F
fred flintstone
Guest
St. Petersburg Times:
To anybody who listens to radio at all closely, Black radio is different than White radio (or mainstream radio, if you prefer). Black-targeted stations have a different style, a different feel and a different sound. Urban talk radio is not the same as mainstream news-talk or progressive talk.
Public radio in most markets has moved away from the old days of hodge-podge programming (news in AM and PM drive, classical in the middle of the day, concerts or jazz at night, maybe highbrow "conversation" in there some place; with opera, a folk show, a Brit quiz and PHC on the weekend). Public radio now has formats. So what makes them think they can stick a Black-targeted talk show in the middle a mainstream/White-targeted schedule and have it work? (Answer: It can't.)
There may not be enough non-commercial bandwidth to go around but what public radio needs are discrete stations targeting minority audiences - maybe NPR/PRI/APM "members," maybe not. One place public radio should be looking for more bandwidth: AM Radio and all those brokered stations (infomercials and religion) and stations going dark. (Actually, public radio should have started looking at AM 15 to 20 years ago when AM stations were being offered - with no takers - a fire sale prices, as a logical place for burgeoning news and information formats (with the chance to keep music formats on FM). Public radio managements were notoriously short-sighted not to have done that.)
Key Points:Public radio struggles to find black audience
As News & Notes loses listeners, can NPR sustain quality black programming? Even now, Ed Gordon isn't sure how it all turned out so badly. When his newsmagazine show debuted on National Public Radio more than 18 months ago, he couldn't have been in a better position.
DUE TO FAIR USE POSTING RESTRICTIONS, I RECOMMEND YOU READ THE ARTICLE BEFORE REPLYING.
http://www.sptimes.com/2006/08/14/Artsandentertainment/Public_radio_struggle.shtml
- Last year Ed Gordon's "News and Notes" inherited Tavis Smiley's slot with 90 stations and over one million listeners. Audience is down 17 per cent.
- Major stations have dropped the show or moved it to dead times.
- Finger pointing has started. Depending on to whom you talk, NPR is letting the show die or Gordon isn't connecting with the audience.
- NPR management has reportedly told the show's staff that if they worked in commercial radio they'd be unemployed now.
To anybody who listens to radio at all closely, Black radio is different than White radio (or mainstream radio, if you prefer). Black-targeted stations have a different style, a different feel and a different sound. Urban talk radio is not the same as mainstream news-talk or progressive talk.
Public radio in most markets has moved away from the old days of hodge-podge programming (news in AM and PM drive, classical in the middle of the day, concerts or jazz at night, maybe highbrow "conversation" in there some place; with opera, a folk show, a Brit quiz and PHC on the weekend). Public radio now has formats. So what makes them think they can stick a Black-targeted talk show in the middle a mainstream/White-targeted schedule and have it work? (Answer: It can't.)
There may not be enough non-commercial bandwidth to go around but what public radio needs are discrete stations targeting minority audiences - maybe NPR/PRI/APM "members," maybe not. One place public radio should be looking for more bandwidth: AM Radio and all those brokered stations (infomercials and religion) and stations going dark. (Actually, public radio should have started looking at AM 15 to 20 years ago when AM stations were being offered - with no takers - a fire sale prices, as a logical place for burgeoning news and information formats (with the chance to keep music formats on FM). Public radio managements were notoriously short-sighted not to have done that.)