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JB 105

This used to be the hottest station in providence when I was a kid. I remember winning a Radio contest from these guys when I was about 13 years old. I had to go downtown to their studio to pick up my prize. That was in 1981. Who can tell me the address of their studio back then? As hard as I try to remember it's just not coming back to me. I remember taking the elevator in some Big Building. That's as much as I can recall. As an added Bonus question. Who owned JB 105?<P ID="signature">______________
PRO VOICEOVERS FOR YOUR HOME OR BUSINESS!
<a target="_blank" href=http://www.johnchartier.com>Click here to Get One </a></P>
 
I listened to that station as well. All I really remember, though, is the Bill and All morning show...Bill Silver and Al Norman. Eventually, Bill Silver left and they brought in a new Bill (dont recall the last name) and it just wasn't the same.

I changed stations at some point after that. Probably to PRO-FM and Jimmy Grey.
 
Not sure of the former studio location, BUT..... the station was owned by The Providence Journal & Bulletin.... hence the call-letters of "JB-105" were WPJB. It was the sister station to 790/WEAN.

For a time, it creamed WPRO-FM in the ratings in the late 1970's. But...... 'PRO-FM (after a while as an adult-contempory) resurfaced as a CHR again to deal the eventual "death knell" to 'PJB.


> This used to be the hottest station in providence when I was
> a kid. I remember winning a Radio contest from these guys
> when I was about 13 years old. I had to go downtown to their
> studio to pick up my prize. That was in 1981. Who can tell
> me the address of their studio back then? As hard as I try
> to remember it's just not coming back to me. I remember
> taking the elevator in some Big Building. That's as much as
> I can recall. As an added Bonus question. Who owned JB 105?
> <P ID="signature">______________
Peter Q. George (K1XRB)
Whitman, Massachusetts</P>
 
> This used to be the hottest station in providence when I was
> a kid. I remember winning a Radio contest from these guys
> when I was about 13 years old. I had to go downtown to their
> studio to pick up my prize. That was in 1981. Who can tell
> me the address of their studio back then? As hard as I try
> to remember it's just not coming back to me. I remember
> taking the elevator in some Big Building. That's as much as
> I can recall. As an added Bonus question. Who owned JB 105?
>
>
>
I know as Lite it was on Westminster st.

Owners of JB-105

(P)rovidence (J)ournel (B)ulletin

I would love to see lite reincarnate itself back into JB-105. The music they play is nt so Lite. I hate the Lite-Rock slogan for them and every market has one.

What a great April Fools day joke. Play all the old JB-105 imaging for a day.
 
I'm not 100% certain, but I thought the old WPJB-105.1 programmed classical music (and eventually, some simulcasting of WEAN-790) from the time it went on the air in the late 1940's until sometime around 1970, give or take a couple of years either way. After that, until the Summer (July or August??) of 1975, WPJB broadcast beautiful music, but was unable to make a dent against the then-dominant-in-that-format WLKW-101.5 (now oldies-formatted WWBB).
 
> This used to be the hottest station in providence when I was
> a kid. I remember winning a Radio contest from these guys
> when I was about 13 years old. I had to go downtown to their
> studio to pick up my prize. That was in 1981. Who can tell
> me the address of their studio back then? As hard as I try
> to remember it's just not coming back to me. I remember
> taking the elevator in some Big Building. That's as much as
> I can recall. As an added Bonus question. Who owned JB 105?

I don't know the address, but Kenwood's correct. One side of the building was on Westminster farther down from The Arcade across the street. The other side was on Kennedy Plaza. It was a bank building.

So John what did you win? T-shirt? Big Cash Bash? 12 inch copy of Disco Lucy on pink vinyl?
 
> > This used to be the hottest station in providence when I
> was
> > a kid. I remember winning a Radio contest from these guys
> > when I was about 13 years old. I had to go downtown to
> their
> > studio to pick up my prize. That was in 1981. Who can tell
>
> > me the address of their studio back then? As hard as I try
>
> > to remember it's just not coming back to me. I remember
> > taking the elevator in some Big Building. That's as much
> as
> > I can recall. As an added Bonus question. Who owned JB
> 105?
>
> I don't know the address, but Kenwood's correct. One side of
> the building was on Westminster farther down from The Arcade
> across the street. The other side was on Kennedy Plaza. It
> was a bank building.

