Since Jhani took over at the first of the year, there's been a series of slow but noticeable tweaks to KRTH's sound.
There's the reversion to an earlier, more Drake-ish jingle package (already noted here). I've also been hearing Bill Drake's vintage "And the hits... just keep on comin'!" liner dropped between songs during long sets. The music mix changes are, of course, evident. Last night I heard "Ventura Highway" and Rare Earth's "Get Ready", both missing from KRTH for a long time.
Today I noticed changes in the processing, too. the sound is more open and full, with a bigger bass presence and, it sounds to me, less overall compression - the horns and background vocals on Dionne Warwick's "Then Came You," for instance, are clearer and more definied, where they used to be buried pretty deep in the mud.
And I've also noticed stereo mixes creeping in on 60's era songs that were formerly mono on KRTH, like the Rascals' "It's A Beautiful Morning."
I'm liking the direction Jhani's taking. What does everyone else think?
- Doc
There's the reversion to an earlier, more Drake-ish jingle package (already noted here). I've also been hearing Bill Drake's vintage "And the hits... just keep on comin'!" liner dropped between songs during long sets. The music mix changes are, of course, evident. Last night I heard "Ventura Highway" and Rare Earth's "Get Ready", both missing from KRTH for a long time.
Today I noticed changes in the processing, too. the sound is more open and full, with a bigger bass presence and, it sounds to me, less overall compression - the horns and background vocals on Dionne Warwick's "Then Came You," for instance, are clearer and more definied, where they used to be buried pretty deep in the mud.
And I've also noticed stereo mixes creeping in on 60's era songs that were formerly mono on KRTH, like the Rascals' "It's A Beautiful Morning."
I'm liking the direction Jhani's taking. What does everyone else think?
- Doc