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LA AM for sale

This is why I think the $33 million AM is KLAA. Artie doesn't know radio. He looked at what he thought were comps (probably KPWR), and figured his AM is worth a little less than half of a stand-alone FM. But neither are.
Very likely. I think KLAA, without its direct relationship to the team, is not worth much more than $6 million. It's really an Orange County signal and Orange County is not a "real" radio market: no separate ratings book, a diminishing separate identity and not a wealth of independent local businesses that can afford mass media.
 
That was pre-2008. Pretty sure kwthom was talking about current time.
Which is why I included the KPWR sale from 2017. But just as a point of reference, there are stations sold before consolidation, when prices skyrocketed, that probably could not get their sale prices, even unadjusted, today.
 
Very likely. I think KLAA, without its direct relationship to the team, is not worth much more than $6 million. It's really an Orange County signal and Orange County is not a "real" radio market: no separate ratings book, a diminishing separate identity and not a wealth of independent local businesses that can afford mass media.
Signal North of the SM Mountains is very poor daytime, and non existent on night pattern. $ 6 M is too much I think...
 
Signal North of the SM Mountains is very poor daytime, and non existent on night pattern. $ 6 M is too much I think...
I agree, but LA has an "entry price" that some will pay just to be in the highest billing US radio market.
 
Actually, quite a few. KROQ sold to Infinity in 1985 for $45 million. Doubt you could get that for it as a stand-alone today, much less what that sale price is adjusted for inflation ($122 million).

Meruelo (which bought KLOS) also paid $82.75 million for KPWR in 2017. Think they could get anywhere near that now?

This is why I think the $33 million AM is KLAA. Artie doesn't know radio. He looked at what he thought were comps (probably KPWR), and figured his AM is worth a little less than half of a stand-alone FM. But neither are.
I’d guess rights for Angels games are included in the sale too? Assuming this refers to 830. From what i remember seeing awhile ago, don‘t the Angels essentially pay themselves for radio rights?
 
I’d guess rights for Angels games are included in the sale too? Assuming this refers to 830. From what i remember seeing awhile ago, don‘t the Angels essentially pay themselves for radio rights?
I don't know. Artie's trying to sell the Angels. I guess it depends on how long the existing contract between the team and the station runs.
 
I don't know. Artie's trying to sell the Angels. I guess it depends on how long the existing contract between the team and the station runs.
And, since station and team are currently under the same ownership, the deal may be very informal.
 
My first thought was KRDC 1110. Why Disney still hangs on to their last remaining radio property is somewhat puzzling. Maybe it has been up for sale for awhile, but no takers.
 
My first thought was KRDC 1110. Why Disney still hangs on to their last remaining radio property is somewhat puzzling. Maybe it has been up for sale for awhile, but no takers.
Several of us here have speculated that in the end Good Karma may end up with 1110, either in addition to or instead of 710 since the new 710 facility is wretched.
 
Why is it wretched David e
The relocation from the excellent San Fernando Valley site to the area of Azusa combined with a reduction in power and limited directional pattern makes this a very poor facility.
 
My first thought was KRDC 1110. Why Disney still hangs on to their last remaining radio property is somewhat puzzling. Maybe it has been up for sale for awhile, but no takers.
Speculation: Radio Disney is still a pop music network (in the informal sense), but most remaining listeners are streaming it because the AM stations have been largely abandoned or sound like crap. Having KRDC continue to be the OTA "flagship" guarantees that Disney continues to qualify for broadcast-tier publisher royalty costs and no performance royalties, compared to all-streaming services such as Spotify. The Soundscan savings might justify the ongoing operating costs of the station, which would be low overhead, no incremental headcount, and basically a sunk cost (except for electricity and minimal technical maintenance).
 
Speculation: Radio Disney is still a pop music network (in the informal sense), but most remaining listeners are streaming it because the AM stations have been largely abandoned or sound like crap. Having KRDC continue to be the OTA "flagship" guarantees that Disney continues to qualify for broadcast-tier publisher royalty costs and no performance royalties, compared to all-streaming services such as Spotify. The Soundscan savings might justify the ongoing operating costs of the station, which would be low overhead, no incremental headcount, and basically a sunk cost (except for electricity and minimal technical maintenance).
The station has abandoned Radio Disney's main stream and was doing a country "version" and even tried to (illegally) install a translator for it.
 
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