As far as the address. I want to say 290 Westminister Street across from the old Shepard's building. JB-105 had some good jocks. Some that come to mind are:

Doc Holiday
Brad Pierce
Rick Everett
Mike Waite ( he did morning drive with a sidekick named Jeff) circa 1981 or 82 they did an April Fools Joke (morning drive only) & played all country music. And lets not forget the adventures of 'Super Chicken'
>
> So John what did you win? T-shirt? Big Cash Bash? 12 inch
> copy of Disco Lucy on pink vinyl?
>
 
Didn't Mike Waite do evenings at some point??

> Doc Holiday
> Brad Pierce
> Rick Everett
> Mike Waite ( he did morning drive with a sidekick named
> Jeff) circa 1981 or 82 they did an April Fools Joke (morning
> drive only) & played all country music. And lets not forget
> the adventures of 'Super Chicken'

I remember Mike Waite doing evenings, maybe something like 6pm-10pm or 7pm to midnight or something like that. I recall various parts of his show such as high school students calling in with scores of their school's basketball games. I recall that he always joked about Slim Whitman (the guy who played the pan flute, there were always commercials about him) and how he had students at one of the schools try to get the name of the school changed to Slim Whitman High School. I recall a nightly segment where a local student would call in with their school's news of the week (different student or school each night). I remember a segment of his show called "Waite's Complaints".

I'm 40 now. That had to be....Good God....25-30 years ago???
 
> I'm not 100% certain, but I thought the old WPJB-105.1
> programmed classical music (and eventually, some
> simulcasting of WEAN-790) from the time it went on the air
> in the late 1940's until sometime around 1970, give or take
> a couple of years either way. After that, until the Summer
> (July or August??) of 1975, WPJB broadcast beautiful music,
> but was unable to make a dent against the
> then-dominant-in-that-format WLKW-101.5 (now
> oldies-formatted WWBB).
>
You mean "classic hits" formated WWBB.
 
Re: Mike Waite

I'm assuming this is the same Mike Waite who is at WJBR-FM in Wilmington, Delaware? He's been there for good number of years already! I believe he's still the program director and morning jock on WJBR-FM.
 
Re: Mike Waite

I won some crappy K-Tel record for all those who asked. Geeez, Radio station prizes used to be bad. I don't listen much to Music Radio anymore. Are the prizes still that bad?

John<P ID="signature">______________
PRO VOICEOVERS FOR YOUR HOME OR BUSINESS!
<a target="_blank" href=http://johnchartier.voice123.com>Click here to Get One </a></P>
 
Re: JB 105 (The Compression King of All Time)!!

Years ago, I remember hearing the newer teen version of "I Think We're Alone Now" on JB-105. During that song when the drums play the sounds of the heartbeat, the compression was turned up so high, that the drum sound was quiet, and the echo sound between the drums was much louder! The old "VU" meters on the Dolby cassette deck hardly moved!
I remember hearing the station way up on the North Shore of Boston, and have never heard any station with such blatant compression since! Listening to the station for me was really only to marvel at the audio processing!
Anyone else remember this?
By the way, before they were JB-105, I believe they were "beautiful music". For some reason, I seem to remember one of their slogans used before the music starts again to be "Music for your island, WPJB" What does that mean? Was I getting "Sugarloaf 105" up north tropoing in or something? Strange...

73
DrSquelchcrash<P ID="signature">______________
All day, All Night, No Reason!</P>
 
JB105 was owned by the Providence Journal-Bulletin and was located on 10 Dorrance St. before moving in 1981, I believe. I also won several albums, t-shirts and concert tickets and made many trips to the old building. I still have many airchecks, mostly from 1979-82, and most of the music surveys that were printed weekly in the Providence Journal. Despite my user name, I am not Mike Waite, but I was a huge fan of his show and the whole station. A while back, I had written an article for a radio website (that was never launched) with a history of the station as I have remembered and researched. Hope this brings back some memories. Here it is:

