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KENR Wikipedia article

I just wrote a Wikipedia article regarding KENR.

My proverbial hat is off to Chuck Tiller, amongst others, for his information.

Unfortunately, Wikipedia says this article is a "candidate for speedy deletion." Hope that was just a misprint.

*****

http://en.wikipedia.org/wiki/KENR

During the 1970s, 1070 AM KENR Houston (Texas) was a popular country music radio station.
The station first signed on in mid-January 1968 as a 5,000-watt daytimer, owned by one Bill Edwards of Saginaw, Mich. In 1972 or 1973, the station began broadcasting 24 hours a day and increased its power to 10,000 watts daytime and 5,000 watts at night.
DJs on "Kayner" or "Keener" Country in the early days included Eddie Kilroy, who went on to become a prominent country music record producer in Nashville, and Jacky Ward, who subsequently scored country hits of his own with songs such as "Fools Fall In Love" and "Big Blue Diamond."
When KENR started broadcasting 24 hours, Leroy J. Gloger, then-owner of KIKK-AM 650, was concerned about the fate of his station so he sold it to Sonderling Broadcasting. In the meantime, KNUZ's owner, Dave Morris, felt his station was losing a top 40 turf war with "The Big 610" KILT-AM and was also being hurt by AM 790 KULF, so he flipped the station's format to "Country Fresh Kay-News" in 1973. However, according to Houston radio vet Chuck Tiller, KNUZ at its best was a "punch," meaning that if you didn't like what KENR or KIKK were playing, you might "punch" your button for KNUZ as a second choice.
By 1973, KENR was a big success, becoming the first major-market country station to be ranked #1 in all demographic groups 12-years-old and older. DJ and music director "Dr. Bruce" Nelson (now known as "Dr. Bruce" Nelson Stratton) had a hand in this and, accordingly, was named Gavin Music Director of the Year in 1974.
It's said that Nelson helped boost the careers of Mickey Gilley, Freddy Fender,Johnny Lee and Gene Watson. The Mickey Gilley story is relatively well known: Despite one #68 U.S. country chart hit ("Now I Can Live Again)" in, coincidentally, 1968, Gilley was essentially a local Houston-area artist when, in 1974, he cut a single, "She Called Me Baby," to be distributed in jukeboxes around the adjacent city of Pasadena, Texas. Bruce Nelson found the record, flipped it over and played the B-side on the air. The song, "Room Full Of Roses," became a hit, Playboy Records picked it up and it became the first of 16 #1 country chart hits for Gilley.
Bruce Nelson also started, on KENR, the first live broadcast from Gilley's nightclub, the "Saturday Night Special," which evolved into the syndicated "Live at Gilley's" show that was popular during the "Urban Cowboy" craze.
The liner notes of country singer Gene Watson's 1975 album "Love In the Hot Afternoon" includes the statement, "We at Capitol Records owe a debt of gratitude to radio stations KENR, KIKK and KNUS (sic; this should read KNUZ) in Houston for their part in exposing the talents of Gene Watson ..." The album included three country hits, including "You Could Know As Much About A Stranger."
Around 1976-77, KENR's DJ lineup included morning man "Buffalo Bill" Bailey (whose schtick included appearances by Ezra Brooks and other denizens of the Let It Pour Lounge); late-morning DJ Hal McClain (whose schtick included call-in sessions by "Granny"); early-afternoon DJ Mike Cannon; and Bruce Nelson in afternoon drive. (Bailey later became a Harris Co., Texas, constable.)
Other DJs during KENR's tenure included John Dew (1977), Howard Reynolds (1980), Frank Roberts (1981) and Jim Rose (1981). Additionally, helicopter traffic reporter "Chopper Bill" Waldrop worked there in 1981 as well.
In 1981, KILT-AM changed formats to country from top 40; longtime album-rock sister KILT-FM followed suit. Additionally, nationwide, music on AM was fading at that time. (One exception, albeit an off-topic one, was the success of KKBQ-AM Houston -- once known as KULF -- for a time starting in mid-1982.)
KENR responded by becoming "Keener Country Gold." But it was being seriously hurt by KIKK-FM and both versions of KILT.
In 1982 the new management of Lake Huron flipped KENR's format again to news/talk as "The Radio Magazine, KENR." Former KNUZ air personality Joe Ford became morning man, Chuck Scott from channel 39 KHTV (which was later to become known as KHWB) did news and former New Yorker Peggy Crone handled entertainment news. John Greer and Mark Seegers did sports. Mike Shiloh was also on the staff as well. The station also carried Houston Astros play-by-play. Aside from news, talk and sports, the station also programmed pre-rock standards music.
By November 1982, the station's music changed to light adult contemporary. In January 1983, sister station KRBE-FM started its own "Radio Magazine," and it was announced that the Houston Astros would also be broadcast on KRBE.
The station pulled the plug on the radio magazine in summer 1983.
AM 1070 subsequently went through periodic format changes, occasionally simulcasting sister KRBE (which, by the way, flipped back to top 40 in 1985) and, at other times, airing such formats as classic rock and hard rock.
In November 1986, Susquehanna Radio purchased KRBE as well as AM 1070, which by then was known as KKZR. Susquehanna changed KKZR's call letters back to KENR. It sold the AM station in 1994 or 1995.
After a period of brokered ethnic programming, the AM signal was acquired by Salem Broadcasting, which programmed it with a Christian format for a time. Currently, though, it programs a news/talk format as KNTH.




