firepoint525 said:
You obviously didn't work where I did. The only "benefit" I got was insurance and vacation, and I obviously would have had to get sick in order to cash in on the insurance! Do you think the cash value of the insurance and vacation would have been enough to offset the (minimum!) 10-15 hours a week I was being stiffed? I made $220 a week when I left there in 1992. Divide that by 50, because I was having to work a minimum of 50 hours a week, and you'll see that I was making sub-minimum wage there to put up with that anal-retentive manager and his perfectionist demands! And I was having to work six days a week!
So, entry-level wasn't exciting. Perhaps that's why it's called "entry-level". That's not so different from a lot of other professions.
Now I'm getting all the benefits you mentioned, plus holidays off, and I "only" work five days a week now. And I'm making more in my post-broadcasting career than I ever would have made in radio! My beginning pay at my current job is more than I ever made, even at my last station, which I left last fall!
That may tell us more about your career that it does about radio. Not that corporate radio isn't doing its best to destroy itself by "saving" its way into oblivion.
Music isn't "product". Advertisers are not the customers. Listeners tune in for more than the same 200 songs over and over and over and over. 12 in a row with nothing in between doesn't work. Information and/or entertainment that are meaningful for the listener, and relatable personalities make radio relevant. Corporate radio doesn't understand that, preferring to listen to consultants who tout "their format" as the panacea that will save money and raise ratings.
Look at the ratings. How many of the top stations are heavily-formatted jukeboxes?
If your live and local radio sucks, blame formats that reduce jocks to liner-card readers, with fewer opportunities to perform than the canned voice guy/gal. Add to that PDs who spend more time with computer software than talent coaching - mostly because they're now forced to program multiple stations simultaneously.
And yet, you say "You can't blame corporate radio for sucking the life out of it."
Have another cup of kool-aid, Bub. Obviously you've drunk deeply from the big corporate punch bowl.