Element9 said:NPR, my own music mixes, which include everything from the Beatles to Black Keys on CDs or my personal music player, as well as a few Canadian stations, which can be quite diverse, even if they're playing 30 to 40 year old music or new stuff.
TheBigA said:Steve Biro said:Digital-radio technology simply isn't robust enough for any kind of reliable over-the-air listening... at least not until the industry stops trying to have it both ways. If they want digital and the extra channels it allows, it's time to set a hard transition date, a la HDTV. When we hit that date, the analog signals should be turned off. and the digital signals should come up to full strength. Then maybe there'll be enough stations to serve all age groups.
The radio industry really has no choice. The feds have decided that radio is not going to follow TV towards a digtal future. The FCC has declared that if radio wants digital, its only option is HD Radio. Not much of an option.
Steve Biro said:The truth is, the FCC made its decision after heavy lobbying from the radio industry. All those general managers and sales managers were terrified they'd come out on bottom if Americans were forced to go out and purchase digital receivers.
Steve Biro said:Instead, the radio industry continues to erode, listeners are offered cheap (but rarely compelling) programming... and both iPods and Internet radio sound better and better by the day.
As well they should. Radio companies are content providers with heritage terrestrial ties. With iHeart and TuneIn on phones, the variety is only limited by what stations and companies offer. Of course they compete with the thousands of other stations on the net as well. HD isn't going to be the dominant app, if it survives at all. And no need to mandate a conversion when no new spectrum is being consumed to host the digital and analog side by side. Unfortunately, the OTA digital system isn't robust enough to stand up to the analog. Until that's fixed, HD is a non-starter. But internet is a go.TheBigA said:the radio industry is doing everything it can to claim its own platforms in the digital marketplace.
However, I agree that consumers will not, under any circumstances, buy digital radio receivers. Unless those receivers are mandated by the FCC, and installed for free in cars and other devices, consumers will not buy them. Just as they haven't bought satellite radios. The only reason satellite is doing well is because they're installed as OEM in all new cars.
For good programming, the audiences should hold, but for bad or pedestrian programming, those audiences are gone, part of why OTA TSL is down for most formats (that and PPM keeping them honest). Since OTA still has to attract a mass audience and internet radio audiences are splintered to the point of being miniscule 99% of the time, the best programming should be available via terrestrial stakeholders, but some talents shut out of or discarded by terrestrial are attracting decent audiences via streaming and podcasts. Since terrestrial radio generally got out of the business of developing talent, the next host/programmer to gain traction could well come from cyberradio. And terrestrial will be glad to embrace them to fill the talent vacuum.Say what you will, but the cheapest OTA radio programming is still better and costs more than the most expensive internet radio programming. And the audiences for OTA have been holding steady for the past ten years despite competition from satellite, iPod, and internet.
musichead1029 said:Satellite has the advantages of unique content (at least in the music department) and overall good reception where web radio can be problematic and/or expensive, and the disadvantage of cost.
musichead1029 said:For good programming, the audiences should hold, but for bad or pedestrian programming, those audiences are gone, part of why OTA TSL is down for most formats (that and PPM keeping them honest).
Indeed I do. I have a portable XM Pioneer Inno with the boombox which is hooked up at home, though it gets less use than the web radios. It's good for power failures to listen to national news and talk when no internet is available (gotta get that generator one day).TheBigA said:musichead1029 said:Satellite has the advantages of unique content (at least in the music department) and overall good reception where web radio can be problematic and/or expensive, and the disadvantage of cost.
Simple question: Would you pay money for a home satellite radio receiver?
Absolutely. As I mentioned, web radio garners miniscule audiences per station. The free version of Pandora's problem is essentially bait and switch. You set up a station and Pandora plays what it can with artist restrictions and what it wants to promote, much of which can be unfamiliar. I look at that as an advantage, but the listener most likely to enjoy terrestrial's lowest common denominator playlists likely wouldn't.BigA said:musichead1029 said:For good programming, the audiences should hold, but for bad or pedestrian programming, those audiences are gone, part of why OTA TSL is down for most formats (that and PPM keeping them honest).
TSL has absolutely nothing to do with the programming. It has everything to do with all the other distractions people have today. If you want to see awful TSL, check out the numbers for Pandora sometime. It's a fraction of OTA radio.
musichead1029 said:I'm obviously not the typical media consumer.
musichead1029 said:As I mentioned, web radio garners miniscule audiences per station.
musichead1029 said:And cookie cutter music formats with large stop sets are already becoming the first to fall by the wayside as inferior to low ad-load webstreams and the file player.
TheBigA said:Not true. The majority of music listeners have very pedestrian taste, which is perfect for OTA radio. And most would rather listen to commercials than pay $15 a month. The only format that's hurting because of playlist and commercials is rock. But formats like country, urban, and AC haven't lost anything, and most are actually gaining.
rdcuffpa1 said:I can easily download audio from a suitable webcaster with a lot lower commercial load and stuff that onto my i-whatever.
josh said:I do agree that it was a great era for music. This was the era that really started it all. The real problem with the format is that the listeners of that format are disappearing quickly. In ten years from now they'll be talking about 1980s and 1990s being the oldies era. I guess the bottom line is our time on this earth is fleeting.
landtuna said:NO! Pre-Beatles music listeners are not "disappearing quickly". We are being ignored because advertisers do not think we are worth their ad dollars.josh said:I do agree that it was a great era for music. This was the era that really started it all. The real problem with the format is that the listeners of that format are disappearing quickly. In ten years from now they'll be talking about 1980s and 1990s being the oldies era. I guess the bottom line is our time on this earth is fleeting.
josh said:I do wonder if a more traditional country music station, featuring mostly 60s 70s and some 80s stuff, could make it today. I don't know of any so many there is room.
TheBigA said:josh said:I do wonder if a more traditional country music station, featuring mostly 60s 70s and some 80s stuff, could make it today. I don't know of any so many there is room.
If they had little or no expense, maybe. Classic country isn't a big ratings-getter, and consequently makes little money.
They are very different audiences among those three decades. Some folks might like Haggard or Willie and hate Kenny Rogers and Ronnie Milsap. So it's hard to program by era without taking into account the sub-genres.