http://www.radiodailynews.com/rdncentralarchives-2004-1.htm
http://64.233.179.104/search?q=cach...ruce+Nelson"+++radio&hl=en&gl=us&ct=clnk&cd=6
http://64.233.179.104/search?q=cach...ruce+Nelson"+++radio&hl=en&gl=us&ct=clnk&cd=6


[1]]
[2]
[3]
[4]
[5]
[ http://64.233.179.104/search?q=cach...uce+Nelson"+++radio&hl=en&gl=us&ct=clnk&cd=6]
[ http://www.susquehannaradio.com/aboutus/history.asp]
[6]
[7]
 
The good news is that my Wikipedia KENR article now appears to be a possible candidate for "Wikipedia cleanup," not a "candidate for speedy deletion." Fair enough, although I don't feel like I have a lot of time for it at the moment. (That said, I can think of at least a couple of "housekeeping"-type improvements that I'd like to make.)

FWIW, while I enjoy writing, I do feel my writing tends to be at its best after editing (either by myself or by someone else, or both).

Also, this being Wikipedia, if anyone else has constructive things they'd like to add, have at it! :)

> I just wrote a Wikipedia article regarding KENR.
>
> My proverbial hat is off to Chuck Tiller, amongst others,
> for his information.
>
> Unfortunately, Wikipedia says this article is a "candidate
> for speedy deletion." Hope that was just a misprint.
>
> *****
>
> http://en.wikipedia.org/wiki/KENR
>
> During the 1970s, 1070 AM KENR Houston (Texas) was a popular
> country music radio station.
> The station first signed on in mid-January 1968 as a
> 5,000-watt daytimer, owned by one Bill Edwards of Saginaw,
> Mich. In 1972 or 1973, the station began broadcasting 24
> hours a day and increased its power to 10,000 watts daytime
> and 5,000 watts at night.
> DJs on "Kayner" or "Keener" Country in the early days
> included Eddie Kilroy, who went on to become a prominent
> country music record producer in Nashville, and Jacky Ward,
> who subsequently scored country hits of his own with songs
> such as "Fools Fall In Love" and "Big Blue Diamond."
> When KENR started broadcasting 24 hours, Leroy J. Gloger,
> then-owner of KIKK-AM 650, was concerned about the fate of
> his station so he sold it to Sonderling Broadcasting. In the
> meantime, KNUZ's owner, Dave Morris, felt his station was
> losing a top 40 turf war with "The Big 610" KILT-AM and was
> also being hurt by AM 790 KULF, so he flipped the station's
> format to "Country Fresh Kay-News" in 1973. However,
> according to Houston radio vet Chuck Tiller, KNUZ at its
> best was a "punch," meaning that if you didn't like what
> KENR or KIKK were playing, you might "punch" your button for
> KNUZ as a second choice.
> By 1973, KENR was a big success, becoming the first
> major-market country station to be ranked #1 in all
> demographic groups 12-years-old and older. DJ and music
> director "Dr. Bruce" Nelson (now known as "Dr. Bruce" Nelson
> Stratton) had a hand in this and, accordingly, was named
> Gavin Music Director of the Year in 1974.
> It's said that Nelson helped boost the careers of Mickey
> Gilley, Freddy Fender,Johnny Lee and Gene Watson. The Mickey
> Gilley story is relatively well known: Despite one #68 U.S.
> country chart hit ("Now I Can Live Again)" in,
> coincidentally, 1968, Gilley was essentially a local
> Houston-area artist when, in 1974, he cut a single, "She
> Called Me Baby," to be distributed in jukeboxes around the
> adjacent city of Pasadena, Texas. Bruce Nelson found the
> record, flipped it over and played the B-side on the air.
> The song, "Room Full Of Roses," became a hit, Playboy
> Records picked it up and it became the first of 16 #1
> country chart hits for Gilley.
> Bruce Nelson also started, on KENR, the first live broadcast
> from Gilley's nightclub, the "Saturday Night Special," which
