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Let's have some fun!

I'd like to hear what you jocks consider the best one-liners you've heard or used talking up a song.

e.g. As an intro to "Heart's" Magic Man, mine is: "Remember, it's not the length of the wand that pulls the rabbit out of the hat, but the magic in the performer."
 
A few that stick in my mind…Attributed where I can remember.

That’s Bread…”Mother Freedom”, not to be confused with necessity, which as we all know is the Mother of Invention…

Harry Chapin: Cat’s in the Cradle…and the kid’s in the kitty litter (Sherry Medford, WHBQ Memphis 70’s)

(Cat Stevens) We regret to inform you that “Morning has Broken”…we have therefore substituted afternoon. (Robert Grey WHBQ Memphis 70’s)
 
I remember JJ Jordan of WGRQ saying the following: "That's Elton John, 'Don't Let the Sun Go Down on Me,' but if you have a daughter I won't mind a bit!"
 
Jack Armstrong, 1972, backselling Gilbert O' Sullivan's "Alone Again, Naturally"... "try soap Gilbert, it really works."
 
Not a Rochester one, but how about Dan Ingram's famous talkup to "Crystal Blue Persuasion"...

"Here's a song about a girl named Crystal and what she did to her boyfriend, Persuasion!"
 
Somebody at WDRC in Hartford circa 1965 intro'ing the Beach Boys "I Get Around":
"What do you get when you go to the butcher shop?"
 
How about over the end of the record? Sandy Beach at KB over Don't say you Don't Remember...."don't say you don't remember because I've got films and tape recordings and you'll pay for the rest of your life!"
 
Mike Sheridan said:
How about over the end of the record? Sandy Beach at KB over Don't say you Don't Remember...."don't say you don't remember because I've got films and tape recordings and you'll pay for the rest of your life!"
Wanna send that one out to Herman Cain - rimshot, gray Fidelipac with rattling metal tension bar, worn pressure pads and gummy white nicotine stained cart label - howyadoinevereeebuddeeee

Fairness Doctrine: Can also be used for John Edwards.
 
Jim Santella said:
Let's have some fun!

I'd like to hear what you jocks consider the best one-liners you've heard or used talking up a song.

e.g. As an intro to "Heart's" Magic Man, mine is: "Remember, it's not the length of the wand that pulls the rabbit out of the hat, but the magic in the performer."

Thanks for starting this, Jim! :) Hopefully the fun will continue.
 
I love hearing great jocks deliver clever one - liners with energy and friskiness. Dr. Hook's "She Was Just 16" has a :05 sec intro. Just perfect to squeeze either of these two bombs: "She Was Only The Telegrapher's Daughter But She "Did-It," "Did-It," "Did-It," OR "She Was Only The Mortician's Daughter But Anyone "Cadaver."
 
During the brief one second of silence right after the guitar solo in The Knack's "My Sharona", the great Dan Ingram on WABC once intervened with "This space for rent."

Big Dan was the best!
 
Florentino said:
During the brief one second of silence right after the guitar solo in The Knack's "My Sharona", the great Dan Ingram on WABC once intervened with "This space for rent."

Big Dan was the best!

I don't know how original that was. Several years earlier, I remember a KB jock -- maybe Armstrong or Berns -- saying the same thing during the pause of Badfinger's "No Matter What."
 
How about the famous Don Imus talkup of The Foundations' "Build Me Up Buttercup?" He simply started reciting the alphabet over the intro: "A...B...C..." and stopped just before "Y" as the vocal hit. Great stuff!
 
Florentino said:
During the brief one second of silence right after the guitar solo in The Knack's "My Sharona", the great Dan Ingram on WABC once intervened with "This space for rent."

Big Dan was the best!

I've also heard (paper shuffle) "Turn the page"
and "1-2-3-kick"

both used (by me and others) during the break in The Rascals' "Good Lovin'"
 
Philip_Airtime said:
Florentino said:
During the brief one second of silence right after the guitar solo in The Knack's "My Sharona", the great Dan Ingram on WABC once intervened with "This space for rent."

Big Dan was the best!

I don't know how original that was. Several years earlier, I remember a KB jock -- maybe Armstrong or Berns -- saying the same thing during the pause of Badfinger's "No Matter What."

Either one would have done that...I also remember "turn the page" from either or both of them, during both "No Matter What" and "Monday Monday".

Dan Ingram did a bit with Anne Murray's "You Needed Me" back in Fall '78, by which time the research had to start showing major burn...it looped the last two lines of the song - "You needed me, you needed me" over and over while Dan vamped, "Anne...ok Anne, we get the point. That's fine you can stop now...Anne. ANNE! I'm cutting you off, I'm calling the union - it's time for the news!!"

And then the 4:55PM newscast came on.

5:00. Instead of the Legal ID - "The Best Music. WABC, New York" - what do we hear:

"You needed me...you needed me..." and an exasperated-sounding Dan Ingram threatening to rip up Anne Murray's royalty check if she didn't stop singing right now. That's where it ended, and then the ID played as if some kind of after-punchline.

Funny, everytime I heard WABC play "You Needed Me" after that bit, it was edited down to just the first verse and final refrain. I felt like I was part of an inside joke when I heard it that way.
 
Could be this thread should be re-titled "Classic Backsells?" Every top 40 jock at one time or another cast good sense and programming discretion to the wind, unable to resist temptation, filling the gaps in My Sharona, No Matter What, Good Lovin' or Let 'Em In with some kind of wild track, jock shout or an acapella jingle. Some jocks held the record and turned a one second gap into some serious dead air, thereby honking off a few listeners and PDs too.

How about the WYSL Buffalo boss jock who played "Gypsies, Tramps and Thieves" and back sold it as a description of the competition's sales staff? Harv Moore had a trademark off key trumpet that he would drop in the gaps from time to time. It always made me laugh, cuz being a jock, I found it funny. Harv was also great with drop-ins going back to the WPGC days, and talking back to pre-recorded wild tracks, too. We still remember his stuff with "The Colonel." J.Michael Wilson during his years at CHUM and his short stay at WGR, used to do Rodney The Mouse, where he'd talk back to his pre-taped track that was sped up, before the days of vari-speed, with a capstan collar.

Elton John provided material for the boss jocks who backsold his hit as “Someone Shaved My Wife Last Night.” KB’s real Don Wade in middays once sang “sh” under every “Save” of the Four Seasons’ “Save It For Me,” thereby turning it into “Shave It For Me.” Larry White tells me Dan Ingram did the same. Wade was every bit as hip, funny and talented as Ingram. You wonder who stole the bit from whom, or is it a matter of GMTA.

This stuff is great jock fodder, but we all know it really honks off the listener because we're messin' with his-her favorite songs. Wouldn't fly in a PPM world. "Shut up and play the Doors." (An inside line from the early 97 Rock years.)
 
"Four Seasons: "Shave It For Me" (another Ingram classic)"

Which he even revived when he pinch-hit in mornings on K-Earth 101 in Los Angeles during the 90s while the late Robert W. Morgan was away...that time he actually sang it over the chorus all the time the song was playing.
 
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