Though that work can be farmed out to freelancers.Yes, but the discussion was focused on new "independent" owners, and my assumption is that there was no "corporate production center" attached to a single station.
Though that work can be farmed out to freelancers.Yes, but the discussion was focused on new "independent" owners, and my assumption is that there was no "corporate production center" attached to a single station.
Many groups, even those in just a few markets, consolidate certain departments. Traffic, billing and accounting is another area were it is often better to have centralized functions. In such cases, vacation and sick day work can be easily handled by a team that shares the work.Yet you would agree that the "corporate production center" is the way to go, right? I mean...why does a radio station need local talent?
But someone has to oversee the paperwork, copy writing, production, licenses for production libraries, etc. But in groups, it is easy to have one person do that coordination for all the stations.Though that work can be farmed out to freelancers.
I know, right? Local radio doesn't need someone at the street level to deal with local clients. Helping to craft campaigns, writing copy focused on their needs, coaching local business owners who want to be the "star" of their own spots. Building relationships. This is all passe'.But someone has to oversee the paperwork, copy writing, production, licenses for production libraries, etc. But in groups, it is easy to have one person do that coordination for all the stations.
I know, right? Local radio doesn't need someone at the street level to deal with local clients. Helping to craft campaigns, writing copy focused on their needs, coaching local business owners who want to be the "star" of their own spots. Building relationships. This is all passe'.
It's not passe. It is the job of the sales staff, assuming it is a local direct client.I know, right? Local radio doesn't need someone at the street level to deal with local clients. Helping to craft campaigns, writing copy focused on their needs, coaching local business owners who want to be the "star" of their own spots. Building relationships. This is all passe'.
Or leave the dying radio business for greener pastures.That sounds like it's own business. Start your own agency. You would likely make more money than working for "the man." Act as the intermediary between the client and the station. The sales people know you already. Put some skin in the game.
I get that you're bullish on radio continuing to be relevant, but the truth is that the medium is slowly and inexorably dying.
As for starting my own agency? Sounds great. Now...why would I buy radio?
Radio is hardly dying, but it is forced into evolving because the way radio has made money is changing. Selling to the local car dealers, furniture stores, grocery and hardware stores is becoming much more difficult than back in the day. Either these businesses are being replaced by Amazon and big box stores, or moving their ads to social media because it's cheaper.Or leave the dying radio business for greener pastures.
NEWSFLASH: Nothing stays the same. Everything changes over time.A lot of the responses to the OP are essentially saying "it's not like it used to be and you're just going to have to get used to it."
If I still owned stations, I sure wouldn't hire you.As for starting my own agency? Sounds great. Now...why would I buy radio?
You would buy radio because it is STILL rated very highly as an advertising-supported medium. And you can't buy media that isn't advertising supported (by definition). You can waste a lot of money on analyzing click-throughs, but what matters is that radio is still a dominant force in auto sales and numerous other categories.Or leave the dying radio business for greener pastures.
A lot of the responses to the OP are essentially saying "it's not like it used to be and you're just going to have to get used to it."
I get that you're bullish on radio continuing to be relevant, but the truth is that the medium is slowly and inexorably dying.
As for starting my own agency? Sounds great. Now...why would I buy radio?
When I posted this, I tried to keep it on a non-technical level. Rather than go thru all the classes* of bankruptcy I used “failed”. Conceivably a station could be tied in with a farming operation and Chapter 12 could be used. A town or municipality could used Chapter 9. A person could end up in Chapter 13 from other business not related to radio. Banks or bondholders they still have a claim.secondchoice, you lost me at "financially fails". Pick up a good accounting book and refine your definition of that term. Then go back and do a total rewrite of everything you propose, since on the surface it indicates a total lack of understanding of reality. And by the way, when's the last time a bank accepted a broadcast license as collateral? And if you're really serious, I want some of what you're smoking.
If a company files Chapter 7 or 11 the licenses should go back to the FCC.
