Bigrig, it's plenty good enough for digital broadcasting! That is, you could process for web streaming DAB, DAB+, IBOC (HD2/HD3), DRM, satellite radio, you name it.
However, it's no good for Analog broadcasting. It's a digital-only processor, and is optimized to do *that* job. As such, the signal has the exact same shortcomings (from an FM engineer's point of view) as an 1100, 6300, or a ONE with the streaming software would:
No inter-sample peak control. The built oscilloscopes look nice and tight, but that's because they are (intentionally) not oversampled in Breakaway Live. (In BBP, the oscilloscopes ARE oversampled).
If you hook up an external scope, you will see tiny little micro-peaks above 100%, up to 140% or so, due to them slipping by *between* the samples. This is irrelevant for digital broadcasting, so Live doesn't do anything about it. Fixing that would only use CPU power.
No pre-emphasis, and no pre-emphasis limiting. If you apply 75us pre-emphasis after, for example in an external stereo generator, you'll see peaks over 500%.
Look-ahead limiters - no clippers. Nice, clean, very cpu efficient, but unsuitable for pre-emphasis. Look-ahead limiters simply cannot create the density required to "cut through" todays crowded FM band. On FM it would be several dB quieter than BBP and other proper FM processors, and it would still sound smashed and dull! For an example of what it sounds like when you do this, try Sonos III.
There's also no tilt control or any other analog-type calibration features, since they just aren't useful in live, so I felt it better to keep the gui nice and simple.
All these things can of course be dealt with ... And then we'd end up with BBP. Deja-vu

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///Leif