> evolved into the syndicated "Live at Gilley's" show that was
> popular during the "Urban Cowboy" craze.
> The liner notes of country singer Gene Watson's 1975 album
> "Love In the Hot Afternoon" includes the statement, "We at
> Capitol Records owe a debt of gratitude to radio stations
> KENR, KIKK and KNUS (sic; this should read KNUZ) in Houston
> for their part in exposing the talents of Gene Watson ..."
> The album included three country hits, including "You Could
> Know As Much About A Stranger."
> Around 1976-77, KENR's DJ lineup included morning man
> "Buffalo Bill" Bailey (whose schtick included appearances by
> Ezra Brooks and other denizens of the Let It Pour Lounge);
> late-morning DJ Hal McClain (whose schtick included call-in
> sessions by "Granny"); early-afternoon DJ Mike Cannon; and
> Bruce Nelson in afternoon drive. (Bailey later became a
> Harris Co., Texas, constable.)
> Other DJs during KENR's tenure included John Dew (1977),
> Howard Reynolds (1980), Frank Roberts (1981) and Jim Rose
> (1981). Additionally, helicopter traffic reporter "Chopper
> Bill" Waldrop worked there in 1981 as well.
> In 1981, KILT-AM changed formats to country from top 40;
> longtime album-rock sister KILT-FM followed suit.
> Additionally, nationwide, music on AM was fading at that
> time. (One exception, albeit an off-topic one, was the
> success of KKBQ-AM Houston -- once known as KULF -- for a
> time starting in mid-1982.)
> KENR responded by becoming "Keener Country Gold." But it was
> being seriously hurt by KIKK-FM and both versions of KILT.
> In 1982 the new management of Lake Huron flipped KENR's
> format again to news/talk as "The Radio Magazine, KENR."
> Former KNUZ air personality Joe Ford became morning man,
> Chuck Scott from channel 39 KHTV (which was later to become
> known as KHWB) did news and former New Yorker Peggy Crone
> handled entertainment news. John Greer and Mark Seegers did
> sports. Mike Shiloh was also on the staff as well. The
> station also carried Houston Astros play-by-play. Aside from
> news, talk and sports, the station also programmed pre-rock
> standards music.
> By November 1982, the station's music changed to light adult
> contemporary. In January 1983, sister station KRBE-FM
> started its own "Radio Magazine," and it was announced that
> the Houston Astros would also be broadcast on KRBE.
> The station pulled the plug on the radio magazine in summer
> 1983.
> AM 1070 subsequently went through periodic format changes,
> occasionally simulcasting sister KRBE (which, by the way,
> flipped back to top 40 in 1985) and, at other times, airing
> such formats as classic rock and hard rock.
> In November 1986, Susquehanna Radio purchased KRBE as well
> as AM 1070, which by then was known as KKZR. Susquehanna
> changed KKZR's call letters back to KENR. It sold the AM
> station in 1994 or 1995.
> After a period of brokered ethnic programming, the AM signal
> was acquired by Salem Broadcasting, which programmed it with
> a Christian format for a time. Currently, though, it
> programs a news/talk format as KNTH.
>
>
>
>
> http://www.radiodailynews.com/rdncentralarchives-2004-1.htm
http://64.233.179.104/search?q=cache:CBjC3MeOaVIJ:www.crb.org/awards/djhf/nel> son.html+%22Bruce+Nelson%22+++radio&hl=en&gl=us&ct=clnk&cd=6
>
http://64.233.179.104/search?q=cache:CBjC3MeOaVIJ:www.crb.org/awards/djhf/nel> son.html+%22Bruce+Nelson%22+++radio&hl=en&gl=us&ct=clnk&cd=6
>
>
>
> [1]]
> [2]
> [3]
> [4]
> [5]
> [
http://64.233.179.104/search?q=cache:CBjC3MeOaVIJ:www.crb.org/awards/djhf/nels> on.html+%22Bruce+Nelson%22+++radio&hl=en&gl=us&ct=clnk&cd=6]
>
> [ http://www.susquehannaradio.com/aboutus/history.asp]
> [6]
> [7]
>
 
