Man, I hate to get into the whole "is it Live or memorex" deal...but let's just say sometimes it is...sometimes it isn't and you can try to guess whenwiifm said:One of their former GM's, Rod Burnham, made a ton of money doing outside v/o work. I wonder how he would have reacted to this little game.
Anyway, to prohibit jocks from picking up a little extra cash on the side when they are paid like dirt is unconscionable. And charging for dubs also is beyond the pale. I hope like hell this whole scheme backfires.
Steve, are you live in the mornings?
Try calling local production houses and ask if they need any extra voices or call the local tv stations too. They sometimes need extra voice help but make sure you understand the setup (will you be going to their studios, or will they expect you to cut it on your own and send it to them) cause if they want you to cut it yourself, your station may have an issue with you using their prod facility to generate money for someone else. You will also want to know if they expect you to fully produce the spot, or just do a dry read because once again if they want it fully produced, you'd need to make sure you have the rights to use whatever production library you use (beds, etc). To stay on the safe side, I'd say try to find someone who will just let you do the dry read. Don't know what these pay today, but about 10 years ago, I was pulling $50.00 per cut for dry read spots. Considering I could belt those out in like 5-10 mins each doing a few takes...it was pretty decent cash but the work is very sporatic so don't expect to get rich either.Sandman_316 said:So how does one get into outside voice over work? It's something I've always been interested in just to pick up some extra cash. Any advice from the voices of experience?
Here is how I liken this practice. Let's say you buy a Chevy. Naturally Chevy would like you to get it serviced at their garage because it benefits them further financially. But suppose Chevy said "if you get you car fixed elsewhere, we will charge you a surcharge anytime you do so". That sounds nuts, but the fact is that is precisely what is hapenning. How many people do you think would buy Chevy if word got out about something like that? No company will win awards for customer service by giving their customers reasons not to buy their product.yocco said:First of all, a dub today is generally just an attachment to an e-mail. I can't believe they actually make a "dub" of a spot anymore. This practice by Forever is certainly a disservice to the advertising community.
It's also hurtful to radio in general in the area. All radio companies should be doing what they can to get clients to buy radio first. This will drive some clients away from the medium to TV and newspapers. Mark my words. My vote for worst idea by local radio in 2007.