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KRTH now playing rap music.

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Maybe. Probably not. L.A.'s very ethnic, and KRTH needs listeners who grew up with the music.
More than half of the KRTH cume is Hispanic. English dominant Hispanics and non-Hispanic whites make up about 60% of the LA 25-54 population.
 
Then again, the Inland Empire is a very young (although somewhat conservative) market, so turning off Gen X listeners may not be as big of a deal. (Yes, I know the Inland Empire is a different world from LA/OC. But one can argue that KOLA is KRTH 5-10 years later, give or take a few songs.)
The LA metro(Nielsen, not Census) has an average age of 37.1 while the Riverside-San Bernardino Nielsen metro is 34.8. However, the non-Hispanic white population of the Riverside-San Berdoo market is 37.

The difference is rather small (about 2 years) and what I think to be the main factor is more in the Hispanic population. In the Inland Empire, we saw the second wave of out-of-East-LA migration of second and later generation Hispanics. First, they went to the closer areas of the San Gabriel Valley. More recently, with the SGV becomining "Little Asia", Hispanics have absorbed much of Riverside-San Bernardino... and their heritage and tastes may reflect a different level of integration and "Americanization" in tastes and even consumer goods.
 
Don't look now, but hip hop has been mainstream for 25 years now.
Even more, if you consider specific songs rather than the whole genre.
 
I had to play "Rapper's Delight" when it first came out and my first thought was "Boy, I hope this crap never catches on."
When I first heard "Rapper's Delight" in 1979, I was like, "Wow! This is different! I like it!" At that time, I didn't think that the genre we now call hip hop would go in the direction that it has been going.
 
How about "Gonna Make You Sweat" by C+C Music Factory? That is the only song with a significant amount of rap that was played by New York's classic hits station WCBS-FM today, according to Mediabase. In fact, KRTH's New York sister station played the song twice today.
 
Guess I should put my comment in context to my musical tastes. When I was in my teens I preferred music from the 50s/60s whilst all my contemporaries were listening to "heavy metal" and other current hard rock groups. So....my distaste for "rap" probably grew out of that. Now we're all old and even my classmates [who derided me for my musical tastes in high school] all agree that, with some exceptions, can't stand rap. I can say that there are some songs that are considered "rap-adjacent" that I do like-Dream Warriors-My Definition Of A Boombastic Jazz Style- is one I like and there are a few others that I can tolerate.

 
That means you don't have to play EVERYTHING from those decades, just the songs that fit with the 80s and late 70s you already play.

So go ahead and play Maroon 5, Enrique Iglesias, Mariah Carey, Train and Ricky Martin. But nobody is listening to K-Earth for Coolio or 2Pac.
Are you under the impression they don’t test things with their audience?
 
For me, theres songs in the 90s/00s which feel more like a natural evolution of classic hits than that though like:
John Mayer
Sarah maclauchlan
Rob thomas/matchbox 20
Natasha bedingfield
Lifehouse
James blunt
Daughtry
Paula cole
Natalie imbruglia
Dido
 
For me, theres songs in the 90s/00s which feel more like a natural evolution of classic hits than that though like:
John Mayer
Sarah maclauchlan
Rob thomas/matchbox 20
Natasha bedingfield
Lifehouse
James blunt
Daughtry
Paula cole
Natalie imbruglia
Dido
Daughtry, Matchbox Twenty, etc were not KIIS staples. Nor are they featured prominently on their respective Spotify "All Out" decades playlist, so I can't imagine someone from Scranton wanting to hear Daughtry groan croon that badly. Daughtry, Hinder, and the like are not even on AOR stations today!

And what makes Daughtry more appealing than, say, the Vengaboys? Hardly anyone is nostalgic for safe post-grunge.
 
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