On August 1, 1975, WPJB switched from classical to top 40 as JB105. The original moniker was “JB105 has Big Hits”. The switch was advertised in the Journal for about a week before it actually happened. JB105 immediately became the chief rival of WPRO-FM, which had switched to top-40 under PD Gary Berkowitz in the spring of 1974. This battle helped to give Providence listeners some great radio over the next few years.
JB105 used an early variation of Mike Joseph’s “Hot Hits” format as only current hits were played and a jingle ( the ”JB105 shouts” ) led into every song. A familiar phrase on the station was “JB105 has Big Hits”. The station also billed itself as “The Big Banger”. The JB105 Big Hit list (Top 50 hits) appeared weekly in local record stores and beginning in December 1975, in the Providence Journal, where it would be featured for the next seven years. The early lineup was as follows: Bill Silver with Mike Waite as the newsman (5am-9am), Dale Shaw (9am-12noon), Mickey Ashworth (12noon-3pm), Todd Chase (3pm-7pm), Robb Stewart (7pm-12min) and Rod West (12mid-5am). This lineup would remain intact for well over the next year. By 1977, changes were beginning to take place. Disk Jockeys could finally talk over song intros and the station no longer played all current hits. Brad Pierce came in from crosstown WGNG to take over late mornings while Mike Waite added the early afternoon shift (noon-to 3) to his news duties.
In the summer of 1978, Waite moved to evenings. His high energy show, including the “world renowned Waite’s Complaints” had Rhode Islanders both rocking and laughing for the next three years. By late 1978, the lineup was as follows: Bill Silver and Al Norman (6am-10am), Brad Pierce (10am-2pm), Todd Chase (2pm-6pm), Mike Waite (6pm-10pm), Robb Stewart (10pm-2am) and Rod West (2am-6am). As mentioned in an earlier post, the station had heavy compression and reverb at this time.
Heading into 1979, disco music was in full swing and JB105 capitalized on it as disco hits were scattered all over their charts. Early that year, Robb Stewart left for WFBL in Syracuse and was replaced by Rick Everett. In the summer that year, JB105, which once played jingles into every song, dropped them entirely. The reverb had also been toned down. The lineup was altered a bit heading into the fall of 1979 as Todd Chase relinquished his airshift to concentrate on his PD duties. Rod West finally saw daylight as he moved to middays, with Brad Pierce taking over afternoons and “Young” Johnny Dowd (aka Jay Beau Jones) replacing West on overnights. Pierce began his popular “Big 35 Countdown” show every Thursday at this time and the station billed itself as “Music Power, JB105”. As the year ended, pop and rock tunes once again dominated the charts as the disco craze was quickly fading away.
As the new decade began, the station seemed to be on a roll as teen listenership was rising. WPRO-FM, while remaining top-40, began to focus more on adults under new PD Jack O’Brien. The personalities remained intact for all of 1980, with the exception of Bill Kelly replacing Bill Silver on the Bill & Al morning show. Another Bill, Bill Davis, joined the station for weekends. In March of 1980, television commercials were advertising a compilation album by country legend Slim Whitman. These commercials were claiming that Whitman had outsold The Beatles and Elvis. This caught Mike Waite’s attention and Slim became a main focus of his show for the next three months. Waite ordered the album and began playing cuts on his show (adding animal and barnyard sound effects to the music). Listeners ate it up, despite the fact that Slim’s music was about as far from Top-40 as could possibly be. Callers started yodeling like Slim on Waite’s show and Slim Whitman fan clubs started popping up in schools all over the state. Even rival WPRO-FM jumped on the Slim bandwagon briefly. JB105 went so far as to sponsor a Slim Whitman concert featuring Slim himself in May. By June of 1980, Slim was a dead issue, but the station was still going strong, billing itself as “The Rock of the 80’s”. In July, when the spring ratings were released, Waite boasted on the air that “we kicked their (WPRO-FM) butts”. Waite was so popular at this time that Channel 12 did a short feature on him as part of their “Night People” segments on the 11:00 news. Waite also broadcasted the daily business reports on sister station WEAN. As the year ended, however, PRO-FM was quickly regaining momentum with the return of Gary Berkowitz.
The first quarter of 1981 saw a number of changes at JB105. The station started to lean a bit toward the rock side and even instituted “Album Rock Sundays” for a short time. The most requested song on the station at this time was the novelty record “Eugene” by Crazy Joe and The Variable Speed Band. The song never hit the Billboard Hot 100, but hit number one at JB105. In early February, Rod West left for WPRO-AM. He was replaced in middays by Rick Everett. Johnny Dowd moved to late nights, while Doc Holliday came in from WTIC in Hartford for overnights. Later that month the station suffered a major blow as the popular morning team of Bill & Al left for Miami (they changed the show name to Kelly & Kline and were together on various stations for over 20 years) and Waite was moved up to fill their slot in the mornings. Dr. Grady Brock replaced Waite at night. The station just didn’t have the same feel after these moves as Brock could not fill the incredible shoes of Waite at night, and even Waite just didn’t quite sound the same in the morning without his yelling, screaming and the tastefully obnoxious behavior that made him famous at night. (Note: Waite has since gone on to become one of the most popular morning show hosts in the country at WJBR in Delaware). Brock was gone after three months and was eventually replaced by “Smokin’” Willie B. Goode. Mickey O (aka Mike Olsen) joined the station for fill-ins and weekends.
In the summer of 1981, the station continued its rock lean, billing itself as “New England’s Best Rock”. For the first time in many months, a Billboard Top 10 hit (“A Woman Needs Love” by Ray Parker Jr.) was not added to the JB105 chart. Rock-leaning songs that flopped on the Billboard charts, such as “Sign Of A Gypsy Queen” by April Wine, “Tom Sawyer” by Rush, and “Pay You Back With Interest” by Gary O were huge hits on JB105. Urban-leaning hits, such as “Double-Dutch Bus” and “Ai No Corrida” were not played.
In September of 1981, WHJY became the first album rock station in Providence. Suddenly, a different sound began to emerge on JB105. A jingle package was used for the first time in two years and the “Best Rock” moniker was dropped for “Southern New England’s Best Music”. Top 40/Urban hits such as “Super Freak” and “She’s a Bad Mama Jama” were again being added and were top 10 hits on the station. Still though, there was a sense that the station was not the top 40 mainstay it once was as they were later than ever to add songs, and the songs were taking longer to leave the charts. The order of songs on the JB105 music survey seemed to be the same every week as songs rarely jumped over each other until they hit the top 10. Also, hits such as “Oh No” and “Theme From Hill Street Blues” were never added. There were also some personnel changes as Jeff Baker from WVBF in Boston joined Mike Waite for mornings to form the Mike and Jeff show. Baker impersonated celebrities as one of his main bits. Also Dowd and Everett flipped shifts.
As 1982 began, the chart had a very adult flavor to it as rock-leaning hits such as “Spirits In The Material World” and “Working For The Weekend” were passed over in favor of yawners such as “Sea Of Love” by Del Shannon and “Daddy’s Home” by Cliff Richard. The station billed itself as “Southern New England’s Exciting FM”, but with the possible exception of Willie B.’s night show, did not sound anything like that. Not a whole lot changed into the summer, although the station did add most of the current hits, with the exception of “Let It Whip”. As the fall approached, it was even more obvious that something was up. Several rock-leaning songs that were on the music survey were not played on the station during the week, and they were even skipped over with no mention on the now Sunday night countdown show. Something seemed wrong with the station’s compression and processing as songs just didn’t sound right coming out of jingles. Finally, in mid-November 1982, the top 35 music survey failed to appear in the Providence Journal and the station was now playing a majority of adult oldies and a few current adult hits, while still going by the JB105 name. I was told by one of the DJ’s that the change to an AC station was made because the station could not make money selling ads for kid’s products such as pimple medicine. Mike Waite left the station in November to join former rival Gary Berkowitz at WROR in Boston. Willie B. had left the station shortly before Waite. Vic Michaels joined the station for weekends, remaining there until June 1985.

