Re: BWAHAHAHA..LMAO
> Hey clickz, it's too bad your mentor didn't help you with
> your spelling, but I digress. What are you two talking
> about? I may not quite understand, but it sounds like
> you're saying(one of you anyways) that assigning trivial
> duties like network dubs to the Marquee talent(s) is ok. It
> is not. Having been a production director in Albany, as
> well as many other markets, those duties are best suited for
> staff members who need more seasoning like part timers and
> interns. If you don't have either of them, give them to the
> night guy. If not that, do it yourself. I'm sorry, but I
> haven't spent more than a decade in this business so that I
> can wrap up my drive time shift and go do an hour or 2 of
> dubs. It has nothing to do with ego, it's called proper
> delegation of responsibility. I could be way off base here
> because I wasn't really sure what the hell you guys were
> ranting about. I happen to know ABC's former Prod/Creative
> services director, Dave Delaney, and when he was let go it
> was complete horse?&*#. He's one of the hardest working,
> most trustworthy dudes I've ever met. He got screwed pure
> and simple. Would I do some dubs if it absolutely had to
> get done, of course. When is the last time the Wolf did a
> dub? Mrozek? Not that these guys should be expected to do
> them, I'm just using them as examples. I know the
> Sugarbear's ouster has hit a nerve with many people, but get
> over it. It's done and overwith. He's moved on, so should
> you. This sort of thing happens everyday in radio, and
> sometimes it happens to really good people. It sucks, but
> it's a fact of life.
>
Sorry about the typos, and i do agree with a number of things that you have said. dave delaneys release was a load of bs. he was my direct supervisor for 4 years and pretty much owe my commercial recording career to him. i have nothing but respect for dave. but i still disagree on the fact that certain people at any given station should be exempt from any kind of duties that are required by any other staff memeber. i personally input all the dubs at my station, and then find the best talent to produce or voice a full produce. but only under extreme circumstance do i take no for an answer.(i.e. conflict of intrest, sickness, etc.)what alot of people seem to forget is that yes, it seems that the radio industry is all about self progression, but being a team player will help in the pursuit of bigger things. i had to work my ass off to get where i am today. and sometimes people do get lucky and get the break that they want just on pure hosting skill. but why complain about doing an extra hour of work when your only putting in 30 hours a week on salary? why not help your peers out? when working at a large cluster such as abc, espescially when me and delaney were not only the production guys, but also in charge of continuity, and trafficking spots back and forth from glens falls, you need to expect that you can count on the airstaff of particular stations to do any kind of production needed. wehter that be dubs or full produced, whether it was chuck, chad, bear, cody,or pat ryan, everybody did there part to help out. do you remember tracey mixx? she was in charge of doing abc network spots for the joyner show. was she to big to recieve such a responsibility? but she tought so. what about silk md? he dropped the ball every night and got the prod dept. in a bunch of trouble because that dude would never do his assigned prod work. but he was one of the lucky ones that got a free pass to the majors.(kbls) sorry about all this long windeness, i guess my point is, if you like your job, just do it. you essentially are supposed to be a team player right? don't complain about it.