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I miss.......

Assuming you have a cassette deck with either a headphone jack or RCA audio jacks, you can get a cable to go from the output jacks (Headphone or RCA jack) on the deck, to the 1/8" line input jack on your computer's sound card. You'll also need recording software on your computer, such as Adobe Audition (This isn't a free program, but there are some free shareware audio editing software programs).

R
 
I miss some of the stuff y'all have listed...most especially, the first few years of 94.5 KDGE, when they played a truly diverse range of alternative music.

But the thing that I really miss in North Texas radio is when it was possible to tune into stations in nearby small markets and hear something that sounded different from what was on Dallas/Fort Worth radio. Things like being able to hear top 40 and pop hits that weren't getting played in Dallas on stations like KNIN-AM/FM Wichita Falls, KDSQ-FM Denison/Sherman, KWPL-FM McKinney/Plano, KPXI-FM Mt. Pleasant, and KIKT-FM Greenville.

I also miss the weird juxtapositions of musical styles and promos on these stations -- the sort of thing that never happened on the "more professional" Dallas stations. Things like hearing a Jimmy Sommerville dance song (a remake of "Mighty Real"), Michael Murphy's "Wildfire", and a promo for a Led Zeppelin interview -- all on the same station, in the same hour, in 1990. That was courtesy of KDSQ. Or hearing a promo announcing the start of "another 30 minutes of stopless hits" -- and then the station went right into a 20 year old Moody Blues song. That was on an all-request lunch hour on KNIN.

Or hearing Paul Mauriat ("Love is Blue") and MC Hammer ("Pray") on the same station within a 15 minute period -- that was on KIKT, back when MC Hammer was still generating the hits. They played AC music in the daytime and Top 40 at night, and that was right around the time of day that they were switching formats for the evening.

These stations were rough around the edges, they did things that you weren't supposed to do on the radio, they had personalities that varied from great to horrendous (or nonexistent at KDSQ, which was automated, but still had some musical quirks)...but they were fun to listen to because you didn't know what you were going to hear next.

Unfortunately, most of these radio stations were moved into Dallas/Fort Worth (and mostly now carry Spanish-language programming), and the few that are left are voice-tracked and have had the life and spontaneity sucked out of them. They are, in short, every bit as bland and predictable as Dallas/Fort Worth radio has become. Since those stations were also once the source of the new personalities that might some day be heard in major markets like Dallas, we can figure that the future will be even worse since that pipeline is now pretty much gone.
 
Robert Bass said:
Assuming you have a cassette deck with either a headphone jack or RCA audio jacks, you can get a cable to go from the output jacks (Headphone or RCA jack) on the deck, to the 1/8" line input jack on your computer's sound card. You'll also need recording software on your computer, such as Adobe Audition (This isn't a free program, but there are some free shareware audio editing software programs).

R

Try Goldwave. It's free and that's what I use.
 
I'll try it either Thur, Fri, or Sat next week, when I'm off again. No guarantees that it is going to work. I'm still old school when it comes to sound equipment. I can do fine with anything not involving the computer. With the computer, I'm still very green. The even bigger issues might be trying to find them amongst the 400+ cassettes, most of the recorded ones unlabed. I was young and dumb and didn't think I'd use them for anything but my own benefit.
 
GP TO PCWORLD.COM OR CNET.COM..SEARCH FOR AUDACITY


Its close to adobe/cool edit and its free. Robert is correct. Get a stereo RCA plug cord "y" jack configuration. Place the "mini" plug into your line OR mike input on the PC from your cassette deck. Then dub it onto the recording software you have chosen. I have transferred many cassettes of my wifes collection, cleaned them up and onto a CD. They sound great.
 
snoman said:
I'll try it either Thur, Fri, or Sat next week, when I'm off again. No guarantees that it is going to work. I'm still old school when it comes to sound equipment. I can do fine with anything not involving the computer. With the computer, I'm still very green. The even bigger issues might be trying to find them amongst the 400+ cassettes, most of the recorded ones unlabed. I was young and dumb and didn't think I'd use them for anything but my own benefit.

Snoman, what else do you have in your collection?
 
I have mostly Ron Chapman stuff, as well as the K104 stuff. Like I said, I THINK I have a couple of 100.3 JAMZ stuff. KMJJ (then at 100.1 FM)/Shreveport and KGRI (also at 100.1 then) out of Henderson used to interfere with the signal alot, but on certain mornings and evenings, I could get it.

