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More reasons why radio sucks

radiofriend1 said:
your point being????????????????????? what

Yeah, a music test will solve all those issues. Any songs that are only of appeal to a small segment will be negative to the rest of the listeners... so why bother?

In any case, it is funny to siee discussion of a format that is in rapid decline as if anyone were going to launch a new oldies station (what an oxymoron!) today.
 
Gr8oldies has a good point. It's not drivel. BUT...you can't run this format rotating 500 songs, 300 at a time. And testing is pretty much nonsense. It DOES matter WHERE the tests were given. And a PD worth his/hers salt MUST use common sense to 1: avoid catering to oldies junkies and eclectic oldies, and 2: use the same talent to know whether a song fits well into rotation for YOUR city. Philly, Detroit, LA...each area has it's own musical tastes, local hits, and memories. I always felt that consultants were blind to that fact. They took away the localism of most oldies stations, which made them suck.

The Top 75 issue? I believe it's true. The Top 100 songs or so won't change much city to city or year to year. I back that claim with a visit to:

http://www.musicradio77.com/websitesurvey.html

Visit the different years, it's a pretty strong case for consistant Top 100. BUT, there's gotta be breathin' room!

There isn't a testing audience big enough or with the stamina to test all the songs that are considered for play. So if you don't test it, how can you exclude it on THAT merit?

And what's wrong with listening to the listeners? Requests? PLAY 'EM.
 
DavidEduardo said:
radiofriend1 said:
your point being????????????????????? what

Yeah, a music test will solve all those issues. Any songs that are only of appeal to a small segment will be negative to the rest of the listeners... so why bother?

In any case, it is funny to siee discussion of a format that is in rapid decline as if anyone were going to launch a new oldies station (what an oxymoron!) today.

it is just the "boo hoo i can't play chuck berry songs anymore!" crybabies who drag it down
 
Problem is, the way people relocate a substantial part of the population of any city didn't grow up there, thus no "local memories".
 
Man, some of you folks are really nasty with each other, and have no tolerance for the other guys opinion. (Must be liberals or something). Can't we agree to disagree without making it seem the other guy is some idiot cause he doesn't share a view you may have? Lighten up folks; it's only our opinions.
 
I did my own research, picked a year AT RANDOM (1966). Went and got only the top 30 songs for WABC, WKNR (Det) and KGB (West Coast). Of the top 30 songs and using only 3 sources, there were 60 songs!
5 songs of the Top 10 songs in the KGB list wern't in the WABC list, only 2 by WKNR.
The #1 song on WABC wasn't in the top 30 of KGB; KGB had 5 songs in the their top 10 that weren't in ABC's top 30. 5 of the top 13 songs on WABC's list did not show up in the top 30 on either the WNKR and KGO lists.
On a separate note, according to CHUM, 374 songs were in their top 40 charts during 1965.
The #'s do not lie- I gave you the facts, y'all can draw your own conclusions.
 
amfmsw said:
Gr8oldies has a good point. It's not drivel. BUT...you can't run this format rotating 500 songs, 300 at a time.

I don't know anyone who does that. Most oldies stations have around 500 to 600 total custs... about 400 are regular rotation, and some of the rest are manual fills and some are on long rest-play-rest-play cycles as testing shows they do not hold up to regular play.



And testing is pretty much nonsense.

Testing is very effectrive. Just look at all the radio battles in the past that were lost to stations that tested while the PD said, arrogantly, "I know this market."

It DOES matter WHERE the tests were given.

To some exxtent, it deoes. A test must be accessable to the audience you wish to talk to. It must be in the metro. It must be at a location that does not intimidate people. It must offer easy parking, paid for by the research company. Otherwise, testing your format listeners in different areas is generally nit picking.

Philly, Detroit, LA...each area has it's own musical tastes, local hits, and memories.

LA does not. Most of the oldies base that is not Hispanic has left. Of the non-Hispanic white population, more than 60% did not live in LA 35 years ago, so the songs that were local hits are irrelevant and probably highly damaging. Philly and Detroit have less transiencey, but Americans move. There are going to be many people in those markets who did not grow up there, so local stuff has to be handled with great caution.

I always felt that consultants were blind to that fact. They took away the localism of most oldies stations, which made them suck.

No, they took away the stiffs. Any consultant favors testing as often and as many songs as possible in hopes of finding playable cuts, even if they re-burn in 6 months. On the adult hits (oldies with a name less negative to most boomers: "I am not getting old!") stations I do, we test over 1000 songs each time we test.

There isn't a testing audience big enough or with the stamina to test all the songs that are considered for play. So if you don't test it, how can you exclude it on THAT merit?