In 1983, the station continued its adult lean, still as JB105, playing only two current songs an hour and just did not seem to have a purpose. The lineup consisted of Jeff Baker (6am-10am), Johnny Dowd (10am-230pm), Brad Pierce (230pm-700pm), John (Formerly Doc) Holliday (7pm-12mid), and Rick Everett (12mid-6am).
By the summer of 1983, Tom Hunter had become station PD. Hunter tightened things up at the station and gave it a better sound. I know for a fact that he didn’t allow visitors in the studio because I was personally kicked out of the station by Mr. Hunter while visiting a friend of mine who was on the air. Hunter changed the moniker of the station to “105 WPJB” and added a new jingle package. A couple of more currents were added per hour and the station seemed refreshed and was a decent sounding AC station. Gregg Daniels, who would later become a fixture in Boston radio, joined for weekends, along with George Allan. In late 1983, the station scored a major coup as longtime WPRO-AM personality Gary DeGraide became the new morning host. There were no changes in the lineup or in the station sound until
August of 1984. Suddenly, the station, while using the same presentation and jingles, began calling itself the “All New, All Hit 105 WPJB” and again started to play most of the current hits, except for some harder-rocking songs. One of the station promos proclaimed that this was “hit music for adults”. Dowd and Holliday’s shifts were switched, although Dowd promptly took the train up to Boston to work at WHTT. Rick Everett moved into the night slot.
The “all hit” music continued into 1985. Changes began to abound in the new year. The station was purchased by Eastern Broadcasting in March, which laid off several staffers including PD Tom Hunter. Tyler, formerly of WPRO-FM and several other stations, took over the afternoon shift. Other personalities, whose names have escaped me, also began to show up. The morning newsperson at that time was Katie O’Malley. O’Malley is actually Joan Edwardsen, longtime morning co-host at WSNE. On June 13, 1985, listeners were treated to a continuously repeated recording pronouncing that “WPJB is dead!”. The next morning, Gary DeGraide introduced the new WWLI “Lite 105”. Lite 105 played a unique blend of light adult contemporary music with little talk. There was virtually no current music in the original format. The only on-air holdovers from WPJB to the new format were DeGraide in the morning and Tyler on the “Nite Lite” show from 6pm to midnight. E.G. Williamson and Peter Doblin were other personalities that I can remember on Lite at this time. Normally a high energy top-40 personality, Tyler, (going by “Terry Tyler” for the first time in this area; he had used his first name early in his career in Ohio) seemed out of place in this format and was gone within a few months. DeGraide, meanwhile remained the morning host, bringing a familiar and friendly voice to “Lite Rock 105” listeners (until the end of 2005). The station continues to rank at or right near the top of the Providence ratings year after year. In an ironic twist, the station was acquired by Citadel Communications, which also owned former rival, WPRO-FM.
 
