Look at all the formats we have and radio still doesn't have it right. Is there an underlying assumption that just because you are a certain age/demographic, you are automatically are apt to listen to only certain musical formats?
I'm 56, last week my fiance and I saw a play, "The Buddy Holly Story." I was only 8 when he died and don't remember much of early rock and roll but I was shocked. The music really kicked butt.
The crowd was mostly in their 60's and 70's (it was a weekday matinee) but there was a sizeable number of people younger than us, in their 30's and 40's who really got into the music which sounds much better than on AM when i was growing up. The point is good/great music spans the test of time and crap doesn't. So why can't radio span a longer period of time/ with a much greater mix? Could a station playing oldies and classic rock not usually heard much along with some classic country, psychydelic songs, some R and B and salsa; in short an eclectic mix BE a dominant force in it's market?
Maybe some radio industry execs could learn a real life lesson, see this play, and observe firsthand, that the age of the song and the age of the audience do not necessarily have to be correlated IF the music stands the test of time.
I'm 56, last week my fiance and I saw a play, "The Buddy Holly Story." I was only 8 when he died and don't remember much of early rock and roll but I was shocked. The music really kicked butt.
The crowd was mostly in their 60's and 70's (it was a weekday matinee) but there was a sizeable number of people younger than us, in their 30's and 40's who really got into the music which sounds much better than on AM when i was growing up. The point is good/great music spans the test of time and crap doesn't. So why can't radio span a longer period of time/ with a much greater mix? Could a station playing oldies and classic rock not usually heard much along with some classic country, psychydelic songs, some R and B and salsa; in short an eclectic mix BE a dominant force in it's market?
Maybe some radio industry execs could learn a real life lesson, see this play, and observe firsthand, that the age of the song and the age of the audience do not necessarily have to be correlated IF the music stands the test of time.