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A nice interview. I wonder why his detractors didn't call in to speak to him directly? Anyone?
You and all the rest of us.gatsby1922 said:Truth be told, I'm growing tired of my Henson-bashing.
George Brusstar said:Fred, you must have missed (or ignored?) my comments a few weeks ago regarding guests on the Racket... Notice you rarely if ever hear me refer to these conversations as "interviews" because they're not interviews... I don't interview, I talk... I have conversations, not necessarily questions... Quite frankly, I hate use of the word "interview" when it comes to this show... As for Robert Henson, I talked on the show about the obsessive board-bashing of the guy weeks before I even knew he'd be able to come on with us... Racketeers knew where I stood on that, so it shouldn't have been surprising to hear me more or less "take his side"... I am not impartial, and never claimed to be... Ultimately the show is about what Kyle, Roscoe, and I think-- everything else (including guests) is supplemental, though much appreciated... I admitted I hadn't heard Robert's WCOJ airwork in ten years (nothing post-Lenfest), and may very well have found some of the bits in question to have been in poor taste had I heard them... But I still maintain the outright obsession a few folks here have over ripping the guy is alarmingly pathetic... This is COATESVILLE, for crying out loud!!!
You seem to have this vision of a 20/20 type "interview" being the model for what our chats with guests should sound like-- that's not really what I do, and I have no interest in doing that kind of programming... Lock me in a studio by myself for a three-hour monologue and you'll probably hear much better radio than if you had to hear me trying to bumble my way thru an interview...
P.S. -- You're going to LOVE hearing who I "don't interview" next week!
P.P.S. -- As it may have become obvious from listening to the show, I did the entire four hours in excrutiating pain and said plainly on-mic that my performance on the show "probably sucked" as a result... Listening to my own higher-than-usually-pitched voice and occasional slurred speech made me cringe... But content-wise, after hearing a good amount of the replay, I think I sounded damned good considering I should have been in the E.R. instead of in the studio... Roscoe and Kyle knocked it out of the park as far as supporting cast goes, and overall Show #44 was surprisingly a decent listen in my opinion...
George Brusstar said:The show will be the only one of its kind to talk openly about the radio and related media industries.
The Radio Racket is a broadcast professional’s dream come true! The show aims to entertain, inform, and provide a sounding board for those associated with the radio and television industries. The program's participants will offer listeners an uncensored insiders’ perspective, with no topics out of bounds. Thru cutting edge commentary, comedy, and unprecedented openness, The Radio Racket promises to be the weekly gathering place for broadcast professionals and serious enthusiasts alike. The producers remain hopeful the show will eventually serve as "the program of record" for the broadcasting industry, though topics outside of radio and television are expected to be featured.
"I believe this will be the first undertaking of its kind to employ knowledge, humor, and personality to create a virtual weekly water cooler for broadcasters to talk shop in a frank and candid way. It’ll probably also ensure I never again be offered a job in radio.”
Robert Hack Henson said:We remained friends. We still do.
hipporadio said:If your concern is “hokey small-market radio”, may I suggest you spend some time with the likes of WLNG Sag Harbor, NY—where the “Rodney Radios” yuck into a spring reverb and mono processing that sounds like a session of awesome whoopee. You’ll enjoy their 5000 prehistoric jingles and 10,000-song playlist. There’s enough material there to last us all a lifetime; but be well advised—this station has revenues that easily meet an eight-figure level (and I’m not counting pennies and dimes), they have a remote bus worth more than most studio buildings, plus over 40-years of heritage and local respect—but it’s just small-time local broadcasting. Rusty Potz may even tell a Chinese take-out joke that Stephan Spielberg just may catch :![]()