But we do test them. I have tested as many as 1550 songs. Generally, if we test a song several times and it bombs each time, we never test it again... multiple tests eliminates burn as a factor, so the song is just a stiff and we forget it. But there are enough songs in my format to come up with 1200 easily, as well as some we want for speciatly shows.

The respondents are made into a panel. They score songs in groups over several nights. They love it, as they make a couple of hundred dollars, too.

And what's wrong with listening to the listeners? Requests? PLAY 'EM.

Aaaargh. so all the testing and consesnsus opinions as well as the hard work of the PD in balncing each hour, watching hour rotations and such is going to be thrown out at the whim of one listener whose only qualification is having a phone? I have not done requests since the 60's... because I found the request line groupies will call and ask for a song a half hour after you play it... they are not good listeners and definitely not good diary keepers.
 
FRR said:
Man, some of you folks are really nasty with each other, and have no tolerance for the other guys opinion. (Must be liberals or something). Can't we agree to disagree without making it seem the other guy is some idiot cause he doesn't share a view you may have? Lighten up folks; it's only our opinions.

please put your *MUST BE LIBERALS* comment firmly where the sun don't shine

oh yeah we forgot-conservatives only like those who AGREE WITH THEM ALL THE TIME ON EVERYTHING, march in lockstep and are perpetually drunk on the *yer with us or yer against us" brand of koolaid being served in dc these days

sheesh
 
radiofriend1 said:
FRR said:
Man, some of you folks are really nasty with each other, and have no tolerance for the other guys opinion. (Must be liberals or something). Can't we agree to disagree without making it seem the other guy is some idiot cause he doesn't share a view you may have? Lighten up folks; it's only our opinions.

please put your *MUST BE LIBERALS* comment firmly where the sun don't shine

oh yeah we forgot-conservatives only like those who AGREE WITH THEM ALL THE TIME ON EVERYTHING, march in lockstep and are perpetually drunk on the *yer with us or yer against us" brand of koolaid being served in dc these days

sheesh
FRR, don't waste your time with these guys. They have all the answers.
That's why oldies radio is alive and well. Right.
 
oldies radio is in its current jackpot becuz:

-it's been a niche format all along and it's core listeners are aging out of the 25-54 demo umbrella(we in radio think we have lots of power
but we cannot stop people from getting older)

-aging out of 25-54 is important becuz RADIO ADVERTISERS, U know the ones who pay the salaries,etc. DO NOT TARGET 55+
this is not an opinion it is FACT

-and oldies somewhat screwed themselves by staying very elvis-to-vietnam for way too long and did not evolve like every other radio format ever to hit the air

-most people pissed about the demise of the oldies format are either aging djs who see radio passing them by or jox who lost jobs when oldies started fading off FM dials

my advice. find an am that doesn't have being a profitable business as a priority and play your chuck berry tunes on the weekends. u get your fix and we don't have to hear another oldies freak crying in his beer
 
radiofriend1 said:
-most people pissed about the demise of the oldies format are either aging djs who see radio passing them by or jox who lost jobs when oldies started fading off FM dials

You left out one group...nerdy guys with huge collections of 45s that always wanted to be a rock & roll dj but never had the chops to get even a weekend overnight gig in Podunk and now have their shorts in a wad that "their" music is gone from the radio. Besides, it's a lot easier to complain on some anonymous message board than it is to actually get a job in the biz and see what it's like from the inside.
 
DavidEduardo said:
I have not done requests since the 60's... because I found the request line groupies will call and ask for a song a half hour after you play it... they are not good listeners and definitely not good diary keepers.

I have found that most requests actually come while the song is playing, or shortly thereafter. My experience may not be typical, but I suspect that it is. As much as it would be nice to "listen to your audience," the people who call in are usually not representative of the community at large. Most regular people will not call a radio station to request a song.

David referred to the callers as "groupies," and there is a lot of truth to that. It's the same people over and over. Eventually you get on a first name basis with some of them.
 
radiofriend1 said:
FRR said:
Man, some of you folks are really nasty with each other, and have no tolerance for the other guys opinion. (Must be liberals or something). Can't we agree to disagree without making it seem the other guy is some idiot cause he doesn't share a view you may have? Lighten up folks; it's only our opinions.

please put your *MUST BE LIBERALS* comment firmly where the sun don't shine

oh yeah we forgot-conservatives only like those who AGREE WITH THEM ALL THE TIME ON EVERYTHING, march in lockstep and are perpetually drunk on the *yer with us or yer against us" brand of koolaid being served in dc these days

sheesh
I do think Mr. radiofriend 1 just proved my point. [EDIT]



[EDIT-inflammatory]
 
What is considered the time span for "oldies?"
There's an expression (I think a song) "oldies but goodies." To me that implies a song that is long ago and now off the charts. But some 'oldies" are played at least once every 24-48 hours? So how can a song be considered an oldie if it is heard every day (or so) or at least several times a week?
thanks.
 
what is "oldies"

vibe said:
What is considered the time span for "oldies?"
There's an expression (I think a song) "oldies but goodies." To me that implies a song that is long ago and now off the charts. But some 'oldies" are played at least once every 24-48 hours? So how can a song be considered an oldie if it is heard every day (or so) or at least several times a week?
thanks.