3 AMs silent in St. Louis and the FCC tried auctioning them off. No one showed up with checks and stax o' wax.That would throw those stations off the air and into a state of confusion for years while the FCC goes through the motions of reassigning those licenses, holding an auction, and then starting those stations from scratch. We saw the process play out in Sacramento when Entercom turned in 107.9 in 2017. It took five years, and ended up getting bought by iHeart. Not sure how having a station off the air for five years benefits the public interest. Imagine if we were talking about hundreds of stations. The auction money would go to the FCC, not the radio company creditors. Not in the interest of those creditors. The courts feel the creditors benefit by getting equity in the stations and keeping those stations on the air.
Well sir, I wasn't being nitpicky or snarky, and I'm sure you were a great day trader while it lasted, but your thesis terribly flawed, and shows that whatever credentials you have don't appear to be connected to the realities of the broadcasting business. It's full of specifics that are not even possible. If you think there's insanity in the current ownership system, try it yourself. I'm sure you'll enjoy working with transmitter manufacturers, tower leases, FCC policies and regulations, music royalties (Sesac, GMR, ASCAP, BMI, Sound Exchange, with more on the way). You may even like dealing with the FCC and regs that make no sense and subject to day-to-day re-interpretation of the regulations themselves. Then watch it all unwind in a hurry when you attempt to work through your thesis, which in fact was not "simple and readable by people not in the business". By the way, I'm fully aware that this is a radio site; I would hope that most posters on this site are "in the business".When I posted this, I tried to keep it on a non-technical level. Rather than go thru all the classes* of bankruptcy I used “failed”. Conceivably a station could be tied in with a farming operation and Chapter 12 could be used. A town or municipality could used Chapter 9. A person could end up in Chapter 13 from other business not related to radio. Banks or bondholders they still have a claim.
IMHO Chapter 11 is the most abused. Corporate management will try to find a bankruptcy court that tends to keep them in control while the shareholders and employees get screwed. That’s why Delta and Northwest airlines filed in Chicago. If a company files Chapter 7 or 11 the licenses should go back to the FCC.
This is a radio site. If you want to nitpick and be snarky there are other sites. If you don’t like the idea, come up with another one or say you like the insanity of the current ownership system.
BTW: I was a day trader for 11 years before retiring. Before that I was victim of Lehman Brothers. (I had nothing to do with the insuring of mortgages.) I developed throat issue which messed with my radio career (first choice). Thankfully I had a BSBA from Tennessee Tech which is an accredited university to fall back (on second choice). I didn't know the "legal and accounting police" checked this site. Just try to keep it simple and readable by people not in the business. If you want to go down the accounting and business "hole" PM me but I don't think the readers of this site want to hear about the business exact terms.
*Chapter 10 might be changed
One of the station owners I follow on Facebook is very proud of his stations and is having success with them, but follow his timeline and there is endless frustration.Well sir, I wasn't being nitpicky or snarky, and I'm sure you were a great day trader while it lasted, but your thesis terribly flawed, and shows that whatever credentials you have don't appear to be connected to the realities of the broadcasting business. It's full of specifics that are not even possible. If you think there's insanity in the current ownership system, try it yourself. I'm sure you'll enjoy working with transmitter manufacturers, tower leases, FCC policies and regulations, music royalties (Sesac, GMR, ASCAP, BMI, Sound Exchange, with more on the way). You may even like dealing with the FCC and regs that make no sense and subject to day-to-day re-interpretation of the regulations themselves. Then watch it all unwind in a hurry when you attempt to work through your thesis, which in fact was not "simple and readable by people not in the business". By the way, I'm fully aware that this is a radio site; I would hope that most posters on this site are "in the business".
Have a good day.
If you don’t like the idea, come up with another one or say you like the insanity of the current ownership system.
That's actually a consequence of the ownership limits being too lax. In many markets, the ownership limits are such that only two operators can control all the full-market service stations, and a third company is unable to assemble a competitive cluster.It's no wonder that the only groups interested in buying stations are religious non-coms.