Here is a re-post of something I put on another board 2 months ago. It was in response to a poster's statement about many of today's artists not being "real country." I think it's applicable to this discussion:
Whenever a writer applies the term “Real Country” to a group of artists, it invariably suggests that artists outside that group are not “real.” That they are somehow country impostors. I disagree.
Real Country in 2010: Lady Antebellum, Jason Aldean, Carrie Underwood, Little Big Town, Gary Allan, The Band Perry.
Country music, like all popular entertainment, has been continuously evolving for decades. Top artists at any given moment will often bear little resemblance of style to a top artist 10 or 20 years earlier. Real Country 2010: Taylor Swift. Real Country 1990: The Judds. Real Country 1980: Barbara Mandrell. Widely divergent styles, yet all are giants.
Ray Price’s smash hits of the early 70’s, “For The Good Times” and “You’re the Best Thing That Ever Happened To Me” featured Ray backed by lush orchestra strings. Very different from Hank Snow’s “I’ve Been Everywhere” a decade earlier. Both are enormous “Real Country” stars of their times.
Kenny Chesney shares little musically with Buck Owens. Is he less “real country?”
The argument about “Real Country” vs “Pop Masquerading As Country” has been going on for years. It was going on when I worked country radio in the 70’s.
Rock has certainly evolved. R & B has evolved. Blues has evolved. If country didn’t evolve, we’d still be listening to Roy Acuff clones.
Thank goodness country music is such a wonderfully big tent. In 2010, Sugarland and Bomshel have their “sound” as do the neo-traditionalists like Josh Turner and Chris Young. It’s all part of an exciting, fun musical genre and it’s all “Real Country.”
Nick Summers