The other airchecks I have are of Tyler-Longview-Marshall-Shreveport area stuff. Chapman, K104, and 100.3 would be the only DFW stuff that I have.
 
KPLEXCOMPLEX said:
GP TO PCWORLD.COM OR CNET.COM..SEARCH FOR AUDACITY


Its close to adobe/cool edit and its free. Robert is correct. Get a stereo RCA plug cord "y" jack configuration. Place the "mini" plug into your line OR mike input on the PC from your cassette deck. Then dub it onto the recording software you have chosen. I have transferred many cassettes of my wifes collection, cleaned them up and onto a CD. They sound great.

I would caution against using the mic input. Typically those inputs are pre-amplified, which results in distorted audio with line level audio.

R
 
I remember Texxas Jam. Who could forget Ted Nugent, and lots of topless women, along with unbearable heat, and water cannons. Thought I was gonna die. Drove in from West Texas where I was on the air to see the first two.

Now that was a memory.



VERITAS DE VOCE said:
But since we are all reminiscing, what does the VOCE miss?

1. Stevens and Pruitt Morning Show
2. Anyone remember the old "TEXXAS JAMS" at the Cotton Bowl?
3
 
True Robert ,however with the right software,good speakers and headphones,it can be controlled.
 
Bob E. Nelson said:
John Wiley Price on KKDA/Soul 73 at night and Jimmy Stewart on WBAP with 820 Memory Lane.

Bob, if you miss John Wiley on KKDA, check him out on Willis' show from time to time. He also has a mainstay on KNON. Check it out for your JWP fix.
 
Veritas, the Thunderstorm was what really got me interested in DJing (and ultimately led me to purchase turntables and learn how to mix, which has served me well as a side hobby/moneymaker for the past 15 years). One technical question, though - it was obvious Al B. Bad used a lot of mix-service tracks from Ultimix, Funkymix, etc. (which is fine, they generally sounded great), but the talkover beds sounded more like loops. Was he just sampling little loops live and using those as talkovers, or did he have loop-track records specifically designed for that purpose?

For a kid interested in that stuff, having the Thunderstorm and Jeff K-era Edge Club to listen to on weekends was heaven.
 
I miss The Oasis, no doubt. It was better at 106.1 before it moved to 107.5

I miss Wendy from Y-95.

I miss The Nicest Guys in Radio from Y-95 as well. Trey and Bill. Bill Evans is now one of the weathermen on WABC-TV in NYC. Wonder what happened to Trey, though?

As much as I didn't like KVIL when Chapman and company were there, that would be a GREAT alternative to what they are doing there today. Gene and Julie suck !!

I miss The Edge when it first came on the air. Can't think of the female morning drive jock that was there. She also worked with a guy named Roger in the morning. I got to broadcast the weather there one morning, it was funny. Her name might have been Wendy, but it was NOT the Wendy from Y-95. :)

I will also never forget when KZEW changed formats. It was during the Christmas season and I am a HUGE channel changer. I'd change over to the Zoo every now and then and each time I changed over, the Zoo was playing a Christmas song. I thought to myself, "Oh how nice, the Zoo is getting into the Christmas spirit".
My friend called me hollering and screaming telling me the Zoo was changing formats..........
 
mediawonk said:
Veritas, the Thunderstorm was what really got me interested in DJing (and ultimately led me to purchase turntables and learn how to mix, which has served me well as a side hobby/moneymaker for the past 15 years). One technical question, though - it was obvious Al B. Bad used a lot of mix-service tracks from Ultimix, Funkymix, etc. (which is fine, they generally sounded great), but the talkover beds sounded more like loops. Was he just sampling little loops live and using those as talkovers, or did he have loop-track records specifically designed for that purpose?

For a kid interested in that stuff, having the Thunderstorm and Jeff K-era Edge Club to listen to on weekends was heaven.

Hey Wonk,

Nice to know about the Thunderstorm. We really broke ground with that programming in DFW. Mazel Tov on your career... got a Mix Tape? ;D

Seriously, they were ALL loops. It usually took him a good 5 mins to set up while we took calls for the good ol' reel-to-reel. Inside baseball, he didn't believe in mix tracks. He was a purist and believed only suckas' jonesin' for a check used him. Peace.
 
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