Hm-m-m... listening to Gotye's "Somebody That I Used To Know" (a rather dynamic recording) and I don't care for how much wideband AGC you have on the line... I hear it pumping and breathing with the voices, percussion, etc... the loudness and density I think you're looking for will come from driving the MULTIBAND harder, not the wideband, IMHO.
I'd slow down the AGC / reduce the compression ratio / raise the threshold or gate / lower the drive to try to get a little more natural sound fed to the multiband section... I don't know the Omina One's setting options, but I rarely have success in wideband AGC going any higher that a 3:1 ratio... and lower usually sounds even better.
...On a positive note, the levels you're feeding your encoder look good and clean. It's amazing how many stations screw that one, so-easily-fixed, item up. No matter how good your processing was, if you were hitting the encoder too hard, your work would be in vain.
Keep after it! This is interesting to follow.