Since I moved to Las Vegas 5-1/2 years ago, I've been underwhelmed at the quality of local radio. Here in market #32, the radio stations
are incredibly boring and lame. I found it interesting that one local jock (who I won't name here) submitted an aircheck to Dan O'Day for critique. Dan critiques the guy in his current newsletter, which reinforces my opinion that Las Vegas radio is lame. You can sign up for Dan's newsletter at www.danoday.com.
Opening break: You're signaling to the audience, "I've got to say this stuff, so I'm saying it." But you don't sound as though you're
interested in what you're saying...and as though you mean it.
It sounds very much as though you're reading it cold, that you're learning about the event at the same the listener is. If it's worth promoting, it's worth promoting in a way that involves the audience and gets them excited.
When you reach "this afternoon," it's clear that you've achieved your goal: to read the liner. That goal is not worth either you or the audience showing up for it.
Listen to the way you identify the song. Can you imagine anyone not concluding that you're bored? To your own ears, do you sound
interested?
My comment: Perhaps if the station in question had a PD who had a clue things might be different.
LF
are incredibly boring and lame. I found it interesting that one local jock (who I won't name here) submitted an aircheck to Dan O'Day for critique. Dan critiques the guy in his current newsletter, which reinforces my opinion that Las Vegas radio is lame. You can sign up for Dan's newsletter at www.danoday.com.
Opening break: You're signaling to the audience, "I've got to say this stuff, so I'm saying it." But you don't sound as though you're
interested in what you're saying...and as though you mean it.
It sounds very much as though you're reading it cold, that you're learning about the event at the same the listener is. If it's worth promoting, it's worth promoting in a way that involves the audience and gets them excited.
When you reach "this afternoon," it's clear that you've achieved your goal: to read the liner. That goal is not worth either you or the audience showing up for it.
Listen to the way you identify the song. Can you imagine anyone not concluding that you're bored? To your own ears, do you sound
interested?
My comment: Perhaps if the station in question had a PD who had a clue things might be different.
LF