DavidKaye said:
michael hagerty said:
Of course, for most of the RKO PDs, who were watching FM AOR stations eat into their teen shares, "You" sent all the wrong messages. I think John Long at WHBQ dumped it first...KHJ had it for less than a year. But KFRC...in the hippest market in America...not only ran it for more than a year, they signed up for the sequel..."You II"...
Unless this was a purposeful positioning to pick up slightly older people. I don't think it was lost on anybody at RKO that their prime audience was aging and the younger ones weren't coming on board.
David: Yes and no. Paul Drew was certainly aiming for the big middle...hoping to get 18-49 numbers for the RKO chain the way KFRC had been getting them since Dr. Don Rose started in mornings.
But if you were Charlie Van Dyke (then PD at KHJ) in L.A., with KMET starting to attain critical mass with 12-24 year olds, you didn't want to chase out those listeners any faster than they were already leaving...especially with the 18-49 year olds arriving slowly.
Then you had the RKO pds like John Long at WHBQ, Memphis and Jerry Clifton at 99X in New York, whose hearts were in the "Boogie Radio" mold and who were all about high-energy rock and roll.
Those PDs were relying on a thin slice of their playlists (Steve Miller Band, Eagles, Boston, Peter Frampton. Aerosmith, Queen, Fleetwood Mac, Jefferson Starship, Thin Lizzy) to maintain credibility with those listeners while "Silly Love Songs", "Don't Go Breaking My Heart", "Afternoon Delight", "I Write The Songs" and "Theme From Mahogany" shared their power rotations with novelties like "Play That Funky Music", "A Fifth Of Beethoven", "Disco Duck", "Convoy" and the "Theme From S.W.A.T." (every one of those was #1 in Billboard).
Ultimately, they all lost...except for KFRC, which blended it all together and to this day counts 1976 as a high-water mark.
How come? It certainly didn't hurt to have Dr. Don Rose, Rick Shaw, John Mack Flanagan, Chuck Buell, Marvelous Mark and Don Sainte-Johnn playing those records and making it sound exciting. Sponsoring Bill Graham's Day On The Green concerts was a great way to hold the youth without blowing off the adults.
Plus, nobody was going to try Boogie Radio in San Francisco....and unlike KMET, KSAN was far too hip to consider pandering to 14 year old boys. So, without being squeezed on the flanks, KFRC found and held the big middle that Paul Drew wanted.
That may seem ironic, given San Francisco's hip image, but Paul Drew himself said it best on the 25th Anniversary CD, reflecting on attending a 49ers game at Kezar Stadium his first weekend in town, followed by a Raiders game across the bay in Oakland: "I realized...this isn't Nob Hill....it's....Milwaukee!"
---Michael Hagerty