Re: JB 105 (The Compression King of All Time)!!

> Years ago, I remember hearing the newer teen version of "I
> Think We're Alone Now" on JB-105. During that song when the
> drums play the sounds of the heartbeat, the compression was
> turned up so high, that the drum sound was quiet, and the
> echo sound between the drums was much louder!

----------------------


What Newer version of "I Think We're Alone Now" did you hear? The only remake of that song I can remember is from Tiffany in 1987. By that time JB105 was already Dead and I think the song was to 'Rockin hard for Lite105 to even think about playing. By that time Pro-FM was at the top of it's game and they played the Tiffany remake constantly.



John<P ID="signature">______________
PRO VOICEOVERS FOR YOUR HOME OR BUSINESS!
<a target="_blank" href=http://johnchartier.voice123.com>Click here to Get One </a></P>
 
a quarter century ago

Thanks for the excellent history and thanks for making me feel REALLY REALLY old.

As I posted earlier in this thread, I was listening about 25-28 years ago during the Bill Silver and Al Norman days but gave up shortly after Bill Kelly arrived. Never heard Mike Waite in the mornings but loved his evening show.

Now....how about giving us a PRO-FM music and personality history: Jimmy Grey, Tony "PRO-FM's little fella" Bristol, Tony "TM in the PM" Mascaro, a pre-Mighty Mike Osborne including his "Soap Sunday" program...all from the early to mid 80s.
 
EUGENE????????

This is great stuff. Thanks very much. Eugene, by the way, was written & produced by Ace Frehley who also played synthysizer on the song. I don't remember if JB's playing it forced PRO-FM on it but the song got a good amount of Providence radio airplay.

I had no idea Johnny Dowd was Jaybeau, but Rod West is in LA now & posted here once when the JB topic came up.
 
Re: a quarter century ago

You asked for it, you got it. It’s making me feel awfully old at 46, also. This pretty much only goes through the period that WPJB was around. I’ll have to work on the rest. Any corrections or additions are welcome.