The system works on a collective.
More than one person will need to "edit" it for it to remain active.
I'll edit the punctuation (per AP) but someone else would have to do something else.

The wiki is quite informative.
 
> The system works on a collective.
> More than one person will need to "edit" it for it to remain
> active.
> I'll edit the punctuation (per AP) but someone else would
> have to do something else.
>
> The wiki is quite informative.
>

Cool. :)

Glad you like it.

I already made a few edits anonymously when I wasn't logged in (wait a minute, that may be redundant -- anonymously, not logged in -- oh, never mind, lol), so if what you're saying is true, it's probably already "active."

But the system does indeed seem to work on a collective basis, so anything constructive anyone else can do to it is welcome.

One minor thing I'm questioning myself about was my memory of the guys in Bailey's "Let It Pour Lounge." (I actually do remember, vaguelly after all these years, Bill Bailey doing this stuff.) Was it really Ezra Brooks, or was it Jim Beam, George Dickel, Jack Daniels or whoever? (Probably all of the above, methinks!) (Nyuk, nyuk, nyuk.)
 
> Bruce Nelson also started, on KENR, the first live broadcast
> from Gilley's nightclub, the "Saturday Night Special," which
> evolved into the syndicated "Live at Gilley's" show that was
> popular during the "Urban Cowboy" craze.

I just learned something new. I thought KRBE did the first live broadcast from a club in Houston.
What did that show consist of, live music or a dj spinning country from Gilley's?
 
The show was originally on KENR hosted by Jeff Mack (Jeff McClain), cousin to the late Hal McClain, who did afternoons. (Another one of his kinfolks is on 610-KILT, Chance McClain) Jeff and I both have known each other for many years as freinds and in working relationships. The show was on Friday nights and then Saturday nights were added, as well. It was a live broadcast featuring many country acts, local, regional and national, in addition to Johnny Lee and the Bayou City Beats, as well as others too numerous to mention.

The show also spawned a syndicated show. It was known as "Mickey Gilley Presents."

