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KOY - The New Coyote

Dr. Akbar said:
Bill Drake said:
I find it difficult to believe that Presty could wind a Rolex, let alone handle the Drake format.

And Dr. Akbar, NEVER use my real name in public or I'll have your Regent University Diploma revoked! ;D

The Nurse and I heard Ppprestonian on the Heywood tribute Lovable Jaybird did a while back and he sounded quite good. That PMD pendulm has swung in the opposite direction with Dumber and Dumbest rolling 3-7, 3-7, 3-7 on KT'R.

Sorry 'bout the name thing Mr Y Drake. What happens in Buckeye, stays in Buckeye is our policy!

Sorry for being so touchy about the family pseudo name. Even though I've been dead for over three years, I still like to manage its use.

Too bad my ghost doesn't haunt the bean counting cretins who pass for radio "programmers" today......
 
A slight tangent, if I may...

Dr. Akbar said:
<...>The Buckeye Boyz find it hard to believe FLR purchased 12~Thirty for big bucks in hopes of keeping the Top 40 audience.
FLR bought the station with the intent of building their own audience; from the ground up if need be. They *knew* there was no way to keep an audience like that when you flip to fundamentalist Christian radio from *any* other format.

Same thing happened here in Tucson when KOPO 1450 was bought by them a few years earlier.

The owners of FLR really wanted to get out of Michigan...the winters were killing 'em!
 
johndavis said:
Bill Drake said:
As I seem to recall.... Doubleday wanted to buy a station somewhere else - and that being the good ol' days when the ownership limit was capped at SEVEN - gawd that seems but a faint memory - as does having real people in real studios with time checks and local weather and... Oh, excuse me.... Anyway, Doubleday dumped the smallest <coverage area> station they had. Which was KRIZ.

I always heard the story told that Doubleday dumped KRIZ when it decided to get out of the radio business completely, but that's not the part of the story that will make you cry.

The cash that changed hands was a mere pittance - a fraction of the station's value. The difference between the cash and the value of the station was considered a charitable contribution, which Doubleday took as a tax write-off. That tax loophole has since been closed. But that's why they sought out somebody like FLR.

That would really suck! I could almost get on my soapbox about how the FCC has violated the first amendment by allowing the establishment of one particular religion through the licensing SO many FM translators all rebroadcasting crap for KEAR or some other equally obnoxious source.
 
More History by Gary Stevens, President of Doubleday Broadcasting 1977-1986

Doubleday Broadcasting was formed in 1967, when the book company bought the Trigg-Vaughn group, which had stations in Texas, Colorado, and California, primarily in medium markets (El Paso, San Antonio, Denver, San Bernardino, etc.). I joined in 1970, to manage a new station they had purchased in Phoenix. After I was made President, in 1977, I sold off the small stuff, and put the company into the Top 10 markets (New York, Chicago, Detroit, etc.) In 1985, Doubleday had some financial problems, and we sold the radio company in pieces for a total of over $100 million, a big number in those days. The following year, they sold the publishing business to Bertlesmann.

After KWK went dark in 1973, a bankruptcy cout supervised a bid process for the station, which Doubleday participated in, and won. Because the broadcast tower site had be ruined in the 1973 flood, the signal was vastly diminished. To counter that, we built a separate night site, so that pattern opportunities could be maximized. Even so, once signed on, it became obvious that to truly compete, we needed an FM. After trying (and failing) to buy KCFM, we bought Chuck Norman's Granite City FM, and eventually succeeded in moving it across the river to the Bank building.

While all this was going on, I was still running Doubleday's KDWB in Minneapolis. Hattrik had been working across the street at WDGY, until Storz pulled the plug and went Country. Learning I was slated to run the KWK operation once it was built, he literally camped out in my office. As a former DJ, I have a soft spot for these program guys, and over time, I concluded that he was smart, knew the St. Louis market, and most of all, badly wanted to work at KWK. I decided to hire him. I had done a similar thing with John Sebastian, at KDWB, who developed beautifully, and went on to program KHJ in LA, directly from KDWB. Bobby turned out to be better than I could have imagined, and we went on to build an exciting company with him, but we did burn out. Hindsight teaches us that you have to grow a product. We didn't.

In 1984 Doubleday was losing money, and involved in start ups in New York and Chicago, that were also a drain. I determined it would take another format change in St. Louis, and that was just too much to deal with, especially since there would be no guarantee of success. I put the stations on the block, and there were no takers. Finally, Larry Robinson, and his partners from Cleveland, came along with an offer that was in the ballpark. It was an OK deal for everybody, albeit, a disappointment, after working so hard to put that place back on the air.
 
Bill Drake said:
More History by Gary Stevens, President of Doubleday Broadcasting 1977-1986

Doubleday Broadcasting was formed in 1967, when the book company bought the Trigg-Vaughn group, which had stations in Texas, Colorado, and California, primarily in medium markets (El Paso, San Antonio, Denver, San Bernardino, etc.). I joined in 1970, to manage a new station they had purchased in Phoenix. After I was made President, in 1977, I sold off the small stuff, and put the company into the Top 10 markets (New York, Chicago, Detroit, etc.)


According to Stevens, most Ancient Modulation stations' coverage miss the entire market due to signal issues. Here's why he decided to dump Phoenix and start movin' on up with FM's:

http://books.google.com/books?id=nM...6AEwAA#v=onepage&q=trigg-vaughn group&f=false
 
Nurse Jeff and I cast our two votes for nothin' but Coyote Music 24/7 on 12~Thirty. But then again, the station sounds so retro Ancient Modulation with their block programming of worn out standards; worn out oldies; worn out Sinatra and Smooth Jazz at night and on the weekend. Wonder if they're gonna bring back the UnCola guy - Kay Why Ohhhhhhh Teeee......ahhhhhhhhh? Gotta love that legal ID with KOY and KYOT HD2 in it!
 
So what exactly is the format of 1230? Is it oldies or "nostalgia" during the day?

Is the schedule available anywhere, there CC website is a joke. There is a picture of Chick Watkins, a list of oldies to the right with a pic of Stevie Wonder. It says smooth jazz at night, so what is the score there???
 
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