I "got" that song the minute I heard it back when it came out..thought it was pretty obvious. It did take a big pair if you know what I mean because back then there was a total gag order on saying anything critical about BA - by then everyone had drank the Kool Aid or been exiled.. He came thru town shortly after that and we chatted..basically he was p*ssed about the direction the music was being pushed into and his former label, Warner Bros was very much into tailoring their releases to BA criteria - they had to in order to survive.
He was not banished from BA stations because of this song - BA had already "strongly encouraged" stations to not play vocalists that were unfamiliar to pop audiences unless they had a Babyface ish pop/R&B sound (in other words if they were acts like Shai that Paul Brown was trying to get a deal for). That meant no Michael Franks, Manhattan Transfer, Marilyn Scott, Kevyn Lettau, Full Swing, Michael Tomlinson, Take 6, even Basia (too high energy) and they even bailed on Slim Man after "breaking" him on the first smooth jazz network.