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engineer1
Guest
NO WAY!!! Krth finally got decent ratings
Rounds probably saw that as gold (or a fluke) and got out rather than ride the ship down. That June-July '67 number is out of whack with what came before and after, and could easily be considered a fluke book. From that point on:
October '68 (ARB): KYA 7.0 KFRC 6.1
Aug-Sep '69 (Pulse): KYA 12.0 KFRC 10.0
Oct-Nov '70 (ARB): KFRC 8.0 KYA 7.9
In fact, KFRC didn't beat KYA by a full point or better after June-July '67 until October-November 1971...which was Paul Drew as PD, playing it very safe.
TR, based on the success of Fantasy Fair, saw an opportunity to be his own boss and to use what he (and Mel... who had been promotion director at KPOI, too) knew and he departed to do the Miami event, which was another landmark concert.
After Jacobs had tired of the corporate game, he rejoined TR to do AT40.
Beyond that, it's amazing what KYA did with a horrible signal... lousy location on rock next to Candlestick Park... and low power by day and lower power at night. Of course, the survey area was much smaller.
KYA wasn't that bad. It came in fine in Vallejo, in '64 or was it Napa in '70? I usually switched between that and KDIA, occasionally making it down the dial to KFRC. Those are the only examples I have, sorry.
Were other RKO stations allowed enough playlist freedom to add songs and artists their music people thought would do well in their markets? As I recall, "Somebody To Love" was an out-of-the-box smash on both Boston Top 40s -- RKO's WRKO and independent WMEX -- and stayed in heavy rotation for weeks. Boston in 1967, I would think, was just as receptive to "hippie" music as San Francisco was. I know the "home office" pushed a lot of female-skewing stiffs onto the WRKO playlist (Ferlin Husky's "Skip a Rope," Hamilton Camp's "Here's To You" and Billy Vera's "With Pen In Hand" come to mind, played only during "housewife time" -- middays) so I assume WRKO had no say over those songs. So, did WRKO get to add "Somebody To Love" only after Drake was convinced it wouldn't drive away the women?
Before all the interference issues we live with now, KYA's signal wasn't so bad---listenable throughout the South Bay, almost good in Monterey, solid to the east out to the hill that divides Fairfield from Vacaville and north up to Petaluma, and as Semoochie said, Napa.
KFRC's signal advantage was in places that weren't in the SF book back then. The only place they probably had it all over KYA was San Jose at night.
That's how I remember it starting as well. There might have been some disgust in 1985 from old fans of the psychedelic-era Airplane, but Starship had already gone in a far different direction. Musically, "WBTC" was a solid piece of mid-'80s pop. I was 30 when it came out and I liked it, and I don't remember a whole lot of people my age hating it. I don't even remember a whole lot of outrage in the pre-internet media of the time. I'd imagine ivory-tower types like Robert Christgau had little use for the song and probably wrote as much, but worst of all time? Sorry, it just had too much going for it to even be thought of that way back then, IMO.
NO WAY!!! Krth finally got decent ratings
I actually enjoy "Sara" and "Nothing is Gonna Stop Us Now", which are both similar corporate schlock too, but are much better that WBTC.
At least "We Built this City" rocks a little. My personal Starship song hatred goes to, "If Only You Believe..." Monotonous and repetitive. Grace used to come into my video store in the 80s to rent movies, and I wanted to beat her up (verbally) for that song, but she was a very nice lady...so I didn't.
Before all the interference issues we live with now, KYA's signal wasn't so bad---listenable throughout the South Bay, almost good in Monterey, solid to the east out to the hill that divides Fairfield from Vacaville and north up to Petaluma, and as Semoochie said, Napa.
KFRC's signal advantage was in places that weren't in the SF book back then. The only place they probably had it all over KYA was San Jose at night.
I know DXing is irrelevant for ratings, but when I'd explore the AM dial from the San Fernando Valley at night in the late 60s, KFRC often came in like a local, but I don't think I ever heard KYA. That's why I didn't get the reason KFRC didn't use the "Boss" terminology until years later when I learned that KYA's slogan had been "The Boss of the Bay." In fact, I've wondered if "B of the B" originated with Drake when he was PD at KYA in the early 60s.
4.8, the same since December '17, 4th place. Stagnant.
For what it's worth, here's the KHJ Boss 30 from April 19, 1967....Humble Harve looking cool on the cover; showing Somebody to Love at #6, up from #18 the previous week. I could hear Casey Kasem's voice in my head as I typed that.
Other "hippie" songs that week - The Flower Children by Marcia Strassman (God - I bet that's the origin of RWM's "strassman" jokes...I never got that before since Welcome Back Kotter was so much later), and Something Stupid by Nancy & Frank Sinatra. Kidding about that last one.
https://93khj.blogspot.com/2008/06/khj-boss-30-april-19-1967.html
Ah, but that was the spring of '67, and Somebody To Love was a smash---peaked at #5 in Billboard.
At least "We Built this City" rocks a little. My personal Starship song hatred goes to, "If Only You Believe..." Monotonous and repetitive. Grace used to come into my video store in the 80s to rent movies, and I wanted to beat her up (verbally) for that song, but she was a very nice lady...so I didn't.
And KYA's signal back then was so much better than KOBY's output up on 1550. So when KOBY sort of fell apart, KYA became the heir apparent.
Ah, but that was the spring of '67, and Somebody To Love was a smash---peaked at #5 in Billboard.
Marcia Strassman, on the other hand, didn't make the Hot 100, but got to #6 at KHJ. Timing was right, though, the spring leading to the Summer of Love.
Llew: Actually, KYA was "The Boss of the Bay" in 1961, the year before Drake arrived. And "Boss" wasn't his idea at KHJ. That goes to Promotions Director Clancy Ismuslund, who tagged it "Boss Radio". PD Ron Jacobs was none too pleased, blurting out "Aw, that s***'s 19-SIXTY, man." But stuff had already been printed and Drake decided to roll with it.