When KENR changed formats, "Live At Gilleys" moved to KILT-610, at 11PM 6 nights a week. It was retitled "The Live Longneckin' Hour at Gilley's" It was hosted by Rusty Clark, another former KENR and KNUZ country DJ. It had NO commercial breaks. It was wall to wall music. At midnight, we would take it away and get back to the KILT Longneckin' format. Sometimes, when they were really cookin,' we would let it continue. Well....I let it continue. One night I let it stay on until 1AM. It was a good show. George Jones was on along with some others. They were cookin' to good to shut it down.

Side note on KENR. Hal McClain was doing the early afternoon shift, while Dr. Bruce Nelson was doing afternoon drive. One day, when Dr. Bruce got to work, he discovered that management switched those shifts. Needless to say, a major conflict arose between those two. They disliked one another alot! That's putting it mildly.
 
I thought KRBE did the first
> live broadcast from a club in Houston.

Seriously, did you really think it wasn't until the late 80s that any Houston radio station thought to do a live club broadcast?????<P ID="signature">______________
'But have you ever heard music on a crystal set? That's the sweetest music ever broadcast.' Alfred P. Daniel, Houston radio pioneer, in an interview in 1948.</P>
 
> I thought KRBE did the first
> > live broadcast from a club in Houston.
>
> Seriously, did you really think it wasn't until the late 80s
> that any Houston radio station thought to do a live club
> broadcast?????
>
Yeah, because I had never heard of it being done before. I thought maybe the technology didn't exist until the late 80's. I had thought it would be great if you could listen to a club on the radio. I was completely blown away when it happened. Which is why I recorded from KRBE almost every Saturday night.

Other than KENR & KRBE who else did it? Who did a live club broadcast before and what year then?

This should probably be the start of another thread...
 
Old concept

Yes, 1320 KXYZ did regular broadcasts from The Shamrock Hilton on Saturday nights, It featured well known acts from the big band era. A very young crooner by the name of Frank Sinatra played there, in addition to many others.

When? The late 1940s.

In fact, many stations all over the country did broadcasts from hotel ballrooms in the same manner from the late 1930s to the early 1950s. My old freind Ronnie Renfro at KIKK 650 could be more accurate than me on this subject.
 
I seem to recall Glenn Miller did it

> Yes, 1320 KXYZ did regular broadcasts from The Shamrock
> Hilton on Saturday nights, It featured well known acts from
> the big band era. A very young crooner by the name of Frank
> Sinatra played there, in addition to many others.
>
> When? The late 1940s.
>
> In fact, many stations all over the country did broadcasts
> from hotel ballrooms in the same manner from the late 1930s
> to the early 1950s. My old freind Ronnie Renfro at KIKK 650
> could be more accurate than me on this subject.
>

It's been a long time since I've heard it, but it seems to me that a record of old Glenn Miller radio broadcasts includes one from the Hotel Pennsylvania in New York. Hence the old big band hit "Pennsylvania 6-5000." Would've been in the late 1930s or early 1940s.

(And, of course, there was also Martin Block and his "Make-Believe Ballroom" from the same era, but that probably doesn't count for purposes of this thread.
 
> Side note on KENR. Hal McClain was doing the early afternoon
> shift, while Dr. Bruce Nelson was doing afternoon drive. One
> day, when Dr. Bruce got to work, he discovered that
> management switched those shifts. Needless to say, a major
> conflict arose between those two. They disliked one another
> alot! That's putting it mildly.
>

Interesting.

Those bad old office politics at work.

BTW, I DO remember Hal McClain once held the late-morning slot at one point, so obviously the airshifts were switched around at times.

Out of curiosity, when was McClain on in the early afternoon, and when did the McClain-Nelson switcheroo attempt happen?
 
> BTW, I DO remember Hal McClain once held the late-morning
> slot at one point, so obviously the airshifts were switched
> around at times.
>
> Out of curiosity, when was McClain on in the early
> afternoon, and when did the McClain-Nelson switcheroo
> attempt happen?
>

Hal did the mid-morning shift at 790 KULF in the early 1970s, He did the same at KENR. There was some switching during that time. The final result was that Hal got afternoon drive. He was a great jock. He communicated real well with his audience. They loved him and it showed in the ratings. He was excellant with live spots. He did a very successful series of weight loss spots where he interviewed satisfied customers of the service.

