Radio_Realist said:He used to be able to call the play-by-play very precisely, but that skill has eroded over the years.
Blass pitched professionally for 15 years. He's been a broadcaster for 23 years.
So, Lanny isn't a good broadcaster because he's been at it too long, but blass is a good broadcaster because he's been at it for a long time. Is that what you're saying?
If Blass started in pro baseball at 18, pitched for 15 years, and worked as a broadcaster for 23 years, that makes him around 56, only 3 years younger than Lanny. So, Lanny is a washed up has-been because he's 59, but Blass is still valuable at 56. Is that what you're saying?
Boss Radio said:Radio_Realist said:He used to be able to call the play-by-play very precisely, but that skill has eroded over the years.
Blass pitched professionally for 15 years. He's been a broadcaster for 23 years.
So, Lanny isn't a good broadcaster because he's been at it too long, but blass is a good broadcaster because he's been at it for a long time. Is that what you're saying?
If Blass started in pro baseball at 18, pitched for 15 years, and worked as a broadcaster for 23 years, that makes him around 56, only 3 years younger than Lanny. So, Lanny is a washed up has-been because he's 59, but Blass is still valuable at 56. Is that what you're saying?
(Sigh)
No, what I'm saying is this comment posted earlier in the thread -- "...Steve Blass, while very good pro baseball players now retired, they're not career broadcasters." -- doesn't have a lot of validity since Blass has been a broadcaster longer than he was a professional baseball player.
For the record, Lanny is 59 and Blass will turn 65 next week.
Snafu said:Of course the best promotion in the world (and thus the best way of growing your product) is still called winning. Ask the Penguins.
Snafu said:As for the original question of this thread--yes moving the broadcasts away from KDKA will help somewhat, but only if the team is willing to hold Clear Channel's feet to the fire on occasion to make them live up to the promise of being a partner in growing the product.
Of course the best promotion in the world (and thus the best way of growing your product) is still called winning. Ask the Penguins.
Parttimer said:Snafu said:As for the original question of this thread--yes moving the broadcasts away from KDKA will help somewhat, but only if the team is willing to hold Clear Channel's feet to the fire on occasion to make them live up to the promise of being a partner in growing the product.
Of course the best promotion in the world (and thus the best way of growing your product) is still called winning. Ask the Penguins.
By the same token, since the Pirates employ the announcers and control the content of the pre-and post-game shows, and didn't change ANYTHING, apparently they feel that everything that might have been wrong was KDKA's fault.
Most every major league team formats the broadcasts the same way, but I still feel there's a lot that could be improved, and most of it is not controlled by Clear Channel.
Boss Radio said:When the Pirates originally took all aspects of the radio broadcasts in house, they had a director of broadcasting (Dean Jordan) who had worked in the business and understood it. He even produced and voiced some of the promos.
The current director of broadcasting was working in the ticket office before he was given this job.
Radio_Realist said:Boss Radio said:When the Pirates originally took all aspects of the radio broadcasts in house, they had a director of broadcasting (Dean Jordan) who had worked in the business and understood it. He even produced and voiced some of the promos.
The current director of broadcasting was working in the ticket office before he was given this job.
And yet the baseball fan listening to the broadcasts who doesn't work in radio can't tell the difference! Interesting!
Boss Radio said:Radio_Realist said:Boss Radio said:When the Pirates originally took all aspects of the radio broadcasts in house, they had a director of broadcasting (Dean Jordan) who had worked in the business and understood it. He even produced and voiced some of the promos.
The current director of broadcasting was working in the ticket office before he was given this job.
And yet the baseball fan listening to the broadcasts who doesn't work in radio can't tell the difference! Interesting!
They sure as hell can tell when there are technical foul-ups that keep the games from sounding right. They can tell when the station is inserting spots at the wrong time and interrupting the game.