Smiths and Smittys said:
chriscollins said:
We use the low latency output from the Optimod... I'm assuming you have a delay (HD or Profanity?)... In that case, I'd just build a cheap PC with an SSD and use Breakaway with the onboard sound.
And what a treat the Breakaway would be for the on air person as their feed would sound better than the air signal!
;D
But there would still be a delay... I notice latency from about 4ms. I can work with it, but absolutely hate it on the headphones. Analog processing has no delay whatsoever. Love it! Orban 8100 is indeed great for monitoring. So is the Inovonics 250 or the Aphex Archain (simplest version is just a 320 Compellor with a 720 Dominator). Downside: you're not really monitoring levels with on-air processing...

Breakaway Live was designed for this purpose.

R
 
Robert Bass said:
richard.vanderveen said:
But there would still be a delay... I notice latency from about 4ms. I can work with it, but absolutely hate it on the headphones. Analog processing has no delay whatsoever. Love it! Orban 8100 is indeed great for monitoring. So is the Inovonics 250 or the Aphex Archain (simplest version is just a 320 Compellor with a 720 Dominator). Downside: you're not really monitoring levels with on-air processing...
Breakaway Live was designed for this purpose.
So? There is still latency to consider...
 
Anything digital is going to have latency issues, no matter what. Just the simple act of A/D D/A conversion, if used, will introduce small amounts of delay. When you add any type of processing on top of it, you'll be at least a 3-4ms.

Used the "low latency" output from an Omnia.11 at one place that has live jocks all day. They hated it! Still too much latency and it was uncomfortable for them. After hearing a few days of bitching, I dug out the 8100 from storage and put that on. "WOW! What did you do to my headphones? They sound great!"

Also used a 2020MkIII set to flat for the stream and cans at another place. Worked well, sounded better than the 8100 in that application. Without preemphasis the 2020MkIII was a decent box. It was the HF limiter that killed it more than anything else, audio wise. It was the lack of being able to do simple upgrades via firmware that killed it function wise.
 
richard.vanderveen said:
Robert Bass said:
richard.vanderveen said:
But there would still be a delay... I notice latency from about 4ms. I can work with it, but absolutely hate it on the headphones. Analog processing has no delay whatsoever. Love it! Orban 8100 is indeed great for monitoring. So is the Inovonics 250 or the Aphex Archain (simplest version is just a 320 Compellor with a 720 Dominator). Downside: you're not really monitoring levels with on-air processing...
Breakaway Live was designed for this purpose.
So? There is still latency to consider...

You didn't try the Ultra Low latency mode?

R
 
I never said NO latency... I said ULTRA LOW latency. But I reread your earlier thread where you said you can't even handle 4ms of it, so BL isn't for you.

R
 
I am an PD too. The low latency output on my Optimod does not cause me or any of my jocks any problems. I would imagine it is in the 5ms range. How old is the talent that can't deal with that? I have noticed that much older announcers can't get 'used' to the slight latency. I have two stations running the headphones from the low latency Optimod output for headphones and I've had no complaints.
 
Most of the jocks have been at it for 20+ years, so there's no teaching old dogs new latency tricks.

Personally, I've been at it both behind the mic, programming and engineering and it takes me some getting used to.
 
Been there, done that!

I also like to pick the audio off any AGC prior to the delay(s), such as splitting the output of an Ariane and then feeding that to a limiter. Tends to give the airstaff a better feel for what's actually on the air.
 
Status
This thread has been closed due to inactivity. You can create a new thread to discuss this topic.


Back
Top Bottom