I was at KNUZ at the time. I went KENR to drop off a commercial and was introduced to Hal. I extended my hand to shake his and he refused. He looked at me and said, "Yeah. I heard of you." He turned and walked away. That was it. Of course, that was Hal. His attitude was well known to those within the business.

Soon after, Bruce left KENR and went to KNUZ.
 
Re: I seem to recall Glenn Miller did it

> >A very young crooner by the name of
> Frank Sinatra played there, in addition to many others.
> >

> It's been a long time since I've heard it, but it seems to
> me that a record of old Glenn Miller radio broadcasts
> includes one from the Hotel Pennsylvania in New York. Hence
> the old big band hit "Pennsylvania 6-5000." Would've been in
> the late 1930s or early 1940s.
>
Yes, you are correct. Glenn Miller, Tommy Dorsey and so many others. No, the Make Beleive Ballroom wouldn't count. However, it was a great idea for the "theater of the mind." He made you feel you were there, great show.
 
Actually, live remotes preceded in-studio music programs where the dj simply played records in the development of broadcasting. In fact recorded programming was against the law at first - no mechanical reproductions (player pianos, victrolas) were allowed!, all programming had to be performed live. In addition, the early networks did not supply all that much programming so even network affiliates had to come up with programming to fill the broadcast day and much of it was done live even into the 40s.

The urge to get out of the studio to originate programming is almost as old as radio itself. The first remote in Houston was a church service broadcast from the City Auditorium just weeks after the first stations were licensed in 1922. There was even a special category of broadcast license, the portable license, issued for a while in the 20s. They were for what we would today call a remote truck; the Chronicle had a portable license in the late twenties. I don’t know the technology that was used for either of these but there was some. I wonder if they went out to car dealerships on Saturday mornings?????

When I read your response I thought immediately of Orson Welles' ‘War of the World’s’ broadcast in 1938, when the disturbing bulletins from the Princeton Observatory and Grover’s Mill, NJ, repeatedly interrupted ‘Ramon Raquello and his Orchestra, live from the Meridian Room of the Park Plaza Hotel.’ That dramatic device worked because listeners were used to hearing live broadcasts from ballrooms, etc.

And if the networks were doing it, it’s a safe bet local stations were trying it too, especially in cities like Houston large enough to have hotels with orchestras or big dance halls. KTUE, which became KXYZ, was located in the Texas State Hotel and shared some management with KTRH. It regularly aired Paul Houge and the Rice Hotel Orchestra, Julien Paul Blitz and the Texas State Hotel Orchestra, Louis Conner and the Lamar Hotel Orchestra, the Texas State Hotel Trio and other local music groups. There were at least 3 orchestras at the Rice Hotel where KTRH was located: the Rice Hotel Orchestra, the Rice Roof Orchestra and the Rice Hotel Cafeteria Orchestra, although I don’t know how much KTRH used them on the air. The Rice Roof was one of the most prestigious dining and dancing venues in town.

There were also huge public ball rooms like Kensington Hall, the University Club, and End ‘O Main Dance Hall, not to mention Sylvan Beach Park and Bayshore Park, both in La Porte, which had their own dance pavilions and orchestras.

Besides that many network programs traveled. Although some stations had auditorium type studios that could hold a crowd, most visiting network shows would broadcast from the City Auditorium or one of the big downtown movie houses so they could accommodate more fans.

It’s a pretty safe bet that some station in Houston had broadcast from a nightclub long before Saturday Night at the Shamrock (1949-53) made it on the network.<P ID="signature">______________
'But have you ever heard music on a crystal set? That's the sweetest music ever broadcast.' Alfred P. Daniel, Houston radio pioneer, in an interview in 1948.</P>
 
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