Re: Technical correctons to this thread
> > As an
> > SNG/ENG operator, I have set the remote trucks up in many
> > areas of Everett over the last 5 years, and get virtually
> > nothing from KCPQ on the rabbit ears of the monitor or the
>
> > amplified RV antenna on the mast. I don't even bother to
> > pull the monitor out any more in most parts of Everett.
> In
> > fact, most of the Seattle stations come in very poorly in
> > Everett- only the Tiger Mt. stations come in, as well as
> the
> > KIRO and KTWB translators.
>
>
> So I'm curious...does that mean you have a two-way feed when
> setting up SNG/ENG gear and can take a feed FROM that link
> to give talent a cue as an alternative to setting up an
> off-air monitor?
>
> Also curious how long it generally takes when a truck
> arrives until you are able to feed a signal back to
> newsroom?
>
>
> I'm REALLY interested that some engineers are showing up and
> offering some insight as it's a side of the business I have
> always wanted to learn more about. Have always felt very
> guilty taking operations "for granted" and always enjoyed
> chances to go visit xmitter sites and see how new technology
> works. Thanks for offering your knowledge on these
> threads...I find it fascinating!
>
#1- An off air monitor is a bonus if you can get reception; sort of a backup. What we do need is a cell phone or satellite phone signal. We then dial up and connect to the audio board back at the station and get a program feed down the phone line which is then sent to the reporter and photographer. The audio feed contains director cues and all of the audio information EXCEPT for the reporters voice, so it is a mix-minus feed. That way the reporter doesn't hear themselves a second later in their ear, which is highly distracting. If you ever see a reporter stumble and then yank the cord out of their ear, chances are good that they got a mix-plus (themselves) feed in their ear, which can happen when something goes wrong. In rare cases off-air can be used for cueing if there is no cell service or whatever. At that point it helps to have a truck operator who can turn down the off air feed when the reporter starts. I'm not sure how talent cueing happened before the advent of cell phones. It may have been via two-way radio. I think KIRO had a system in place for many years which broadcast their TV news audio minus all reporters but plus directors cues on a two-way radio frequency. Fox Nuisance Channel has that sort of system in place on the satellite that they use for their live shots.
#2- I have been up on the air on a satellite feeding back a live shot 12 minutes after squealing into a parking lot. That's 12 minutes to start the generator, power up the racks, deploy the satellite dish, deploy the jacks, find and peak up on the satellite, set the transmitting frequency and other transmission details, dial up IFB, run audio, video and power cables and set up the microphone and monitor. That's not how we like to do things everytime, however. I usually like to arrive at least a half hour before our first live hit or tape feed.