"Oldies" has become a brand name for top 40 hit music from the late fifties to the early seventies. Some get played more often than others because of high demand (just like when they were currents).

One of the major misunderstandings (it seems) by all the radio hacks and geeks on radio boards is this notion that, "geez, you've burned out 'Brown-Eyed Girl' so much people are sick of it" and so on. The truth is, while there is definitely some fatigue out there for all library-based format, most Oldies or Classic Rock listeners have a universe of what they consider "my music" and it's only so big. I am not of the notion (and never have been) that you can play the same 250 to 300 titles over & over again and have continued success.

However, the mistaken supposition that "there are thousands of songs out there, play them all and even only play the big ones about once a week because we're tired of them" would never, ever work. If you know anything about playlist size and category rotation, you'd quickly conclude that if you only play "My Girl" once a week, there's gonna be a whole lot of stiffs mixed in between. Please do not confuse "there is some overplay fatigue out there" with, "all of a sudden, Oldies listeners want us to play a lot of unfamiliar songs with no staying power to fill in the gaps". I'm tellin' ya, boys, take the charts and ditch them-nobody who's an Oldies radio partisan will trade in a couple of plays of "My Girl" every week for huge #1 hits from 1968 like "Honey" by Bobby Goldsboro or "One Bad Apple". Should Oldies radio look for compatible depth for our playlists? Yes, absolutely, but that doesn't mean all of a sudden playing anything that charted in the top 40 from 1955 to 1975 just so you can boast, "well, OUR station's playing 2,000 titles!". Big deal. Your listeners don't know (nor care) how many titles you have, only that you don't play the same thing at the same time day after day and you give them the occasional "surprise" in the form of an oh-wow title here & there that makes sense for your target audience.

Finally, if you love all those stiffs, certainly get an MP3 player and knock yourself out. But if you play unproven stiffs (by today's standards) and your listeners will drop like flies.
 
Eduardo, while I still disagree with some of your points disecting my post, you make a very intelligent argument for the cause.
 
amfmsw said:
Eduardo, while I still disagree with some of your points disecting my post, you make a very intelligent argument for the cause.

Thanks. I consider that quite a compliment.

When posters like yourself make intelligent arguments I disagree with, it does not make either of us right or wrong... it means we are both still open to the possibility that we might not know it all and can learn new things. I frequently learn from posts I take exception to, as they make me reconsider my postions, often forcing me to do some more research and review why I think the way I do.

A lot of radio folks, myslef included, do tend to follow 2the way we have always done it." I have in the past few years been able to hire from outside radio, and love finding how bright people can say, "why do you do it that way? It's stupid."

And that is what makes this board fun.
 
DavidEduardo said:
A lot of radio folks, myslef included, do tend to follow 2the way we have always done it." I have in the past few years been able to hire from outside radio, and love finding how bright people can say, "why do you do it that way? It's stupid."

And that is what makes this board fun.

Hey! We actually agree! Truth be known, we all go by the axiom of "We've always done it that way." It's human nature, and radio has no exclusive use of the concept.

Merry Christmas, everyone!
 
The big hits obvoiusly have an audience, and want to be heard. My comment/question/suggestion is, just cut back a bit and throw in some other "lesser" hits a bit more often. I am not suggesting playing Yellow River by Christie once a week, but those "other" hits can be mixed in a bit more than they are now. Of course we are going to hear "Oh Pretty Woman" still and alot, but does it have to be everyday? If we cut back just a bit, it leaves room for a few other songs to be thrown into the mix. They dont have to be duds or bombs, and I truly do not believe every song that tested well is getting airplay. There are more than 300 good quality time tested hits from the golden age of oldies rock (55-75). There must be some value/assesment system to give to the various songs so the higher ones can get more airplay and the lesser ones not as often. Not as often doesn't mean NEVER! This way the huge burnout factor won't be quite so bad. There has to be a fine line between playing 300 songs to death and saying there are no other good tunes, and just throwing in obscure, lower charted hits. I am just saying what we have now doesn't seem to be working or satisfying the audience, so why not adjust it? "Brown Eyed Girl" is great, but once every 24 hrs? Is that truly what oldies audiences want? My "oh wow" songs may well be your " I hate those", but guess what? Some of those big "popular" tunes can turn into "I am starting to hate this one " too!
 
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