WPRO-FM made the switch from beautiful music to Top 40 in the spring of 1974 with Gary Berkowitz moving from WPRO-AM to become PD. As the only Providence Top 40 station on FM, WPRO-FM capitalized on the fact that their hits were played in stereo. They seemed to focus on teenage listeners in the early days. As far as I can remember, the summer 1974 lineup of “Rock 92” consisted of the following: Mornings – WPRO-AM simulcast of Salty Brine, Late Mornings- Gary Berkowitz, Early Afternoon – Chuck Bennett, Late Afternoon/Early Evening – Robert J. Boogie (The Boogie Man), Evenings – Mighty Mike Osbourne. Other personalities in 1974 included Big John Bina and Giovanni.
In 1975, WPRO-FM billed itself as “The Superock” and added jingles and reverb. They were heavily into promotions and giveaways. The lineup in the fall of 1975 consisted of: Gary Berkowitz (6am-9am), Chuck Bennett (9am-2pm), The Boogie Man (2pm-6pm), Mighty Mike Osbourne (6pm-10pm), Big John Bina (10pm-2am) and Giovanni (2am-6am). Weekenders included Brother Bob and John Kosian. The station added Pams “Energy One” jingles near the end of 1975 and combined with the reverb, gave the station an awesome sound.
The Superock promotions continued in 1976, highlighted by the Superock card. The lineup remained intact for most of the year with Berkowitz and Bennett flip-flopping in the fall. 1977 saw some changes as the station was now known as “92 PRO-FM” (continues to this day). Howard Hoffman arrived from WPIX in New York and brought nighttime radio energy and excitement to a new level. Other changes saw Big John Bina move to mornings and weekender Terry O’Brien (aka Bruce Newberry) take over late nights. The “Where Do You PRO-FM” contest began in the fall of 1977 with listeners winning $25 for calling the station after hearing their taped voices played on the radio. 1978 saw the arrival of 20 year old radio phenom Don Geronimo from WXLO, New York for the 10am-3pm shift. Gary Berkowitz moved to 3pm-6pm and Giovanni moved up to the 10pm-2am shift, although Alan Edwards also handled the shift later in the year. Weekenders included David Allan (aka David Allan Boucher), Gerry Moon Audette and a teenager named Tony Bristol. The station began airing new jingles from Jam Productions in 1978, similar to those heard on legendary stations WABC and WLS. Many of these jingles would become synonymous with PRO-FM over the next several years. PRO-FM also began billing itself as “Southern New England’s Most Listened to FM Station” 1978 ended on a bit of a bleak note for the station as the popular Howard Hoffman left for Houston and then WABC, New York.
Many more changes came in 1979. In early January, John Bina moved upstairs in the Salty Brine Broadcast Center to become nighttime jock at WPRO-AM. He was replaced by Alan Edwards. In February, Tyler came in to replace Hoffman on the 6pm-10pm shift. Geronimo left the station in late March to be replaced a few weeks later by Big Jim Roberts. Giovanni moved back to 10am-2pm and Bristol took over the overnight shift. In August, longtime WPRO-AM midday host Jimmy Gray took over morning drive. Shortly after, the only PD the station ever had, Gary Berkowitz, left for WROR in Boston. He was not replaced for 2-3 months, leaving the station lineup as follows: Jimmy Gray (530am-10am), Big Jim Roberts (10am-3pm), Tyler (3pm-7pm), Giovanni (7pm-12mid) and Tony Bristol (12mid-530am). In November, a new PD finally arrived. His name was Jack O’Brien. O’Brien also took over afternoon drive, moving Tyler back to nights and Giovanni back to late nights. Roberts left to join Berkowitz at WROR at about this time and was replaced in middays by Bristol. Also in 1979, the station became known as “Musicradio 92 PRO-FM”.
In 1980, O’Brien moved the station slightly into more of an adult direction and refrained from playing some dance records. Most noteworthy was the number-one smash “Funkytown”. After the station was soundly beaten in the spring books by competitor JB-105, Gary Berkowitz was re-hired in August as consultant/OM for WPRO-FM and AM while remaining at WROR. Berkowitz instantly added “Funkytown” and steered the station back on the top-40 track, although as with many top-40’s at this time, it lacked the high energy sound and reverb that it had displayed during the mid to late 70’s. The station then began its climb to regain its position as the number one top-40 station in Providence. O’Brien remained as the drive-time host until the following January. He was replaced by WPRO-AM nighttime host David Simpson in February. Jim Halfyard took over the graveyard shift. The lineup remained intact for the remainder of the year.
In January of 1982, Tyler left for WBOS in Boston, although he remained with the station with a Sunday afternoon shift for the next two years. He was replaced by the returning Big John Bina. The slogans at this time included “Here’s Another Three Great Songs In A Row” and “There’s always a better song on PRO-FM”. With JB-105 moving to an adult contemporary format in late 1982, PRO-FM was now the lone top-40 station in Providence. In early 1983, Giovanni left his 10am-1pm slot to become production director and was replaced by weekender Tony “TM in the PM” Mascaro, who had joined the station late in 1980. Mascaro was a fixture on the station until 1997. The lineup was now as follows: Jimmy Gray (5:30am-10am), Tony Bristol (10am-2pm), David Simpson (2pm-6pm), Big John Bina (6pm-10pm), Tony Mascaro (10pm-1am) and Smilin’ Jim Halfyard (1am-530am). Rhode Islanders like familiarity in their radio and television personalities and they certainly got it with this group. This lineup would remain intact for an incredible eight years (until the arrival of Magic Mark Anthony for nights in January, 1991)! Even the weekenders did not change too much during this period as Joe Cortez, Nance Grimes and Dave Stewart worked at the station for several years, as did Vic Michaels, who came aboard in 1988. One part-timer who did not stay for too long in 1984-85 was David Jones. Jones, who was the afternoon host at WPRO-AM in the early 70’s, moved to WZOU in Boston and then on to WSNE in 1986, where he was co-host of the popular “Jones & Jones” show for the next 16 ½ years and now handles morning drive at WWLI.. If my memory serves me right, Mighty Mike Osbourne returned to PRO-FM in the mid -80’s as PD and had the station playing more current music than it had been in the early 80’s. Beginning in 1984, Tony Mascaro counted down the hits with the “Top 30 Hitlist” on Friday Nights. The station also began distributing a printed copy of its music survey at local record stores and would do so for the almost ten years. This was unusual at this time, because most stations had or were beginning to phase out surveys by this time. The survey consisted of the Top 35 songs, new adds, and several “extras”, sometimes as many as fifteen. The station received some competition in 1984 and 1985 from WPJB, which moved back to an adult-leaning top-40,
and from WERI (RI104) with its four songs in a row without talk. These stations had both changed formats by 1987 as PRO-FM remained the number one hit music station in Providence.
 
Thanks..but....

...while you made a couple of brief passing mentions of Mighty Mike Osborne, you didnt mention a thing about his Sunday evening "Soap Sunday" program from the early 80s. No history of PRO-FM is complete with mentioning Soap Sunday :eek:P

And, is "Big Jim Roberts" the same Jimmyyyyyyyyy Roberts who worked at the original WROR (98.5) then eventually moved to country music WKLB, and then on to the "new" WROR(105.7)?? Couple years or so ago, I heard his voice on a radio station in Florida but I cant remember where I was. Probably either the Tampa area or maybe the Daytona Beach area.
 
Re: a quarter century ago

His name was Jack O’Brien. O’Brien also took over
> afternoon drive, moving Tyler back to nights and Giovanni
> back to late nights. Roberts left to join Berkowitz at WROR
> at about this time and was replaced in middays by Bristol.
> Also in 1979, the station became known as “Musicradio 92
> PRO-FM”.
> In 1980, O’Brien moved the station slightly into more of an
> adult direction and refrained from playing some dance
> records.

Does anyone know if this is the same Jack O'brien who programmed WIGY & WJBQ,in Maine & WZPK & WERZ in New Hampshire?
 
Re: a quarter century ago

> Any corrections or additions are welcome.
>

In the early days after the switch from musak, the station's jingles were "F-M P-R-O F-M", to differentiate itself from PRO-AM.

Somewhat embarrassing admission: in 1975-76, I was a "School Scope" reporter on Mighty Mike's show.
 
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